Critique the Community: Submit Your Best Headshots Now

Critique the Community: Submit Your Best Headshots Now

Our next episode of "Critique the Community" will feature headshot photography. This featured images was taken by the master himself, Peter Hurley, and in our next episode Peter will critique 20 random images submitted by our readers. Please post your submissions into this post by Thursday October 22nd at Midnight for your chance to get direct feedback from Hurley and the FS staff.  

Our Natural Light Portrait episode is on the way, however, feel free to submit your headshots to be critiqued in the following episode. To qualify, you must follow the submission rules below.

 

To submit your headshot you must:

1. Have an active Fstoppers account.

2. Upload a headshot to your Fstoppers profile page.

3. Paste the URL of the image in the comments below.

The Internet can be a cruel and cutthroat place for photographers. For some reason, photographers are often extremely negative and cynical when looking at the work of their peers.  Most photographers overwhelmingly say that they would like others to "C&C" their work, yet the conversation can often become less than inspiring and often downright depressing.  Our hope with this segment, Critique the Community, is that the Fstoppers team can offer fair, yet encouraging commentary on some of the images found in the Fstoppers Community.

The Fstoppers Community Rating System

If you have an Fstoppers account, you are able to create your own profile and portfolio directly within the Fstoppers Community.  Once you have a portfolio uploaded, you can browse images in the community and rate the photos of your peers.  Even though art is usually a fairly subjective matter, we wanted to create a rating system that was as objective and unbiased as possible.  This way, if one of your images has been rated 50 times and has received an average rating of two stars, you could feel confident that maybe that particular image is not up to par.  Below is a simple chart explaining the Fstoppers Community Rating System. 

One Star: The Snapshot

One-star ratings are limited to snapshots only. Snapshots are usually taken to document a time or location, but little to no thought has gone into the creation of the image. If an image has been "lit" with external light (besides a direct on-camera flash), it is at least a  two-star picture. The majority of one-star images have had no post production work done to them, but do often have an "Instagram style" filter added to them. The average person these days snaps one-star images every single day with their smartphone. Most one-star images that pop up on sites like ours are images of flowers, pets, landscapes, sunsets, objects around a house, etc. If you read Fstoppers, you should not be sharing one-star images for any reason. 

Two Stars: Needs Work

All images, besides maybe five-star images, always have room for improvement, but two-star images "need work" before they should be included in your portfolio. As photographers, we are snapping thousands of images per year, but only a few of those images should ever be shared or put into our portfolio. A photographer who has taken a two-star image has put some thought into the composition, exposure, and post production, but for some reason has missed the mark. Two-star images should not be in the portfolio of a full-time professional photographer and amateur photographers should strive for something better. Even complete amateurs who don't understand photography at all are capable of taking two-star images from time to time. 

Three Stars: Solid

A three-star image is an all-around good image. The photographer has a solid understanding of the basics: composition, color, focus, subject matter, and post production. A three-star image is good, but it's not great. Most part-time professional photographers have mostly three-star images in their portfolios. Usually, a level three image would have been rated four stars if it had been shot in a better location, or with a better model showing a better expression, or there had been better post-production. A photographer capable of taking a three-star image is capable of taking four and five-star images if they would simply pay more attention to the details. 

Four Stars: Excellent

Four-star images are fantastic. In most cases, four-star images have a certain style to them that links them directly to their creator. Four-star images usually require planning and attention to extreme detail. It's almost impossible to shoot a four-star image by getting lucky. Four-star images have almost flawless conception, composition, lighting, subject matter, and post-production. If you have any four-star images in your portfolio, you should be very proud of yourself.

Five Stars: World-Class

Five-star images are flawless and unforgettable. The amount of time, energy, and talent that goes into the average five-star image is staggering. In many cases, these pictures require a team to produce, including a professional retoucher. The concept, lighting, subject, location, and post-production on these images has to be perfect. In some cases, the jump from four to five stars may be as simple as changing the unknown model in the picture with a celebrity or bringing in a set designer or stylist to make the image slightly better. Although there are always exceptions, most five-star images take days, if not weeks or months to produce.

