Understanding How Sensor Size Affects Depth of Field

Understanding How Sensor Size Affects Depth of Field

Most photographers have started with a crop camera when digital photography was introduced. Only after a few years, the full frame cameras became affordable and that is the moment when all the discussions about the effect of depth of field and crop sensors started, often with the mentioning of physics laws and mathematical calculations. Let’s try to find out with some real world examples.

First of all, I think the whole discussion about how depth of field on a crop camera differs from a full frame camera is not really that interesting. I believe it is important for a photographer to understand how the depth of field behaves with his or her camera/lens combination, regardless of what kind of sensor the camera contains and not how much more or less depth of field that camera/lens combination has compared to another sensor size.

Using a small depth of field can isolate your subject from the surroundings, like this shot where the bride is in focus and the hair dresser not. (Canon 1D X 85mm f/1.2L II | ISO100 | f/1.2 | 1/250)

Because I give workshops and masterclasses, I found it important to see the difference myself and to be able to explain it to my students when the question arises. So I took a Canon 1.6x crop camera and a Canon full frame camera to make some shots and to figure out how much difference there is. But before I do so, I find it important to realize a few things.

First of all, a crop sensor is smaller than a full frame sensor (which is obvious). Therefore, it captures only a part of what a full sensor would capture when using the same focal length. Thus, the picture with a crop sensor looks like it is magnified compared to what a full frame would show. In other words, it looks like the picture is shot with the focal length of the lens multiplied by the crop factor. This is visible in the example below, which shows what you capture with a full frame and a crop when using exactly the same focal length (120mm in this case).

The example above shows the difference of what a full frame sensor captures of a scene and what a crop sensor captures. If printed on the same size, it may look as if the photo with crop sensor used a longer focal length.

The second thing to realize concerns the mentioning of the focal length on a lens. This is always the real physical focal length, which has nothing to do with the sensor size. This automatically means the mentioned focal length of lenses that are made especially for crop sensor are not corrected for the crop sensor. Thus, a 17mm lens for a crop sensor has the same focal length as a 17mm for a full frame. The crop sensor will show only a field of view that is like a 24mm when compared to a full frame sensor (17mm multiplied with the crop factor).

Two lenses; at the left the EF 24-70mm and at right the EF-S 17-85mm for crop. Although the minimum focal length of the EF-S lens is shorter, it acts like a 27mm lens.

Depth of field is affected also by the way you view a picture, how much it is enlarged, what the viewing distance is, and the pixel density on the sensor. But let us ignore this for the sake of simplicity. I don't want to make it more difficult than necessary.

To test the depth of field, I placed my camera on a tripod and shot a scene with full frame and crop, with the same focal length of 120mm and both with the same aperture of f/2.8. The distance to the subject was kept exactly the same. There are a few things that we see when these pictures are held next to one another. Of course, the 120mm acts like a 192mm lens when used with the crop camera, but the depth of field is exactly the same with both sensor sizes. This becomes visible when we enlarge part of the full frame photo to match that of the crop photo.

This shows the depth of field is not influenced by the sensor size when aperture, focal length, and distance to the subject are kept the same. 

When viewed in the same magnification, you see sensor size does not change depth of field, as long as focal length, aperture, and distance are kept the same.

But wait, there is one problem. Under these conditions, we don’t have the same photo. It looks like we have used a longer focal length with the crop camera, which is due to the smaller sensor size. If we want to have the same composition, we have to change the focal length or the distance to the subject. Let us try both.

To get the same composition, we can reduce the focal length. This means we need a 75mm focal length (120mm divided by 1.6) to get the same angle of view. When we compare the photo between 120mm with full frame and 75mm with crop, we see the same photo emerge at least at first sight. But if we check depth of field, we see a difference; the photo with the crop sensor has a larger depth of field. The reason is obvious; it is due to the shorter focal length, which affects the depth of field.

If you want to have the same field of view as a full frame sensor you need to decrease the focal length with the crop sensor. Distance to the subject and aperture is kept the same. The depth of field is now larger with the crop sensor.

Instead of using a shorter focal length, we can also change the distance to the subject. We need to get 1.6 times farther away from our subject to get the same angle of view with our 120mm focal length. When we compare this photo with the original full frame photo, we again see the larger depth of field, which is due to the larger distance from the subject.

Instead of decreasing focal length, you can also increase the distance to the subject to achieve the same picture. Aperture and focal length are kept the same. As you can see the depth of field is increased with the crop sensor

To answer the question if depth of field is influenced by the sensor size, we can safely say yes, but it does so indirectly, because we are changing other parameters to end up with the same picture, focal length or the distance to the subject, which are the real reason why the depth of field is different between a full frame sensor and a crop sensor. 

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Nando Harmsen's picture

Nando Harmsen is a Dutch photographer that is specialized in wedding and landscape photography. With his roots in the analog photo age he gained an extensive knowledge about photography techniques and equipment, and shares this through his personal blog and many workshops.

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I have not been involved in digital photography long - however with regard to DoF, a good example is MFT and FF equivalence. Which was a comparative explanation for those veterans of Film photography considering moving over to Digital photography at the time MFT was gaining interest.

A MFT lens of 17mm f1.8 (Olympus) has a comparative FF equivalence of 34mm f3.6. However in its anatomy and physiology the Olympus lens is not a 34mm f3.6 lens, it is a 17mm f1.8 lens when mounted on the cameras it was designed for.
Hence that 17mm lens delivers the Depth of Field for 17mm focal length, not 34mm DoF as it would be on a FF camera.

See attachment below.

Cheers.