Recently, I took a trip to Wichita, Kansas to see my sister get married. I packed up my camera, a few flashes, and my tripod for this trip with hopes of doing some photoshoots while in town. My two kids came out with me for this journey, and we ventured around the city.
Traveling as a photographer can be difficult. The issue we always seem to encounter is a lot like G.A.S.; we want to have the right lens for every shot, and we don't want to miss out. The key to circumventing this issue is planning. While some of the best shots can be unexpected, you have to have an idea of what you're looking for. When planning my recent trip to New York City, I had to find a way to pack the camera gear I wanted for a variety of work in a small, comfortable bag. Enter the ThinkTank Photo Turnstyle 20, the best small travel bag I've ever seen.
I recently funded the printing of my first book via Kickstarter. It was the wonderful culmination of a year of hard work on the project itself and almost six months of preparation and promotion for the funding campaign. In the end, it was funded well beyond my goal. The whole process of creating, funding, and then realizing the project was quite surreal. I am still pinching myself from time to time as I pack the books ready for shipping to my backers and the recipients of the project. I wrote a while back about changing your mindset, knuckling down, and just doing things. Today, I'd like to talk a little about another thing that makes work happen: the word "yes."
Back in July of 2016, Adobe released a major update to Lightroom Mobile for iOS that allows it to work directly with any and all raw files supported by the desktop version and to also sync them seamlessly with the desktop. But what does this actually mean for real-world use? What problem are we actually solving? Let's go on a trip with epic travel photographer Elia Locardi and find out.
A photograph that does not tell a story, is a lifeless picture – it’s a failure to capture the viewer and therefore, his heart. One single photograph can inspire a person if a photographer knows how to tell a good story. Because photographer Paul Choy wanted to find out the truth for himself behind media headlines, and because he wanted to tell the individual stories of each refugee, he set out for the refugees’ camps in Calais and Greece with his camera. The result is the ‘Faceless, Forgotten’ – a photo essay and a documentary about the struggles of refugees.
David Guttenfelder shot for the Associated Press for 20 years, based in Nairobi, Abidjan, New Delhi, and Tokyo, but it wasn't until he helped open the AP's North Korean bureau in 2011 that he became truly famous. His Instagram account has nearly a million followers and is filled with stunning iPhone photos from around the world. He was one of the first photographers to publish images shot on his phone, which caused a bit of a stir at the time.
During a two-day trip to the magnificent city that is Rome, photographer Milán Rácmolnár came up with the brilliant idea of photographing Rome in infrared. The result is a different and pink perspective on the cityscapes.
Imagine a spectacular, rugged landscape. Pine forests that stretch for hundreds of miles, vivid lakes and countless waterfalls. This is central Norway; bear country. While I am packing my camera bag for a two week photography trip honeymoon to Iceland, I relive a memory that answered the question if we really need to travel for better photographs.
Something that happened last week really hit home for me. Everyone probably already has heard, as it has been reported by almost every single news agency in the world; Australian photographer Brett Costello was robbed of $40,000 of camera gear in Rio de Janeiro, Brazil last week while in town to cover the Olympics. However, this article isn't about him specifically.
Photographer Greg Florent has made images that capture Budapest in a new light. The images are made by taking them at the transition of daylight into sunset and then nighttime until the lights come on and the city's evening starts. He spends around four hours at a location taking one shot, making sure he gets the whole transition and changes of light to produce the images in post.
The filmmakers of “The Muir Project,” known for their first documentary, “Mile… Mile and a Half,” have just released their latest film, “Noatak: Return to the Arctic.” I interviewed Director Ric Serena who told me about the production challenges his team faced when working on a remote river deep in Alaska and why they chose to go with the Canon 1DC as their camera of choice.
Being involved with online photography forums on a regular basis, I constantly see people asking that very question. I also get asked personally from time to time. It's usually something like: ''I'm taking a trip to Italy next month. What lenses do you recommend I bring?'' Or: ''I'm going to McDonalds tomorrow for brunch, should I bring my Canon 800mm or my Canon 11-24mm lens?'' So, being I was faced with this very decision myself recently, I wanted to share with you what lens I brought with me and my thoughts.
Sam Zeller is giving it all away. It began with releasing 184 photos for creative commons use on stock photo site Unsplash. From there the Swiss photographer and FujiFilm ambassador has decided to unload an entire archive of his images taken across Europe for free use to anyone with the aptitude to find them.
Foster Visuals, known for the nationally-awarded "Legacy Project," recently teamed up with DJI to tell the story of Heraldo Riel, a gaucho in Patagonia, Chile. Like his father before him, Riel became a Gaucho at the age of nine. To be a Gaucho means to be kind and caring for all living things. Using a combination of equipment, including the DJI Osmo, Ronin, and Inspire 1, Brent Foster and his team tell Riel's story and captures the intense beauty and solitude of the remote section of Patagonia in which Riel lives.
