Fstoppers posted last night that the newest lens from Nikon the 80-400mm f/4.5-5.6, their exciting new CoolPix A and a bunch of other compact cameras had been announced. Well, now they're all available for preorder! Follow the links below to pre order one of these exciting new gadgets!
Storied cinematographer, Frederic Fasano, talks about his career as an International Director of Photography. Also, Fasano walks us through the old world film techniques of shooting a modern puppet show, Helpsters.
Have you ever wondered what’s in the mind of a wedding filmmaker? How do bits of footage turn out to be a moving film that tells the couple’s story?
Indulgence, they say, is best served with a side of irony. So, I embarked on a mission to turn a mountain of McDonald's cheeseburgers and fries into a high-concept portrait photoshoot.
The best part about creating personal projects is the opportunity to grow in a pressure-free environment. I just finished shooting such a project with a couple of friends, and the lessons I learned at “play” turned out to be the kind I’ll be sure to use in my work.
If you were asked to film the world's fastest animal running in slow motion, what would you do? Director Hans Weise and cinematographer Greg Wilson teamed up with National Geographic to produce some stunning footage of a cheetah running at full speed. After meticulously building a 410 foot dolly to die for, the team propelled a few Canon 1D X cameras and a high speed Phantom along side the cheetah. I can't wait to see the final footage but after watching the behind the scenes video I'm sure it's going to be breathtaking.
UPDATE: Here is the final slow motion footage...
Death Valley is a vast expanse of landscape with varying terrains throughout the park. As a visitor, it is easy to find yourself rushing from place to place to take it all in and capture it in images. Is that the best way to photograph it? Or is being slow, patient, and deliberate a better approach?
