You come home from a trip with hundreds of images, sit down to edit, and feel nothing. It happens more than most people admit, and it usually isn't a gear problem or even a skill problem.
Coming to you from Sean Dalton, this practical video was filmed entirely on location in Paris and covers five habits that separate forgettable travel photos from ones you're actually proud of. Dalton opens with something most people skip entirely: having a purpose for your photos before you ever leave home. If you don't know what you're going to do with the images, you tend to shoot aimlessly and end up with a hard drive full of random shots that never go anywhere. Dalton moved away from shooting for Instagram and started making physical photo books for himself and his partner, and that shift changed not just his motivation but the variety of what he shoots. Food, candid moments, small details — things he would have ignored when he was only chasing the "banger" shot.
The next point is about working a scene instead of grabbing one obvious shot and moving on. At Canal Saint-Martin during a Paris heat wave, Dalton shows how he approaches a single location by shooting three distinct types of images: a wide establishing shot that gives context, medium shots that bring you closer to the people and action, and tight detail shots that capture texture, reflection, and feeling. Those three layers, when combined in an album or book, tell a story that a single frame never could. He also gets into editing, and the mistake of forcing one editing style across every location regardless of where the photos were taken. Paris in summer and New York in winter are not the same place, and editing them identically flattens what makes each one distinct.
Two more tips in the video are worth watching for in full. One addresses a trap that catches almost everyone: visiting a famous landmark like the Eiffel Tower and treating the landmark itself as the subject. Dalton's take on how to rethink the foreground and reframe what "the photo" actually is will make you approach iconic locations differently. The other tip is about light, specifically about shooting in conditions that aren't ideal instead of waiting for perfect golden hour that may never come. Hard midday light in a Paris summer is genuinely difficult, and Dalton is honest about how it affected his shooting schedule. But his argument for shooting anyway, and learning to use whatever light you have, is one of the more practical things in the video.
The final tip is about slowing down, not just your shooting pace, but your travel pace overall. Dalton and his partner spent a full month in Paris specifically so he could give the city the attention it takes to find something worth photographing. That kind of commitment shows in the footage throughout the video, and it reframes how you think about planning a trip around photography in the first place. Check out the video above for the full breakdown from Dalton.
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