Christmas is lurking. Whether you've got most of the presents you want for somebody, you haven't started, or somewhere in between, here are some great ideas.
Canon's mirrorless cameras released in 2020 caused quite the stir, and while it may seem at first glance that one is objectively better than the other, it's not necessarily the case. Moreover, you may not need to spend the extra money on the current flagship mirrorless as you won't see the benefits.
No doubt, the huge influx of quality third-party lenses from companies like Tamron and Sigma in the last few years has been a huge boon to photographers, as we have been given quite affordable alternatives that still offer professional performance and results. Now that Canon and Nikon have moved to the world of mirrorless, many are eagerly waiting for Tamron and Sigma to start making lenses for the RF and Z mounts, and the good news is that Sigma will likely start doing that next year.
For some, the “magic” of film, medium format especially, or the benefit of full frame digital is all hype. Is it really just hype or can you tell a difference?
Fujifilm has some great lenses and great cameras, with a lineup that has been consistently improving for years. But which lens in this lineup takes the gold medal in your opinion?
What are your go-to troubleshooting tools when shooting landscapes?
In what has become something of a festive tradition, Chris Nichols and Jordan Drake of DPReview TV sit down to play drinking games and cast their verdict on the year’s best and worst camera gear.
Sigma's Art lenses have been wildly popular for the company, especially since they offer professional-level performance and image quality for significantly more affordable prices than first-party manufacturers. Today only, you can get a great deal on the Sigma 24-70mm f/2.8 Art lens for a variety of lens mounts, as well as 50% off a Lexar memory card.
Back in September, Nikon announced its fast ultra-wide zoom lens: the Nikkor Z 14-24mm f/2.8, completing its trinity of fast zooms for Z-mount cameras. How does it perform?
With many popular cameras currently in high demand but short supply, a lot of photographers and videographers are anxiously waiting for stocks to be resupplied and their cameras to arrive. Those delays may be significantly lengthened for multiple manufacturers due to a fire at a Japanese integrated components factory.
In a world where digital photography is ever-present, film photography often takes a back seat. But this analog medium actually has some crucial lessons to teach all of us, if only we're willing to listen.
Sigma recently announced a trio of not-so-fast primes for Sony and L-mount cameras, the most curious of which is the 65mm f/2 DG DN Contemporary. Ås either a long standard or a short telephoto, it’s not your typical length, but how does it perform?
We all get caught up with various things in photography that we fixate over or just worry a bit too much about, but what should we really not be worrying about?
These three lenses should make all your photography woes go away. They cover a huge focal length range and are of high quality. But are they the only lenses you need?
One of my Fstoppers counterparts recently wrote that mirrorless cameras aren't all they're cracked up to be. I'm sure there was an element of playfulness in his article. However, for the record, I think he was very wide of the mark. Here's why.
This lens is an essential part of my photography kit and one, which I would not go out into nature without. In this article, I want to show how you can master and get the most out of your 24-105mm zoom lens and hopefully inspire you to use it more in your landscape photography.
Fuji sits in an odd place in the camera industry — beloved by camera enthusiasts for their retro styling and image quality, they continue to develop desirable cameras, but have never managed to break in to the realms of the top three manufacturers. Is this perceived failing actually a part of their game plan?
With such good deals currently available on the Sony a7 III, buyers are faced with a tough decision: should you take advantage of the low prices to grab yourself a deal, or is it better to hold off until Sony releases the shiny new A7 IV next year?
Phone cameras have come a remarkably long way in the last few years, and they have become truly versatile options for professional shooters in a wide variety of situations. This excellent video review takes a look at the new iPhone 12 Pro Max cameras and the impressive performance you can expect from them.
I can honestly say that the Sony Planar T* FE 50mm f/1.4 ZA was the best 50mm lens I have ever used by a long shot, but I tested it before the Canon RF 50mm f/1.2L USM came out, which has been met with nothing but rave reviews. How do these two superstar lenses compare? Check out this great video to see.
What the heck is minimalist photography? How do I take minimalist photos? And what kind of gear do I need to do it? Well, read on to find out the answers to those questions and more.
The new flagship Canon mirrorless has an impressive spec sheet, even if some questions have been raised over its performance in some of the more cutting edge capacities. The question is, how is the ISO performance when put into testing environments?
Autofocus performance on modern cameras is impressive, but it's one of the areas where most photographers can't stand for anything less than the best they can get. So which of these three mirrorless bodies has the best subject tracking and autofocus for portraiture?
Historically, a “raw” file from a camera has typically been considered the purest form of image a camera can produce, a straight dump of sensor data that leaves a lot of leeway for editing — a digital negative, if you will.
Tamron has just announced a unique lens for Sony APS-C cameras: the 17-70mm f/2.8 Di III-A VC RXD.
While these two cameras are different in a whole host of ways, they have similar strengths insofar as they're both concerned with high resolution and for pixel peepers, it's an interesting comparison. However, what's more interesting — to me at least — is a real-world, artistic comparison; which produces more pleasing results?
Sigma has just announced its new 35mm f/2 lens for Sony and L-mount lenses. Is it a better choice when compared to similar lenses from Sony and Samyang? This detailed review should help you make a decision.
I love film photography; there's a special quality that analogue photos have that digital could possibly never match. However, I never shoot with my film camera anymore. Why not?
As a film photographer, the need for camera repair and restoration is not a new one. Watch as someone goes through the step by step process they went through to obtain the camera, details the camera's history, and the restoration of the camera.
Just got a new box in the mail with a rather awesome surprise; a loaner Nikon Z 6II. I will have the camera for a couple months to fully put through its paces, but wanted to share some initial thoughts.
