The Exact Settings You'll Need for a Simple Two-Light Beauty Photography Setup With Great Results

You don't always need super complicated setups with many lights to create stunning beauty images. This awesome video will show you a great two-light setup and show you every setting and detail you need to know to make it work for you.

Coming to you from Jeff Rojas, this great video will walk you through all the specifics of this two-light setup, in which he uses a Canon 5DS paired with the Tamron 85mm f/1.8 and a set of Profoto monolights, one bare and one firing into a deep medium umbrella with diffusion material. Rojas was kind enough to give us very exact details of the setup so you can replicate it for yourself:

  • Camera settings: 1/200 s, f/8, ISO 100
  • Main light: f/8, 34 inches from subject's eyes, 25 inches above eyes
  • Rim light: f/11, 34 inches from subject, 12 inches off center
  • Subject distance from background: 64 inches
  • Reflector distance from subject: 24 inches

While you'll of course want to play with the setup a bit to find the variation that best suits your style and taste, Rojas' helpful video above should help you get everything in place to immediately get great results. Give it a watch and try it out for yourself this weekend!

Alex Cooke's picture

Alex Cooke is a Cleveland-based portrait, events, and landscape photographer. He holds an M.S. in Applied Mathematics and a doctorate in Music Composition. He is also an avid equestrian.

Log in or register to post comments
37 Comments

So anybody new would be sad thinking they need all that same gear he has since he called it out like magic Harry Potter wands. Look more at the position of the lights than the gear. Light placement and control is everything regardless if it's expensive, cheap or natural. And then learn to color correct and retouch.

I agree! It's a nice simple tutorial however, I agree with you, there is absolutely no need to mention equipment. I would think that by now tutorial providers would get that. IT IS ABSOLUTELY IRRELEVANT. Those tutorials always sound endorsed by Profoto, since it seems to be always mentioned by name :-)

He uses $3,500 worth of lighting equipment. No need, these shots can be taken using two $60 speedlights, a $20 reflector and a cheap softbox.

There is also no need for this expensive monitor or camera either, any decent monitor and a decent DSLR would do. Your viewers would probably use an average monitor to view the images anyway.

I'm still stuck on the phrase that Profit reduced your need for post work. everything else is pretty spot on...

Pro level strobes have much better color consistency.

I assume each light is behind a light modifier? Can you control the fabric color of the modifier? I have five umbrellas from westcott, Godox and one from impact, each has a different "white" fabric. Light will be different if I use different umbrellas.

Two weeks ago I worked at my colleague studio and he has a huge and old Westcott softbox, it has a faded yellowish color, very different than my Westcott umbrella. My umbrella is much newer so maybe it's age or maybe they used different fabrics.

I do mainly portraits and there is no need for such color accuracy. Mind you I use Godox flashes and they are consistent from model to model but my modifiers will negate that anyway.

Do you mean that because each light is on different power settings the color changes?

I did a test with my Godox flashes and the most consistent are the AD200's. Even in rapid burst (low power) the color and exposure is amazingly consistent.

My Godox speedlights are not as consistent but just so you know so is my SB-910. At different power levels it will have a slight shift. For me it's not crucial, it happens every now and then.

However, I think speedlights just don't always recycle fully and light changes as a result.

I usually use 2 AD200's light setup on the subject and one Godox speedlight as hair light or/and background light.

I also have two sets of Godox softboxes (20"x20" and 32"x32"). Since they were bought as sets the fabric is the same and consistent.

I tried to work with gels but I found it time consuming (or maybe I am just impatient). Two exact same softboxes help and a little color correction after.

The AD200's do have a very slight color change when on different power settings but it is negligible.

Throughout s session I will change flash power settings and every now and then a photo will have a slight different color shift. If I shoot 300 photos three or four will look a bit different. For me it's perfectly acceptable.

No doubt, one huge advantage when working with brand names is the support. I had Einsteins for years and this company was a delight to work with.

It's my third year with Godox and I never had an issue, so far so good. Their newer equipment like the 860II and AD200 are better and more consistent then the older 860 and 850 but when doing events those are great to work with due to their battery.

I see. With my AD200, that are as powerful as average strobes, I can shoot a burst of 8-10 shots at around 1/4 power and all are the same exposure. However, since they are only around 200w/s they do lack power in some situations.

1/10 stop variable is not a problem for me. When going really fast (with kids for example) I sometimes get shots even 1 stop variable, nothing a minute in post processing can't solve.

That wouldn’t be a big deal with one strobe lighting the scene. If you have five or six and they’re off by different amounts, that’s a ton of work.

Sorry for very late reply and, well, very narrow space to comment :-).

Here is a link to a test done by some Japanese photographers comparing color consistency of Broncolor, Profot and Godox through all power levels.

Target K was 5500. Broncolor was between 5615K-5768K a 153 K variation.

Godox was 5638K-5798K a160K variation.

Profoto was the worst, 6235K-6488K a 253K variation.

Here is the link:
https://www.youtube.com/watch?v=Ir6ahHW9HA0

Happy 4th of July to you guys south of the border.

What I resent with all photography tutorials is that NO ONE says anything about being sponsored. I watch dozens of Youtube videos from "how to DIY' to gardening and all of them say or have a disclaimer if they are sponsored. Unfortunately, not in our industry. Thumbs down for that.

