A Plea to Document Your life
In the age of selfies and having a camera in your pocket, it seems more and more young people have an endless camera roll of photos that will hardly, if ever, be looked at again. But is there a better way?
In the age of selfies and having a camera in your pocket, it seems more and more young people have an endless camera roll of photos that will hardly, if ever, be looked at again. But is there a better way?
I’ve been a pro photographer for a few years, and while I was going pro, I tried just about every form of photography you can think of, except for one… until now.
National Geographic is heralded as "the top of the mountain" when it comes to photographic journalism, or photography in general. This new six-part series gives us a glimpse into what it takes to be at the top of the mountain. As a landscape photographer, something I constantly hear from friends and family when they see one of my images is, "Wow, this could be in National Geographic!" If photography was a scale from never having taken a photo to being a photographer for National Geographic, I'm certainly closer to the "never taken a photo" side. Most of the time, these remarks happen...
In the waning days of World War II, the German army unleashed a massive, surprise attack on the Allied forces in the Western Theater with the hope of extending the lifeline of their military forces. This attack created a bulging salient in the Allied lines along the Ardennes Forest in Belgium. This battle, forever known as The Battle of the Bulge, lasted from December 16, 1944, to January 25, 1945, and is considered by historians as one of the largest land battles the United States ever engaged in. In the chaos of all this, US Army Signal Corps photographer, Hugh Francis McHugh, would be there to document the battle. Sadly, it was here on the snow-filled fields, on the last day of the battle, where McHugh would capture his last photograph.
Photography, at its essence, is a pursuit that is more than the mere act of capturing images; it is a journey into the heart of the world's hidden stories. In landscape photography, the scenery before our lenses often serves as a subject for stories written not by pen but by the patient hands of geological forces. This exploration takes us beyond the actual beauty of landscapes, urging us to unravel the details of Earth's geological history.
We catch up with photographer Simon Murphy who currently has a major exhibition of his work, having cast his lens on the Govanhill area of Glasgow over the last 20 years. Learn key insights into his methods, how he connected with members of this diverse community, and what advice he would pass on to photographers seeking to embark on long-form documentary projects.
A number of years ago, while still an ambassador for Hasselblad, I received a fateful phone call from a gentleman asking if he could pick my brain about the newly released Hasselblad X1D. I agreed, and we proceeded to talk about cameras, both past and present, along with the photos we had taken with them. It was a jovial conversation, but it wasn't until we were talking about the Hasselblad 500 that he said the line: "That is the camera I used to photograph the Mir Space Station."
Learn about storytelling through Fan Ho’s masterful photographic techniques.
It's not often that Sam Emerson sits down for an interview, but inevitably when he does the questions are about his most famous client, Michael Jackson.
Coming to The Photographers’ Gallery in October: the first UK retrospective of one of the world’s most innovative and influential artists and street photographers. If you are interested in documentary or street photography, Daido Moriyama's work is definitely something you should familiarize yourself with.
As a seasoned seascape photographer, I've learned that capturing the beauty of the ocean is a thrilling yet unpredictable pursuit. Each time I venture to one of my favorite locations, Ballycotton Lighthouse, I'm reminded of the gamble that is seascape photography.
As a landscape photographer and van owner myself, I know just how much goes into every shoot that I head out on, plus the ever-present worry that exists in the back of my mind, where I see myself stuck in the middle of nowhere after my trusty steed has broken down. Recently, I had the misfortune of this exact thing happening, and let me tell you, not only does it pull the handbrake on any adventures, it also adds the complexities of where it can be fixed, if it can be fixed, and finally, how much will it cost to be fixed!
As I stood at the edge of the tranquil beach, a sense of both calm and disappointment washed over me. Having checked the weather forecasts closely, I was once again feeling let down as instead of crisp morning light, I instead had low clouds and very little light.
