The Syrp Genie caught everyone's attention with its contemporary design and advanced automation features that made it a time-lapse photographer's best tool in the field. Today, photographer Mark Gee shares tips on how to set up and use the Genie while offering a few great suggestions that apply to all methods of landscape photography, from what apps he uses on his phone to help him plan every shot to how to edit for final output. Need to shoot a time-lapse soon? Whether you're experienced or just starting, there's undoubtedly something in here for you.
No stranger to unique and challenging photography pursuits, Ben VonWong's latest adventure sent him across the Western United States in search of summer thunderstorms, with an entourage of assistants, filmmakers, and models helping along the way. VonWong shared this behind-the-scenes video, but also some insightful information as to the conversation he hopes to start– one about the seriousness of climate change.
It can be a real creative challenge to try and concept, as well as execute, something that has never been done before, especially in photography. Adventure photographer Craig Kolesky accepted that challenge and ended up in the desert of Namibia, with two unlikely athletes for such a location. I asked Craig a few questions about this project that he shot for Red Bull Photography.
Gnarly Bay, who I wrote about a few months back, have just released their latest film, “SPACE.” It's a film that explorers the idea of space, but not in the conventional sense. I spoke with Dan over at Gnarly Bay who talked about the inspiration for “SPACE” and how it took almost six years to complete this video, using footage that was shot back in 2009 when he first traveled with a DSLR through New Zealand with his then girlfriend, now wife.
If you're a traveling filmmaker, professional or enthusiast, one of the most important investments you can make is in a tripod. The challenge is often finding a set of sticks that are lightweight, sturdy, can extend to be at least 5 feet tall, and last but most important, pack down to a size small enough to carry on a plane. A tripod that can do all of this often comes with a hefty price tag, but for backers of the International Kickstarter, you can snag a pre-order at a discount.
SmugMug teamed up with adventure photographer Tim Kemple and traveled out to Iceland with a couple of athletes in search of ice climbing and photographic opportunities unlike any that have been captured before. This film gives the viewer insight into Tim's process, but also captures the landscape and action very elegantly. This film blurs the line between behind-the-scenes, adventure film, and short documentary.
Iceland has become a naturelovers' playground and a hotspot for adventure photographers looking to visit the home of some of the most popular Instagramable locations on Earth. But many travelers visit the island nation during the warmer and more accessible summer months. Winter is when most of the country is covered in snow and ice and tourism drops dramatically. But that isn't stopping four British adventurers from attempting something that has never before been accomplished; crossing the country unsupported in the heart of winter in what they're calling "The Coldest Crossing."
By now you've likely seen this crazy commercial that features a couple of stunt flyers taking to the skies in personal jetpacks, maneuvering around a giant aircraft above the city of Dubai. If you haven't the finished video is below, but you might find more interesting is just how this insane concept got off the ground.
With some lengthy upcoming trips for personal work, I have been doing some research into ways to keep my photographs and video footage backed up in the field. One of these trips involves a three-week stint in remote villages. A particular concern on this trip is data loss; so, I have been working to create a backup system that is durable and can run without access to mains power. Today, I will share my solution with you.
While there are obviously no strict rules about what lenses a photographer should buy, my curiosity was piqued recently, when legendary Glamour Photographer Jarmo Pohjaniemi (Playboy, Shoot The Centerfold) announced he was headed to Santorini with a pair of Canon EF 11-24 f/4L USM lenses. I assumed he was going to shoot landscapes (after all, it’s Santorini), but his answers when I asked were far more interesting than that.
Last year, Sweetgrass Productions made an incredible skiing short film, "Afterglow," which they followed up last month with "Darklight," its mountain-biking equivalent. Right away, one of the film's main intents is to blast you with color. Entire mountainsides have bright, neon-colored hues cast over them as bikers bomb down them through lime-green forests and over deep orange-magenta ravines, all in the middle of the night.
While some photographers stay close to home, others travel quite regularly. I’ve been traveling my entire life for one reason or another. And whether it was for a newspaper job I was essentially commuting to (living four days in Southern California and three days in Northern California every week) or a short trip on a personal photographic exploration, I quickly learned that it’s great to have some creature comforts to keep you company along the ride once whatever glamour of traveling that’s left these days fades away.
In an all-time low for humankind, this one can clearly be filed under "Phenomena Against Humanity." I truly regret to inform you that, in a fit of absolute male narcissism, people are finding beautiful landscape views, dropping their pants, and positioning their cameras "just so" in order to capture the bottom of their man-junk hanging in the frame. What at first seems too obtuse to be true, slowly, photo after photo, becomes a rather gross case of human failure henceforth to forever be known as "nutscaping."
Stanislas Giroux gets it. All of his videos have a common thread of featuring fantastic soundtracks. This video, "Curves of Iran," celebrates modern Iran's rich visual textures and — you guessed it — curves. Fitted to great music, fun (but fitting) sound effects to every cut, and a great overall tempo, this video makes use of hyperlapse-like cuts, but spares your brain from the monotony of yet another time-lapse by letting the actual shots play in real time once you've "arrived" at your new destination. Truly imaginative. And at the Giroux's request, I'll remind you to listen with headphones.