There is an incredible documentary about one of my photographic heroes, Tish Murtha. Tish was a documentary photographer who grew up in the abject poverty of England’s Northeast. There are important lessons we can all learn from her work.
Dive into the intriguing world of photography's exploration of death and crime scenes, from Victorian post-mortem photography to modern-day coverage with documentary photography. Discover what drives this morbid curiosity and where the line between respectful documentation and exploitation lies.
As Russia began the attack on Mariupol, a group of Associated Press journalists found themselves trapped in the besieged city.
In the age of selfies and having a camera in your pocket, it seems more and more young people have an endless camera roll of photos that will hardly, if ever, be looked at again. But is there a better way?
I’ve been a pro photographer for a few years, and while I was going pro, I tried just about every form of photography you can think of, except for one… until now.
National Geographic is heralded as "the top of the mountain" when it comes to photographic journalism, or photography in general. This new six-part series gives us a glimpse into what it takes to be at the top of the mountain. As a landscape photographer, something I constantly hear from friends and family when they see one of my images is, "Wow, this could be in National Geographic!" If photography was a scale from never having taken a photo to being a photographer for National Geographic, I'm certainly closer to the "never taken a photo" side. Most of the time, these remarks happen...
In the waning days of World War II, the German army unleashed a massive, surprise attack on the Allied forces in the Western Theater with the hope of extending the lifeline of their military forces. This attack created a bulging salient in the Allied lines along the Ardennes Forest in Belgium. This battle, forever known as The Battle of the Bulge, lasted from December 16, 1944, to January 25, 1945, and is considered by historians as one of the largest land battles the United States ever engaged in. In the chaos of all this, US Army Signal Corps photographer, Hugh Francis McHugh, would be there to document the battle. Sadly, it was here on the snow-filled fields, on the last day of the battle, where McHugh would capture his last photograph.
Photography, at its essence, is a pursuit that is more than the mere act of capturing images; it is a journey into the heart of the world's hidden stories. In landscape photography, the scenery before our lenses often serves as a subject for stories written not by pen but by the patient hands of geological forces. This exploration takes us beyond the actual beauty of landscapes, urging us to unravel the details of Earth's geological history.
We catch up with photographer Simon Murphy who currently has a major exhibition of his work, having cast his lens on the Govanhill area of Glasgow over the last 20 years. Learn key insights into his methods, how he connected with members of this diverse community, and what advice he would pass on to photographers seeking to embark on long-form documentary projects.
A number of years ago, while still an ambassador for Hasselblad, I received a fateful phone call from a gentleman asking if he could pick my brain about the newly released Hasselblad X1D. I agreed, and we proceeded to talk about cameras, both past and present, along with the photos we had taken with them. It was a jovial conversation, but it wasn't until we were talking about the Hasselblad 500 that he said the line: "That is the camera I used to photograph the Mir Space Station."
Learn about storytelling through Fan Ho’s masterful photographic techniques.
It's not often that Sam Emerson sits down for an interview, but inevitably when he does the questions are about his most famous client, Michael Jackson.
Coming to The Photographers’ Gallery in October: the first UK retrospective of one of the world’s most innovative and influential artists and street photographers. If you are interested in documentary or street photography, Daido Moriyama's work is definitely something you should familiarize yourself with.
As a seasoned seascape photographer, I've learned that capturing the beauty of the ocean is a thrilling yet unpredictable pursuit. Each time I venture to one of my favorite locations, Ballycotton Lighthouse, I'm reminded of the gamble that is seascape photography.
As a landscape photographer and van owner myself, I know just how much goes into every shoot that I head out on, plus the ever-present worry that exists in the back of my mind, where I see myself stuck in the middle of nowhere after my trusty steed has broken down. Recently, I had the misfortune of this exact thing happening, and let me tell you, not only does it pull the handbrake on any adventures, it also adds the complexities of where it can be fixed, if it can be fixed, and finally, how much will it cost to be fixed!
As I stood at the edge of the tranquil beach, a sense of both calm and disappointment washed over me. Having checked the weather forecasts closely, I was once again feeling let down as instead of crisp morning light, I instead had low clouds and very little light.
As I began my interview with Fabian Wagner DOP, he sits there, totally relaxed and easygoing. Describing himself as just an ordinary guy, it quickly becomes clear that my conversation was going to be a very relaxed affair, without pretenses, and totally open to all questions I threw at him.
I get questions like these daily, mostly from inexperienced or new photojournalists who want to get into documentary photography. I often repeat the same answers, so I figured it might be useful to put it all into a single article. So, here are the bare basics of high-risk documentary photography.
I love all types of documentaries, and I think it's very important that artists and photographers educate themselves on the past greats and present ones working today. I watch documentaries on photography, fashion, art, and anything else I find interesting. It’s an education coming from a very successful person in that field that everyone can learn from, and I find them to be very inspirational. When I don’t feel inspired or I'm frustrated with things not working out for me, I put on a photography or artist doc and learn about their past struggles and their process that they go through. It’s always a great way to remind myself that everything is going to workout and to create that crazy idea.
When it comes to landscape photography, certain destinations immediately come to mind – the dramatic landscapes of Iceland, the majestic mountains of the Canadian Rockies, or the iconic landmarks of the American Southwest. However, there is one country that often gets overlooked as a photography hotspot: Ireland.
I'm sure some of you have seen the magnificent photos and videos of a polar bear sleeping in a bed of fireweed by Martin Gregus Jr. When I first saw it, I thought it wasn't real - it was just too perfect. But as this video documentary shows, it is, and taking those photos involved a significant amount of time, preparation, and effort.
This livestreamed special event which sees Paul McCartney discuss his photography and memories of a unique time in history is one not to be missed, and you can watch online globally.
Believe it or not, I have been a freelance photographer for six years. Looking back on it, I have been struggling to make it, truly learning the meaning of the term starving artist. I wish I would have received this bit of advice so many years ago.
Brian McCarty, a self-proclaimed toy geek and an incredible photographer, tells the stories many people don’t want to hear in a way familiar to the world. He depicts children’s accounts of conflict and loss through toys as an advocation against the horrors of war.
Visitors are urged to share their reactions to images showcasing English documentary photographer Martin Parr’s view of Scottish life and Scottish stereotypes in a new exhibition taking place this summer.
When an exhibition of works is announced by a photographer as influential as Diane Arbus, you would be forgiven for assuming that the work was on show in a major venue in New York or London, but you would be wrong.
