After a long day of shooting, thought I would take a moment to write a short piece about one of the most important tools in my kit.
Image manipulation in various forms has been around from nearly the beginning of the medium itself, and the ethics of that process have been debated for nearly as long. Although this topic seems rather Sisyphean in nature, a conversation with an individual on Instagram inspired me to take a look at it from the perspective of social media in particular.
The new iMac is here, and of course, it’s sporting the fancy new M1 processor that’s inside everything Apple these days. That’s great news all around, but I have a feeling that Apple’s got something even bigger up its sleeve for the real creative set.
Studying and understanding color helps us become better photographers. In the process, we may discover that some things we believe are true may not be.
People both outside of and inside the industry tend to romanticize the idea of being a professional photographer. But with pressure from technology and increased competition leading to low pay and more demand from clients, burnout is something that many of us either have or will experience in the future.
Money is a subject that is rarely discussed openly and that can be detrimental to anyone newly trying to make some as a creative. Here is an interesting and open discussion about the topic.
Almost everyone has a cell phone these days and by extension, a phone camera. This means that anyone with a phone can create a decent enough image. To clarify, I’m not trying to debate whether someone is a “real photographer” or not. Instead, my intention is to persuade you to approach photography in a more considered and intentional way.
The concept of creating a mirrorless system is very similar in the case of all the camera manufacturers: get rid of the mirror and create a new lens mount closer to the sensor. What if there was another option to do it, arguably a better one?
President Biden brings sanctions against Russia for cyber-attacks. As cyber-attacks become ever more sophisticated, we photographers need to tighten our security and awareness of the risks, with twelve hints to keep you safe.
The vast majority of fashion photographers have worked with nude models. A smaller minority work only with nude models. As a fashion photographer, I am often asked if I shoot nude models. While I find the question silly, it’s important to understand that nude photography is absolutely not fashion photography.
This may seem like a negative article, heralding the apocalypse, but really, it isn't. It's an exploration of how our beloved craft has changed over the decades, its direction, and if there are comparable crafts that can help predict the trajectory.
It's hard doing creative things. There is a lot we put ourselves through, and the emotional journey of an artist is a rollercoaster with loops, turns, and upside-down parts. Here are a few examples of thoughts you might have had before.
Nasty comments get posted in the online photographic communities, so I researched the driving forces behind the trolls and what we should do about them. Who they are and their motivations are not as obvious as you may think.
Zoom lenses are wonderful things. With one lens, you have a large number of focal lengths at your disposal. The adjustments are infinitely variable. But in reality, you can often shoot everything with only three different focal lengths. You may even benefit from it.
The Sony a1 has arrived and the Nikon Z 9 was recently been announced, so it's now Canon's turn to make an announcement about its forthcoming top-end camera, the R3. Last month, I compared Canon's then top-end R5 to Sony's and Nikon's offerings, commenting on the different strategic approaches of the three companies. Now that the R3 has arrived, what does it say about Canon's approach to the burgeoning mirrorless market, and what are the portents for Sony and Nikon?
Canon's EOS R5 showed us they were finally taking mirrorless seriously. And now, the EOS R3 has shown us that they are swinging for the fences. And yet, there is still the EOS R1 to come. It is going to be one crazy camera.
Canon’s latest product announcement has sent heads spinning: a resurrected product name, a breakthrough in Canon’s sensor technology, and features that make it look a lot like a 1D X Mark III — and then some. What can we expect from the forthcoming Canon EOS R3?
With increasingly complex automation, turnkey editing has become easier than ever, and the line between photography and digital art is blurrier than ever. So, at what point does an image stop being a photo and become something else? This interesting video essay examines the topic and offers some insight.
An unusual situation has occurred on several occasions in the social media era, and it is as counterproductive as it is interesting. In this article, I will discuss the irony of trying to remove a photograph from the internet and the implications of a public persona in modern life.
Everything is copyable in the digital age and that's not including copyright infringement or stealing imagery. Nor is it an indictment for following the popularity curve. When something is trending on any online platform, creators are going to jump on the bandwagon. It's not an if, but a when.
For some time now, I've been hearing that straight photography is dead. Well, dying anyway.
Using manual exposure is considered professional use by many photographers. Sometimes, it is even considered the only serious way of using a camera, giving you full exposure control. But is this true, or is manual exposure just old fashioned?
The internet has been an integral part of allowing photographers to showcase their work to the world. Yet, no one is safe from the trolls hiding behind their computer screens.
If you’re a photographer who shoots film, you’ve likely seen and had an opinion about film presets. For many, that opinion is quite negative, and for those like myself, we lean towards favoring them.
There is a trend growing in the photography world. The trend is to accompany photographs with explanatory text. I am not convinced this is a good thing. What do you think?
Today, I’d like to discuss one of the most overused and most misunderstood concepts in photography. What exactly makes something a “professional camera”?
Tim Huynh's new documentary, "Fill The Frame," sparked a recent controversy about who qualifies as a professional street photographer. I suggest the answer is no one.
COVID-19 has brought 2.7 million deaths worldwide so far; poor mental health kills 8 million every year. Jessica McGovern talks about her own struggles and helping other photographers.
