By now you've likely seen this crazy commercial that features a couple of stunt flyers taking to the skies in personal jetpacks, maneuvering around a giant aircraft above the city of Dubai. If you haven't the finished video is below, but you might find more interesting is just how this insane concept got off the ground.
With some lengthy upcoming trips for personal work, I have been doing some research into ways to keep my photographs and video footage backed up in the field. One of these trips involves a three-week stint in remote villages. A particular concern on this trip is data loss; so, I have been working to create a backup system that is durable and can run without access to mains power. Today, I will share my solution with you.
While there are obviously no strict rules about what lenses a photographer should buy, my curiosity was piqued recently, when legendary Glamour Photographer Jarmo Pohjaniemi (Playboy, Shoot The Centerfold) announced he was headed to Santorini with a pair of Canon EF 11-24 f/4L USM lenses. I assumed he was going to shoot landscapes (after all, it’s Santorini), but his answers when I asked were far more interesting than that.
Last year, Sweetgrass Productions made an incredible skiing short film, "Afterglow," which they followed up last month with "Darklight," its mountain-biking equivalent. Right away, one of the film's main intents is to blast you with color. Entire mountainsides have bright, neon-colored hues cast over them as bikers bomb down them through lime-green forests and over deep orange-magenta ravines, all in the middle of the night.
While some photographers stay close to home, others travel quite regularly. I’ve been traveling my entire life for one reason or another. And whether it was for a newspaper job I was essentially commuting to (living four days in Southern California and three days in Northern California every week) or a short trip on a personal photographic exploration, I quickly learned that it’s great to have some creature comforts to keep you company along the ride once whatever glamour of traveling that’s left these days fades away.
In an all-time low for humankind, this one can clearly be filed under "Phenomena Against Humanity." I truly regret to inform you that, in a fit of absolute male narcissism, people are finding beautiful landscape views, dropping their pants, and positioning their cameras "just so" in order to capture the bottom of their man-junk hanging in the frame. What at first seems too obtuse to be true, slowly, photo after photo, becomes a rather gross case of human failure henceforth to forever be known as "nutscaping."
Stanislas Giroux gets it. All of his videos have a common thread of featuring fantastic soundtracks. This video, "Curves of Iran," celebrates modern Iran's rich visual textures and — you guessed it — curves. Fitted to great music, fun (but fitting) sound effects to every cut, and a great overall tempo, this video makes use of hyperlapse-like cuts, but spares your brain from the monotony of yet another time-lapse by letting the actual shots play in real time once you've "arrived" at your new destination. Truly imaginative. And at the Giroux's request, I'll remind you to listen with headphones.
A simple Google search will turn up millions of results on what photographers should do/not do when working with models. However, nine times out of ten, these articles are written from a photographer’s perspective, and the model’s voice is rarely heard. Well, today is your lucky day! I have jumped in to give you the model perspective! Whether you are shooting underwater, commercial, fashion, conceptual, etc., some of the same rules of etiquette apply across the board.
Cinema5D founder Sebastian Wöber's latest three-part tutorial on drone shooting starts off with quite the introduction in Part I. Wöber could honestly be saying anything to accompany his to-die-for footage, but what makes it so fantastic is how great the information in this video is. From safety to beginner tips on getting started and how to get that cinematic shot you have in your head (don't worry, Wöber has plenty examples if you don't), Part I has you covered. And there's more to come...very soon.
Nope, we're not joking. Photographer Kotama Bouabane is creating photographs using coconuts. While he used the fruit in several different ways to create images, his most interesting method simply involves tape, a coconut, and some photo paper! Read on and check out the video for more!
For many years now since the digital revolution hit the mainstream, the continuing and growing complaint in the photography industry generally centers around two key points: Too many photographers out there and too many clients offering exposure in lieu of actual pay. The problem continues to worsen, but there is a way to possibly solve it, and it involves, plain and simple, revolution.
It's a photo so ubiquitous that if you type "iceberg photo" into Google, it's the first two image results. And the sixth. And the tenth. Ralph Clevenger's iconic photo of an iceberg's tip peeking out from the water while the substantial body of it remains below has graced countless publications, from full-page magazine advertisements commissioned by major corporations to the ever-famous "Imagination" motivational poster. It's a photo that is so famous that it's been copied, stolen, manipulated, parodied, and imitated an innumerable number of times over its nearly twenty-year existence. It's even made rounds on the internet as a hoax that Snopes picked up.
This has been discussed several times before and, by the way, spoiler alert: The answer is no. However, there are many of us in our field who eventually figure out that traveling (out of town, out of state, out of country, even) is often the key to their success. Or at the very least, more success.
Over 50,000 members strong, Japan's Yakuza gangs make up one of the largest crime syndicates in the world. After ten months of attempts, Belgian photographer Anton Kusters was granted a meeting with "The Godfather" of the Yakuza family. He then spent two entire years capturing these dark and moody images that show what life inside the family is like from all sides of the operation.