Photography has come a long way since its invention in the 19th century. Starting off as a status symbol usually associated with the rich, it has grown far and wide to become one of the most common ways of artistic expression. As it grew more and more, it also sparked the rise of some worrying tendencies. In this article, we will discuss some of the most worrying tendencies that plague modern photography.
The impact of smartphones on photography has been well documented and profound. One lesser-discussed element of smartphones' influence on photography, however, might be the change in what photographers now want and expect from dedicated cameras.
Recent research shows that there are excellent reasons why you should abandon the camera phone that have nothing to do with how good the pictures are. There’s a darker side to camera phones that we ignore at our peril.
Fujifilm cameras have been popular for decades, but in the past few years, they have released bodies that are fully in vogue and thus difficult to find. Are they worth the hype? Should you buy a Fujifilm camera in 2023?
Modern camera gear evolves at a breakneck pace, and as such, it can be tempting to watch the news of the latest and greatest cameras and lenses and pull out your credit card. When should you actually drop the money to upgrade your gear, and when should you turn your attention elsewhere? This helpful video essay discusses the topic and might just help you save a lot of money and improve your images at the same time.
Although it sounds like a nasty disease, like athlete's foot or tennis elbow, the photographer's eye isn't that. We take our eyes for granted, and they are an essential part of photography, both metaphorically and literally.
Some brands attract vitriol to a degree that is hard to fathom. Typically, they are expensive brands that many photographers do not believe can justify their price. At the top of that pile is Leica, and yet, the brand has die-hard followers and disciples.
The advice I often hear on the internet is this: choose a photography genre and stick to it. I want to float the idea of developing your style instead and shooting what you’re passionate about. I’m not talking about the jack of all trades approach, but developing your skills in a few genres that you like and come naturally to you.
Addiction. Hedonism. Chasing the dopamine hit. Just another taste. Just one more like. Ok, maybe 10, then I’m done. I swear it’s all I need! Here’s what I’m doing. Here’s what I’ve done. Here’s who’s doing this and hey, look, I’m present. Lifting the lid on the banality of everyday life. Journalists of the quotidian. Instagram is not what it used to be. We can all agree to that. And no truer is that than from the perspective of the humble photographer. Surely, it’s time to grow up, isn’t it?
There are probably two main software options when it comes to the processing of Fuji raw files that most photographers tend to use, Adobe Lightroom and Capture One. The choice, however, depends on the user's personal preferences, as both have their strengths and weaknesses.
I had planned to write a love letter to C-stands, but then I remembered this video that caught my attention a year ago. Trigger warning; this video is not that new, but C-stands aren’t either, and they happen to be one of the most valuable pieces of kit I have ever laid my hands on. The video goes through the many, many ways in which to make use of them, and, I must say, in a very entertaining way.
According to Taylor Jackson, we're all Sony shooters, whether we like it or not. With the majority of today's cameras carrying Sony's imaging sensors, are we all becoming Sony shooters without even knowing it?
Street photography is one of those wonderful genres that encourages us to break convention and what we know to be "right" in the big bad, world of the still image. It's one of the few genres, I feel at least, that can encompass all manner of emotions, from humor and lightheartedness to tone, shape, ambiguity, surrealism, and hard-hitting realism at any time.
With ON1 Photo Raw 2023 having just won a Pop Photo Award for its AI features, it is apt to compare the app with Lightroom next. How would it stand up to different camera raw files?
Today, I will definitively answer an age-old question. Or perhaps, more likely, pontificate on something that all people and all artists have been asking since the beginning of time.
I consider myself a Canon shooter through and through. This article isn’t about one camera manufacturer being objectively better or worse than another.
The age of AI is here, and like it or not, the barn door is open and the horse is out. With the ability to quickly generate believable images with minimal input, what does it mean to be a photographer in 2023? What is photographic purpose? This worthwhile video essay discusses the subject.
Artificial intelligence (AI) is revolutionizing the photography industry by automating many tasks that were previously done manually. This has the potential to greatly impact the way photos are taken, edited, and shared. Should we be worried about AI or embrace it?
There are now several manufacturers will fully developed and advanced mirrorless camera lines, and it can be difficult to choose between the many different options. This interesting video features an experienced photographer discussing why he chose to switch to Sony after being a Canon user for over a decade and features some excellent insights into what features and capabilities a modern creative needs and appreciates.
Nobody wants to fail at photography, do they? Success and failure are both achievable, although the latter is easier. This is how to set about failing and, therefore, succeeding.
A couple of weeks ago, I published a piece on the Jack of All Trades Photographer, which covered the plight of the gigging photographer just starting out, doing what he or she can to build portfolio content and generally begin to make a living from it. Imagine my surprise when just a few days later, the topic was covered by straight-talking, commercial super talent and formerly of this parish, Scott Choucino!
Film is enjoying a resurgence right now, and yet, in an age of ever-burgeoning megapixel counts and clinically sharp lenses, it can seem a bit strange to some to purchase an old film camera whose technical image quality could not dream of competing with modern equipment. And yet, that is exactly what you should do, as one photographer argues in this interesting video essay.
Most cameras are similar in many ways, but they also have unique features that other models lack. Choosing the wrong camera can be an expensive mistake. Here are things to consider before spending your hard-earned cash.
Today, I’ll share a few thoughts on the Nikon NIKKOR Z 17-28mm f/2.8 wide angle zoom after getting to try it hands on for a bit of testing.
Our allegiance to the big camera companies is weird, isn't it? Sometimes, it's a real badge of honor. Other times, well, I'm a little "meh" about the whole thing. Nikon reds pitched up against Canon reds, in a technical tug-of-war? Stripped to the waist and battling it out to the death? Side-by-side comparisons and sensor wars? Not for me, my friend. If you think I'm going to type out 300+ words on as painfully contrived a topic as Canon versus Nikon, you're wrong. Kind of.