As I began my interview with Fabian Wagner DOP, he sits there, totally relaxed and easygoing. Describing himself as just an ordinary guy, it quickly becomes clear that my conversation was going to be a very relaxed affair, without pretenses, and totally open to all questions I threw at him.
I get questions like these daily, mostly from inexperienced or new photojournalists who want to get into documentary photography. I often repeat the same answers, so I figured it might be useful to put it all into a single article. So, here are the bare basics of high-risk documentary photography.
I love all types of documentaries, and I think it's very important that artists and photographers educate themselves on the past greats and present ones working today. I watch documentaries on photography, fashion, art, and anything else I find interesting. It’s an education coming from a very successful person in that field that everyone can learn from, and I find them to be very inspirational. When I don’t feel inspired or I'm frustrated with things not working out for me, I put on a photography or artist doc and learn about their past struggles and their process that they go through. It’s always a great way to remind myself that everything is going to workout and to create that crazy idea.
When it comes to landscape photography, certain destinations immediately come to mind – the dramatic landscapes of Iceland, the majestic mountains of the Canadian Rockies, or the iconic landmarks of the American Southwest. However, there is one country that often gets overlooked as a photography hotspot: Ireland.
I'm sure some of you have seen the magnificent photos and videos of a polar bear sleeping in a bed of fireweed by Martin Gregus Jr. When I first saw it, I thought it wasn't real - it was just too perfect. But as this video documentary shows, it is, and taking those photos involved a significant amount of time, preparation, and effort.
This livestreamed special event which sees Paul McCartney discuss his photography and memories of a unique time in history is one not to be missed, and you can watch online globally.
Believe it or not, I have been a freelance photographer for six years. Looking back on it, I have been struggling to make it, truly learning the meaning of the term starving artist. I wish I would have received this bit of advice so many years ago.
Brian McCarty, a self-proclaimed toy geek and an incredible photographer, tells the stories many people don’t want to hear in a way familiar to the world. He depicts children’s accounts of conflict and loss through toys as an advocation against the horrors of war.
Visitors are urged to share their reactions to images showcasing English documentary photographer Martin Parr’s view of Scottish life and Scottish stereotypes in a new exhibition taking place this summer.
When an exhibition of works is announced by a photographer as influential as Diane Arbus, you would be forgiven for assuming that the work was on show in a major venue in New York or London, but you would be wrong.
Can photography change the world? Iranian artist and journalist Farnaz Damnabi's new exhibit, "UNVEILED," set to open at 29 ARTS IN PROGRESS, would seem to suggest yes, at least in part. I don't think it's a surprise to anyone that shifts in power structures can be turbulent. Even minor revisions in social identities can lead to conflict. Damnabi's exhibit is a document of the transformations in the identity, visibility, and recognition of women as equal and free participants in Iran, an unveiling of a new Iran, if you will.
Photo festivals are a great way to show work outside of where you live. Many of them, such as Arles or Photo 2022, have open calls to pitch work. Since these festivals often show early career artists with established names, they offer deeper insight into current ways within photography.
As a medium, photography is all about sight. If you can’t see it, you can’t really take a photograph of it. The alternative is, of course, things like art, music, or prose where you don’t need to see something to make something about it.
Do you ever feel challenged by the creative energy of your subjects? The pressure to create something unique when you're walking amongst giants? I had a chance to talk with renowned music photographer, Denis O'Regan about shooting some of the biggest names in modern music history.
Queen Elizabeth’s passing has received quite a bit of coverage here in the United States. Millions of people turned out not only in London but all over the UK and the globe for various services held in her honor. The coverage has shown the sincere outpouring of respect and affection that the people of her country have for her, but there is a noticeable emphasis on the scale and spectacle of the event.
Imagine being tasked with photographing press events featuring some of the most famous people in the world, on a regular basis. Are you confident that you can come away with photographs as strong or better than those of your peers? Can you find the small, personal moments taking place in the chaos to create images that are unique? Christy Bowe is a photographer who has successfully accomplished these tasks for the past three decades.
