Over the next two days, you have a chance to submit your landscape photos to be critiqued by Elia Locardi and Fstoppers in a new episode of "Critique the Community." Our last Critique the Community with Elia Locardi included some great thoughts and advice on improving your images. If you would like another chance to have your picture reviewed by Elia, upload your landscape image of choice to your Fstoppers account, then paste the URL of the image in the comments below.
I'm not one to get caught up in hype. The camera world is constantly inundated with new, interesting products and technologies, many of which scream of excitement before their release, but arrive with nary a whimper. The Sony a7RII is a rare product that has caught my attention before its release.
TOSDR, or Terms Of Service Didn't Read, is a new online service that offers a report card style ranking of various website Terms Of Service agreements. The cleverly named website, which understands the usual approach user have to these agreements, has created a very easy to read summary of what we are getting ourselves into when we check that "I have read and agree to the terms" button.
Not long ago, learning and critiquing photography was done almost exclusively in person. With the rise of the Internet, we saw a fundamental shift in how photographers interact with one another. Yet, even with the opportunities afforded by the web, there is so much more to gain by spending time with fellow photographers in the flesh.
We have all been there, that moment when your stomach slowly turns to drizzled mush as it discovers the harsh brutality of a critical comment. In a few short words your career, art, and passion is reduced to the strangling grip of failure. Receiving criticism is not for the faint of heart but with the right frame of mind you can get the most out of any critique, solicited or otherwise.
When I saw this wedding shoot I was stunned into silence for a few moments. I really didn't know what to think of it! In my mind, when I think of wedding photography, I think of a world of immaculate white dresses, expensive shoes, thoughtful furnishings and of course, smiling wedding couples and their guests.
Two summers ago, I attended a music festival in Italy, where I had the opportunity to attend a master class given by Louis Andriessen, a prominent figure in new music composition. Classical musicians are known for striving for perfection, so when I opened one of his scores and found the following note regarding the ossias (alternate passages of music), I was struck:
We all want to get better at what we do in our work, that's a given, right? Studying, reading, taking classes or doing workshops, watching videos on YouTube, and of course tireless practicing, are a few of the many ways we strive to better ourselves in our photography. The time will come however, without fail, when nearly every single one of us will post a photo to a photography group on social media or a forum, and ask for "CC" or "c&c" or simply "Any thoughts?" and await the comment storm that's coming. And usually that's when the problems start.
In this episode of Critique the Community, we are joined by architectural photographer Mike Kelley. Mike has been a long time writer for Fstoppers and last year Fstoppers produced the highly proclaimed photography and Photoshop tutorial Where Art Meets Architecture. Today Mike and I give an extended critique of 20 architectural images submitted through the Fstoppers Community.
In this next episode of Critique the Community, we'll be sitting down with Architectural Photographer, Mike Kelley. Mike is best known for his incredible light painting methods. In less than 5 years of owning a camera, he has gone from knowing very little about photography to shooting National Ad Campaigns for the Architecture industry. If you want Mike and us to consider your image for this episode, leave a link to your image within the community and we will give you our honest opinion.
Growing up, I have been entranced by Jackie Chan films for their insane stunts, beautifully choreographed action sequences and hilarious physical comedy. His action scenes are both visually stunning and involving, playing underdog characters fighting against impossible odds. Chan’s dedication to his craft is unquestionable but perhaps he has not been given enough credit as an action director. In this video, filmmaker Tony Zhou breaks down the framing and editing techniques that Hong Kong directors use to create engaging fighting scenes, highlighting how many of these techniques are absent in Hollywood films of today. If you are interested in becoming a filmmaker, you need to watch this.
Any photographer who wants their work to stand out has to offer something unique to the viewer. The following list contains ideas, poses and editing techniques that probably aren't too original and should be avoided. If I had known this when I started photography, I probably would have found a signature look sooner.
A teacher once told me that filmmakers need to fully utilize the frame within their scenes and move the camera in ways that help drive the story forward; otherwise they're just filming a play. That always stuck with me and it's a point I still take note of in movies. Tony Zhou from Every Frame a Painting does a great job of explaining why the camera frame is so important in comedic cinema along with a slew of other techniques that few people other than Edgar Wright are making use of in today's comedies. This is eight minutes of insight you're not going to want to miss!
I’ll never forget the email; I was on a plane somewhere over the Florida coast, on my way to the Bahamas for the Fstoppers Workshops 2014. Just before I left the States, I had signed on with the artist consulting firm Wonderful Machine. The first step in preparation for a press release was to tear my website apart. The critique was tough and they slashed it hard… here I am in one of the most beautiful places in the world, feeling a truck load of anxiety. For years, I had thought I had a clean and straight to the point website, but it turns out I needed to strip it down even more.