Strengthening Your Own Portfolio

Even with our objective rating system, people are going to disagree over what they like, because ultimately, art is still a matter of opinion.  However, I believe once an image has been rated over 25 times, it will have a rating that is pretty fair and honest (we hope to deter trolls by giving negative Karma Points when a vote is more than one star away from the community average).  If one of the images in your own portfolio is rated lower than what you personally feel it should be rated, I'd urge you to try to look at the image from an unbiased angle.  Step back, erase your memory of the photoshoot itself, and try to imagine an art buyer, stock agency, potential client, or local gallery as they decided if they wanted to invest in your services.  Would your image make the cut?

Lee and I are not the greatest photographers in the world.  There are many many genres of photography that we have not been successful in or in many cases, have not even attempted in our careers.  However, I believe we have a pretty good idea of what works and what doesn't in terms of commercial viability.  Not every image is meant to sell or book you work and that is okay!  Snapshots and sentimental images are great and most definitely have a purpose.  Hopefully, our insight and critiques can help you decide what is and isn't worth putting in your public portfolio.  I hope these video critiques can help you see beyond the technical and personal elements that make up an image and begin looking at your own work in a new light. 

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Previous comments

I like the postprocessing - especially the color toning.

See: this is what i don't like about Hurley, sometimes F-Stoppers etc - the unquestioned, artless normativity of it all. The very notion that there even exists a "flawless" image is absurd, letalone the fact that it must be a grossly overproduced, hystrionic expression of set values. (No supplementary lighting? 1 star!) There is an assinine level of snobbishness in commercial photography that hinges around declaring itself above other forms on the basis of profoundly shallow accomplishments. The ironic thing is, all these rules have produced is, is a stream of submissions that are completely forgettable for how status-quo they must look (all, it seems, just to 'prove' one knows how to "take a photo").

I'm not sure I really follow the point of your comment, but it sure seems like you took your cynical pills today. We're talking about headshots here...not fine art. There is a lot of stuff being posted that doesn't seem like it should qualify for a headshot. But if we take just the actual headshots that have been posted, making a headshot that truly stands out and is remarkable is actually extremely difficult. While Hurley and Patrick have created a look that is quite eye-catching, it's a look that can easily be reproduced by anyone with some basic understanding of lights...thus it's no longer unique. So in that sense I think I agree with your comment...to some degree. That said, while photographers can easily play the "seen a million times before" card, I think that there is such a huge market for headshots that those shots can still have a real impact for their owner. I occasionally trawl through Actors Mgt sites etc and look at the horrendous shots that people still use as headshots...now that is truly forgettable! At the end of the day, how many people really want an 'artistic' headshot? Not any of my clients! A headshot needs to fairly represent the person standing before a casting panel, or display their likeness on LinkedIn etc. Fine Art Portraits have a market, but it's not the headshot market.

Have I completely missed the point of your comment?

Not completely, no. What's always 'embedded' in these little contests (and most posts, most responses, etc here) is the automatic assumption (as you make here) that the headshots are, or are aspiring to be, for commercial purposes. And I don't even mean "Fine Art", which is usually just code for monochrome, minimalist, and soft tones; I mean it's a much deeper, unreflective set of assumptions about what commercial/"industry" photos can even be, and that it broadly reflects a sort of internally-regulated caste system of validation/exclusion, ie an ideology of photography.

Thought-provoking. I guess there's a challenge in that...especially for you, from the sound of things. Look forward to seeing the results.

Cracker oh a shot. Loving everything about it

https://fstoppers.com/photo/93697

Had no idea how to do off camera flash, so I set my camera on a tripod with a 1 second exposure in a dark room and fired a Fuji X10 in a Flashdisc I held up camera left which optically fired two Yongnuo speedlights, one for the background and the other in a Flashdisc I held up camera right.

https://fstoppers.com/photo/93700
Self-portrait in Peter Hurley style.

A first attempt at a head shot. Done with a few homemade lighting modifiers and 2 yongnuo speed-lights.

Tribal boy- Rajasthan, India
https://fstoppers.com/photo/93729

Portrait in natural light. https://fstoppers.com/photo/93740

Studio shoot circa 2014

Corporate employee head shot for company use.

Why can't i delete this post

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