Audi took advantage of Monday night's presidential debates with its "Duel" ad spot. Nearly the entire clip plays in reverse, allowing the chronology of the true story and how the action unfolded to the point at which you began to unravel itself in an action-packed scene. The rewound clip -- fit for a 007 film -- features quite the production, complete with excellent, blockbuster-born sound effects to sell every punch and shattering glass shard. But it doesn't take much studying to see this was hardly as easy as rewinding an otherwise-normal action sequence: it took great audio to create this spectacle.
Parabolic softboxes are all the rage in the lighting world. It seems like you can't check out lighting videos on Youtube without coming across one. But with price points all over the place, I was reluctant to pick one up for fear of spending too much money on a modifier I wouldn't like or use. Then, I came across the budget-priced Selens Parabolic Softbox. With a price of about $100 and good reviews, I was ready to pull the trigger. Here are my thoughts and video review.
Once you start doing a lot of video editing, watching your favorite movie or TV show is never quite the same. The way dialogue scenes are cut together, the framing of characters in a shot, and of course scene transitions. In this supercut from the popular TV Show "Stranger Things," see how the editor used a variety of cuts to create compelling transitions.
Recently I found myself going through Facebook when I came across one of Benjamin Von Wong's videos. After watching the video by Empty Duck Digital, I felt like he hit the nail right on the head with his response to people's common questions of “What preset do you use? What equipment do you use to make that happen?” Like he states, people are always searching for the fastest and easiest steps to speed up their workflow. I understand why, but at the same time, most of it can’t be done. “Time and hard work” are his answers, and I completely agree.
Where Art Meets Architecture 2 Behind the Scenes continues today with Episode 3. Normally, our BTS episodes include some educational content, but this episode is for entertainment only. In this episode, we leave all of our gear behind, and Pye Jirsa from SLR Lounge takes us all out in his race car.
I haven't been writing very much lately, but when Swedish Commercial Photographer Erik Johansson hit me with an email about his recent creation, I had to stop and take notice. And I'm not the only one. For the third chapter of their miniseries, "Human Made Stories," Volvo (in partnership with Sky Atlantic) spent three days this summer documenting Erik's process as he breathed life into his latest piece, "Wake Up." Volvo's miniseries features defiant pioneers who inspire, do things differently, challenge conventions, and blaze their own trail. Yup, that sounds like Erik to me.
Often, I get asked how a shot was done underwater due to the objects that are with the client. Recently, I started using GoPros to obtain behind the scenes footage to help better explain positioning and lighting on various sessions. "The Archer" was one image that caused most people to ask: "Did she really shoot the arrow at you?"
If you’ve ever felt the need to take on a crazy project despite consequences, photographer Blair Bunting knows exactly how you feel. In an effort to recreate a scene from the classic movie “Top Gun,” Bunting put his guts where his mouth is and attempted to photograph a jet flying 500 feet off the ground while his own jet flew upside down above it only a short distance away. This video captures that remarkable feat, along with the preparation that came beforehand, and you have to check it out.
It all started last year when Patrick and I flew around the world twice to create Photographing The World with Elia Locardi. We documented our entire three months of travel and edited it all down into 16 behind the scenes episodes. Earlier this year we created a behind the scenes series with Joey Wright covering our Swimwear Photography tutorial. These series have been so popular that we've decided to continue them.
Developing an idea for a memorable photoshoot is not an easy task. It involves concentration, creativity, discipline, managing skills, and much more depending on the type of photoshoot. Often, we start with a barely visible image in our head. But having a strong sense what we want, will help us develop it into a final, achievable visual. An inspiration is a crucial part of this algorithm. Everything can serve as an inspiration: from a dress to a hair color you saw on someone; from music to a movie you watched last night; from a color at the shop counter to a tree in your backyard. When you have something realistic to build your theme upon, things get easy. But what do you do when you have no idea where to shoot it? Your mobile phone can be your savior here.
High-end beauty photography requires images to be as close to perfection as humanly possible both in camera and in retouching. There's often a myth circulated that beauty editorials are so heavily Photoshopped that they are in essence all Photoshop. This is simply not the case.
It isn’t every day that a massive commercial client gives the freedom to artistically design a product launch. But freedom and a great amount of trust is exactly what Infiniti Motors Middle East gave Patrick Rochon for their new Q30 reveal. Rochon’s previous success with Infiniti’s Inspired Light campaign led to a second contract that allowed him to produce one of the most artistic automotive reveals to date.