One of the most exciting topics for me to cover during my time as a professional newspaper journalist was fires and firefighting, and the potential for great images is there for anyone who approaches the matter with a little preparation and knowledge.
This video is the second part (of three) of Smarter Everyday's in-depth tour of Kodak's film production line in Rochester, New York. In the first video, we saw how the base of the film is made out of pellets, as they're melted down and formed into uniform, thin, clear sheets.
Getty Images has announced the launch of the Black History & Culture Collection (BHCC), which consists of over 30,000 historical images of the African/Black Diaspora that are free for non-commercial usage.
The unifying thread which first attracted me to Hugo-Victor Solomon’s work is the honesty and candidness of his portraits.
If you ever get the feeling that photography is not valued today, it might interest you to know that Getty Images is offering $85k in three new editorial grants to support photojournalists and organizations, with an emphasis on supporting photographers whose work shines a light on important issues of our time.
In this video, MIT Associate Professor Ramesh Raskar says that photo-realism is dead. They're discussing machine learning and technologies working to give us evenly exposed night-time images on our mobile phones. If these technologies are not available in professional cameras today, will they ever be, and would you want them as a professional photographer?
With film photography once again becoming popular, photographers who wish to take it up must wonder where the current film stock is coming from. Is it from the remnants of film stock that was made years ago? Well, you'll be happy to know that Kodak still has production lines running at its factory and even happier to watch this deep dive into how they make the film that you shoot today.
Have you ever heard someone say: "you have to watch it at the cinema"? This is usually when it's a movie loaded with action, special effects, and sound design that captures your imagination. Is this all that gets the cinemas to sell seats? If your answer is yes, this video might make you consider your opinion.
Footage that’s cinematic doesn’t just mean a nice LUT and some grain. It means knowing how to use light — and maybe trees.
Non-photographers often complain about black and white images: they’re dated, they’re just a gimmick, or they’re elitist and boring. These are personal preferences; however, we live in a color world, so you can't discount that black and white images can create a disconnect for modern viewers. To bring history alive, is colorization a solution?
A street photographer’s task is to observe the mundane human interactions that take place throughout the day and turn them into something worthy of being preserved and shared through photography. This is not an easy task.
A frequent refrain among photographers is that the area around their home is just too boring to photograph. Here are a couple of ideas to help you find engaging and meaningful photographic projects in locations that feel completely uninspiring.
The entire genre of time-lapse photography is a game of patience and preparation, but creating short films involving the life cycle of a mushroom is on an entirely different level. When 24hrs worth of frames can equate to only a few seconds of footage there is not a lot of room for mistakes.
We usually see a photograph as a solitary work, a passing moment in time captured to be examined on its own. However, creating a coherent story through a body of work can lift your photography up to a new level.
If there is one type of news story that is a recurring theme in journalism it is the protest. Think "Tank Man", "The Burning Monk", or "Taking a Stand in Baton Rouge" (with Ieshia Evans). They stick in the memory, their iconographic status forming a peg from which we hang related memories. So why then are we more interested in riots as opposed to protests?
Instagram, in particular, is full of high-quality travel photography — there's no end to it. But if you want to tell a personal story from your adventuring or pique the interest of a commercial entity with the hope of landing a new photography client, then you need to be able to produce a cohesive set of images.
Putting together a cohesive set of images that illustrate a grand narrative is not an easy process, especially for those of us who taken up photography and end up just shooting single shots for a portfolio and/or to sell prints. This video has some great tips for those who want to break out of that mold and start something a bit more substantial.
You take photos, you write books, you're published in weekly and monthly newspapers and magazines, and travel the world with the sole purpose of... traveling. You sound like one of the early social media influencers of the 2010s who was "living the dream," constantly on the road, distributing a drip of photos and articles to the travel-enthused general public. However, it's 1888, and your name is Frank Carpenter.