In my opinion there is no need to mention brand because it takes away from the tutorial. Use the words 'strobes' or 'speedlight' and you give the viewer the information he/she really needs.

Use the words 'softbox' or 'umbrella' also give the viewer the important information he/she needs but brand names means nothing. Some -hopefully not many- might thing you need expensive equipment to achieve that.

And please do not start with "you don't like, don't watch", I am way too old for that. Comments are there for a reason; to comment. I say my opinion, you say yours.

Like you and many others, Youtube tutorials as well as paid once (Lynda.com, Photoshop Cafe, Cretivelive and others), help me improve and get much better results. Never doubted that or said the opposite.

Disclaimers are important and I would say, a must, when making a video. Not being transparent is one of my beefs with those tutorials. If not sponsored, say it too, I think it gives the author more credibility.

I expect that when people spend countless hours putting together a tutorial they want something in return and rightly so. Since they make it available freely for everyone to watch they might receive some financial rewards from equipment manufacturers. Excellent! Why not mention it?

Not too old for comments, never, keep them coming. It's just that when people say 'don't like don't watch' it means they closed the dialog. I learned a great deal from commentators as well as the videos they were published in. I don't have much to teach but I can still call for transparency.

Thanks for the kind words! :)

"And please do not start with "you don't like, don't watch", I am way too old for that. Comments are there for a reason; to comment. I say my opinion, you say yours."

I say you sound entitled.

When you pay me, then I'll listen to your opinion. :D

Amen Lee!

Let's be clear: Profoto does not sponsor me and I paid retail for them. They're my kit I use for commercial shoots, ​and I can afford them because I worked my ass off for them. No need to be salty.

Thank you for letting us know. In my opinion it makes the tutorial that much more credible. Great video and keep up the excellent work.

Regarding print monitors - You get what you pay for. I use the products that color houses and print shops identified as the standard for color reference. Don't see any issue with that whatsoever. If you can't afford it, buy a less expensive solution.

"He uses $3,500 worth of lighting equipment. No need, these shots can be taken using two $60 speedlights, a $20 reflector and a cheap softbox."

I googled your work. Who are you lying to? :D

Damned if I do. Damned if I don't. I call out gear because inevitably people asked what I use when I create videos and truth is that I don't feel like answering the same question 50 times. ​

Why do you think I am lying? I use AD200's and some Godox speedlights for my work. You are right, people are too hang up on equipment and exact settings when it's so much more important to get the expression, pose, right light ratio etc.Equipment used and exact settings are not relevant at all. None.

However, I guess some still think they can just mimic someone else's exact settings and of course it's not realistic.

I wanted to point out that it is possible to achieve a quality shots like yours using average affordable tools. That's it. I should have rephrased it better.

Talk about not being salty... "Pro photographer" Googles your work for the purpose of giving you a slight ... ::eyeroll::

Who's the immature one?

Do you really want to go there? ;)

This was a very nice and simple tutorial, all I kept hearing however was product placement. I think dude was going for more sponsors so why not give a mention to everything including the Savage paper backdrop. I keep hearing that the Eizo monitors are great, I'm going to have to give them a test, although I will admit my monitors (Samsung SyncMaster) are great and I get what I see on my prints (Epson stylus pro 7880) and that is all that matters. Do I need a camera that outputs 50mp files? probably if I need to see the falling dust. I find that the Canon 5D MKII with the Canon 85mm f/1.8 does a great job. As for lights, ok we can agree on that as I switched a year ago to the Profoto B1 and Quantum T5d-r system since my 30+ year old Spedotron 2400 (i miss that system) blew up and they are not available in Australia. Ok, there you have my endorsement of 8 product brands lets see which one comes to the party. oh I forgot to mention and all of this was shot on a Sandisk CF media card. So make that 8 product placements in this comment. Now can I reproduce what was shot, you better believe it.

Oh I'm all for giving free advertising to the products being used and the reason for their usage.. I was having a bit of tongue and cheek with some of the other comments.

What's wrong with mentioning the products he used? He gave us a great "free" video that was very informative. So what if he mentioned what he used ? I think it's good that he did that. Would it be better if he added a disclaimer that one can get the same results with different gear? Regardless it's a really well put together video that's better than some videos I've paid for.

Thank you kindly!

The name is Jeff not dude. It's great to meet you.

Damned if I do. Damned if I don't. I call out gear because inevitably people asked what I use when I create videos and truth is that I don't feel like answering the same question 50 times.

If you were a commercially sponsored educator you'd understand that this is how things are. Sponsors reach out to photographers for the purpose of getting their products out there. I don't find it "offensive" that the products are mentioned in the video, it's not overt to the point that ruins anything...is it a bit long winded maybe? Sure...but that's the trade off...you get free information and some sponsors are happy not sure why people complain so much about this.

Sponsored video or not...this is the same boring "done to death" video tutorial on how to create a simple lighting setup extended to 3 minutes from what should have been 30 seconds. Not trying to be a hater...because there are a lot out there in this community...but can the industry as a whole stop showing hack tutorials like this? I understand the guy is trying to make a living but come on, this is just recycled nonsense. Not to mention everyone knows that this guy is a clone and has no style of his own lol.

LMFAO. No style of my own? Please. Email me your GREAT work. I'd love to see it keyboard warrior. :D

Oh wait... Your only interactions on FStoppers is this one post.... you're hiding behind a guise. You silly hater you. :*