When you begin your journey into photography, you feel gated by how small your arsenal of equipment is, despite the elders of the craft telling you it doesn't matter. But, is there a negative correlation between creativity and the amount of gear owned? For me, I suspect there might be.
You are a professional photographer as soon as you sell a print or get any money for your photography. Excelling at that requires taking on tasks and responsibilities, some of which apply to amateur photographers too. However, there's much more to it than many people imagine.
In recent months, AI has become one of the most widely discussed topics. A lot of creatives, not only photographers, are saying that AI will kill professional photography. However, this cannot be further from the truth. Here is why.
For some photographers, sharpness isn’t that important — and this realization can be liberating.
Nikon cameras and lenses do not always grab headlines for the extremes of design that the likes of Canon and Sony do, but they are the tool of choice for many professionals for many reasons. This interesting video essay features an experienced landscape photographer discussing why he has stuck with the brand for two decades for his work.
I had to make a TikTok account for this. I’ve been adamant about not doing so for the longest time. However, this is something worth talking about and sometimes even dangerous. In this article, we will take a deep dive into the world of horrible photography TikToks.
Thinking about turning your hobby into a jobby? What are the essential points you will need to consider when taking your hard-earned savings and convincing your better half that this will be the new, next chapter in your life? With over 15 years as a professional photographer and more than 25 years being self-employed, here’s what you need to know to make your dream a reality.
On December 20, 2022, Ricoh Imaging made an announcement that few in the photography community saw coming. The owners of the Ricoh and Pentax lines of cameras announced that they are looking at making film cameras again.
Having been an active member of the photography community for the past few years, I started to notice some toxic traits. In a community this small, how can everyone seem to hate each other this much sometimes? Let’s dive deep and see just how bad it gets here.
Having met and talked with quite a few photographers, I have seen that there are a lot of things we do which, to me, a fellow photographer are annoying. Some are innocent enough such as asking for the lighting setup, but others sit on the fence about being illegal.
Wedding photography can be a lucrative genre, but it can also be extremely challenging and taxing, and it certainly is not for everyone. If you are newer to photography and wondering if it is the genre for you, check out this great video essay that features an experienced wedding photographer and friend of Fstoppers discussing the five best and worst aspects of the profession.
When it comes to zoom lenses, the professional standard is f/2.8, which offers a suitably wide aperture for isolating subjects and working in low-light situations. However, many f/2.8 zooms also have f/4 variants, which are both far cheaper and much more portable. This great video essay discusses why you might want to consider f/4 options for your camera bag.
Browse any amateur fashion photography page, and you will quickly discover that a lot of the work is just pretty girls in average outfits. It almost seems like a lot of this “photography” is not so much about the clothes as it is about the girls. In this article, we will discuss the causes of this phenomenon and answer the question: what is real fashion photography?
Lightroom has evolved into a tremendously versatile and powerful program, capable of tackling many things that one used to have to switch to Photoshop for. Nonetheless, there is always room to grow. This great video essay features a seasoned Lightroom educator discussing five things he would still like to see Adobe add to the program.
A few months ago, I reluctantly took the plunge into Instagram reels, like many other still photographers. My most popular reel by a wide margin was a joke comparing “amateurs” to “professionals.” And, although my point was not so much to make a distinction between two classes of photographers, but rather to comment on photographers’ common obsession with gear, sometimes at the expense of fundamentals, I touched a nerve with some people who took exception to what they saw as an insult to amateur photographers.
Our aspect ratios have been trending toward wider dimensions for some time and that makes perfect sense. But, should we cast out a previously staple aspect ratio for good? Does it have any uses?
They say variety is the spice of life and in the world of the freelance photographer, a broad and knowledgable skill set goes a long way. So, why does knowing your way around a multitude of photographic genres breed so much disrespect in the professional world?
Cameras like the Fujifilm GFX 100S have revolutionized the paradigm of medium format gear in the last few years, bringing features and capabilities typically reserved for smaller systems and doing so at a price that competes with the upper levels of full frame. This has made medium format a viable alternative for many photographers, particularly landscape, portrait, and wedding shooters. So, what all can you expect from the switch? This great video features one photographer who made the switch discussing his experience.
Traditionally, professional photographers have shied away from superzoom lenses, as the sacrifices it took to create such a large focal length range were simply too great to make them viable for their demands. On the other hand, they might be worth a second look, especially if you are a landscape photographer. This great video essay discusses why a superzoom lens can often be the ideal choice.
I look back at past work to see how I've come as a photographer and wonder: what's changed in the 15 years since I started taking photographs professionally? How can I use my previous body of work to improve and give me confidence for what is to come?
Fujifilm has established itself as a leader in the photography industry with cameras that have earned devoted fans from all genres. Just like any other company, though, there are good and bad aspects. What are the pros and cons of Fujifilm cameras? This excellent video essay takes a deep look at Fujifilm cameras and how they perform in a competitive world.
I have been very vocal about phones never being able to replace cameras for professional work. But, as photographers, we also indulge in casual photography of things that simply look good. I looked for a camera for such work for the past two years now, and now I found one. It is the unlikely star: iPhone 14 Pro.
Would you judge a photography competition? Do you compete with other photographers? Although competition is accepted in photography, it has significant drawbacks that prevent you from succeeding.
There's been a long-held belief that higher-megapixel cameras produce more noise in low-light situations. Here, different models of Fuji, Canon, and Sony cameras are compared side-by-side to prove that high-megapixel cameras do not produce more noise than lower-megapixel models when lighting conditions are poor.