It’s the moments between our accomplishments that define us. Particularly in an age of social media, with its carefully curated posts, profiles, and portfolios, it can be hard to appreciate the part of your persona that nobody was ever meant to see. That is until you realize that little bit of you just might be the most real. This certainly seems like the case for Iowa-based Videographer and Producer Tyce Hoskins, whose GoPro outtake reel, “GoPro & I,” is generating buzz for being, well, sort of unprofessional.
For me, food photography has to be one of the most complex and technical types of photography in the industry. The ability to bring life and attraction to something you need to convince other to eat is pretty impressive. Steve Giralt has done the impossible by creating one of the most outstanding examples of a deconstructed burger I have ever seen.
In this video from Aputure, DP Julia Swain is invited to share her techniques for lighting a dinner table scene, which are common to film productions, but also have applications in the corporate and documentary video world. After the video, check out some of my own personal examples from lighting a similar setup, but instead for a corporate roundtable with an all black background.
Most of us are familiar with Drew Geraci’s work even if we don't recognize his name. Geraci is the owner of District 7 Media and is the man behind the time-lapse material seen in the opening sequences of Netflix’s House of Cards, PBS's Frontline, and three NFL's Superbowls. As one of the most talented and influential time-lapse producers in the industry, Geraci again pushes boundaries with “China: A Prisma Tale,” a motion time-lapse processed within the Prisma App.
When the top of the line car manufacturers look for people to call on in order to craft their new marketing materials for the newest and most technologically advanced cars off their assembly floor, they reach out to people like Richard Thompson, and that's exactly what Pagani Automobili did, for their newest and most advanced automobile yet.
The filmmakers of “The Muir Project,” known for their first documentary, “Mile… Mile and a Half,” have just released their latest film, “Noatak: Return to the Arctic.” I interviewed Director Ric Serena who told me about the production challenges his team faced when working on a remote river deep in Alaska and why they chose to go with the Canon 1DC as their camera of choice.
If you've recently wrapped watching the 80s throwback "Stranger Things" on Netflix, you are probably filled with plenty of nostalgia by this point. Why not dive a bit farther back to a galaxy far, far away in some behind the scenes toy photography action? Freelance Photographer Steven Price is reliving his childhood love in these surrealistic scenes using toys usually meant for kids. Then again, we are all kids at heart.
A few months back, I mentioned that I had been given an exclusive invitation to spy on the Shoot The Centerfold seminar in Miami. This much celebrated glamour photography event features the pinnacle of models and educators in the genre, and goes down twice a year alternating between Miami, FL and freaking Santorini, Greece or some other insanely exotic location.
"This is what we have to create if we want to sell." Ruben Salvadori, an anthropologist and photographer, spent months in East Jerusalem, where he initially went as a conflict photographer. Soon, however, his anthropological training kicked in, and he found a subject that was more interesting to him personally: the photographers themselves.
In this video from Ryan Connolly over at Film Riot, he takes viewers quickly through an action sequence he has edited, and shows a few simple ways that he was able to increase the perceived speed and create a more realistic edit. Even if you're not editing fight scenes, there are a few tricks in here that are absolutely applicable to other genres.
There are certain images that have become so ingrained in our psyches, they are almost dismissed outright. If you've ever been in a bookstore, browsing the photography section, you've seen the docile faces of the Weimaraners of William Wegman. The images are always clean, crisp, and have become immensely popular in the last 20 years, gracing coffee tables and calendars alike. The temptation to dismiss them as commercial drivel is strong. But that would be a mistake!
I know that I’m preaching to the choir when I say that personal projects, free from the constraints of commercial clients dictating production details, are an important outlet for creativity and staying sharp on your skills. Photographer Ray Demski just dropped his latest passion project, "Fireball," combining parkour, football (soccer), and beatboxing.
Foster Visuals, known for the nationally-awarded "Legacy Project," recently teamed up with DJI to tell the story of Heraldo Riel, a gaucho in Patagonia, Chile. Like his father before him, Riel became a Gaucho at the age of nine. To be a Gaucho means to be kind and caring for all living things. Using a combination of equipment, including the DJI Osmo, Ronin, and Inspire 1, Brent Foster and his team tell Riel's story and captures the intense beauty and solitude of the remote section of Patagonia in which Riel lives.