Understanding of the Relationship Between Resolution, Details, and Shutter Speed

Understanding of the Relationship Between Resolution, Details, and Shutter Speed

This may be something that is obvious for some, but I noticed how many starting photographers struggle when it comes to understanding the relationship between resolution, detail and shutter speed, and how these things effect each other. This article is for those photographers.

Recently I had a discussion about the effect of resolution on the minimum shutter speed. As the discussion evolved it became clear how resolution was not quite understood. For the photographer it seemed to be very difficult to grasp the concept on how small movements will be seen more easy when resolution increases. That is when I realized how something that was quite obvious for some, is not always so obvious for others. Reason enough to write an article about it, and explain the concept and the relationship with simple words and some animated GIFs I made.

Because a high resolution sensor has so many pixels, it would be possible to crop a lot. It basically means you are able to mimic a longer focal length and still see a lot of detail in the cropped image.

Because a high resolution sensor has so many pixels, it would be possible to crop a lot. It basically means you are able to mimic a longer focal length and still see a lot of detail in the cropped image.

About the Minimum Shutter Speed Rule

There is a minimum shutter speed that can be used without the risk of blurry images due to shake. This rule may be familiar for a lot of you. It states that 1 divided by the focal length is the minimum advised shutter speed. The focal length needs to be corrected with the crop factor of the sensor because the rule is based on the magnification of the image. The longer the focal length, the narrower the field of view. The narrower the field of view the larger the magnification factor. Small movements due to shake will be magnified equally.

This rule is visualized in the next two animated GIFs. The inset shows the movement with a standard lens, and a tele lens. While the physical movement is the same in both examples, the one with the tele lens will show the movement much better because it is magnified.

Camera shake with a standard lens will show only a small motion blur. It will allow you to take pictures with a longer shutter speed.

Camera shake with a standard lens will show only a small motion blur. It will allow you to take pictures with a longer shutter speed.

The same camera shake with a tele-lens will will enlarge the subject, but also the motion blur. It will need a faster shutter speed.

The same camera shake with a tele-lens will will enlarge the subject, but also the motion blur. It will need a faster shutter speed.

This is why photographing with a 50mm lens will need a minimum 1/50th shutter speed. Shooting with a 200mm lens, will need at least a shutter speed op 1/200 sec. This is with a full frame sensor. If you use a 1.5x crop sensor, you will need to correct the focal length. The 200mm lens on a crop sensor will have the field of view similar to a 300mm lens, thus it will require a minimum shutter speed of 1/300th.

This rule is ancient history, based on shooting 35mm negative film, as far as I remember. As you may know, the 35mm film is the same size as a full frame sensor. This rule is also more of a guideline because some people can hold a camera much more steady while others will have difficulties even with the shutter speed as calculated by this rule.

About the Resolution of a Sensor

We have come to an age where the digital sensor had significant higher resolution compared to the analog film. Let’s look at some basics to have a good understanding about resolution.

The resolution is determined by the amount of pixels on the sensor. When more pixels are placed on the same sensor, the more detail can be captured. That is obvious, I guess. More pixels on the same surface area means these pixels are closer to each other. 

Let's imagine a sensor that can resolve details of 10mm at 1 meter distance. Objects that are 10mm in size, or larger, will be visible in the picture. Objects that are smaller won’t be visible. If an object is just 2mm in size, it cannot be resolved and will be invisible. If we increase the resolution of the sensor 10 times, it has more pixels. Because these pixels are 10 times closer to each other, it will resolve a detail of 2 mm at 1 meter distance. Suddenly the object that is 2mm in size will become visible. 

For this comparison it is very important that we keep the sensor size the same. If we increase the sensor size, the increased amount of pixels will be located on a larger surface. It basically means that if we increase the sensor by a factor 2, and we increase the amount of pixels by 2, the resolution stays the same.

Resolution charts are used to determine how many details your sensor can resolve. A larger pixel count will show more details. You can download this resolution chart from the Bob Arkins website (source: http://www.bobatkins.com/photography/technical/lens_

Resolution charts are used to determine how many details your sensor can resolve. A larger pixel count will show more details. You can download this resolution chart from the Bob Arkins website (source: http://www.bobatkins.com/photography/technical/lens_sharpness.html)

Increase Resolution and Minimum Shutter Speed Rule

Let’s step back for a moment, and look a the minimum shutter speed rule. For this example we use a 50mm lens, and the rule tells us 1/50 sec is fast enough to prevent visible camera shake. Now we look at the sensor again that can resolve details of 10mm at 1 meter distance. Let’s assume there is a movement of 10mm up and down due to camera shake. The movement is too small to be resolved by the sensor resolution and thus invisible. That is why the image will look sharp at 1/50 sec.

Next, we increase our resolution 4 times again. Suddenly we can resolve details that are 2mm in size instead of 10mm. Suddenly the camera shake of 10mm at 1/50 sec will become visible. The minimum shutter speed rule of 1/[focal length x crop factor] does not work anymore when resolution increases too much.

Where Is the Breaking Point and What Is the Solution?

Somewhere there is a breaking point where the minimum shutter speed rule doesn’t apply anymore. I haven’t found an exact number of pixels, but a lot of reading suggests it might be somewhere between 24 and 30 megapixels on a full frame sized sensor. If you do know the exact number, please share it in the comments.

The solution is a faster shutter speed when the pixel count on a full frame sensor exceeds 30 megapixels. In those occasions the minimum shutter speed must be 1 / [focal length x 2]. In our example of a 50mm lens the minimum shutter of 1/100 sec is advisable to prevent the camera shake to become visible.

When the resolution increases even more, like with the massive 102 megapixel Fujifilm GFX100 camera, even the 2x focal length might not be enough anymore. Perhaps you could divide the resolution by the 30 megapixels, which could be the breaking point as mentioned above. In that case you should use a 3x focal length in the minimum shutter speed rule when it comes to a 100 megapixel sensor. 

The 102mp sensor allows to crop a lot. I took this image with the Fujifilm GFX100 camera at Lofoten. The crop is similar to a focal length of 1200mm (full frame equivalent). It means you should use a shutter speed of at least 1/1200 sec when you shoot han

The 102mp sensor allows to crop a lot. I took this image with the Fujifilm GFX100 camera at Lofoten. The crop is similar to a focal length of 1200mm (full frame equivalent). It means you should use a shutter speed of at least 1/1200 sec when you shoot hand held.

How About Image Stabilization?

When your camera or lens has image stabilization, it will become much more easy to use longer shutter speeds than the rule tells us. This becomes increasingly convenient when using high pixels count sensors. It is possible to correct the minimum shutter speed by the amount of stops of the image stabilization. If your camera or lens can correct up to 4 stops, the minimum shutter speed of 1/100 sec will become something like 1/8 sec with a 50mm lens.

Modern cameras have amazing stabilization modes. These systems can correct up to five or six stops. You can take this into account when calculating the minimum shutterspeed. But remember, it won't eliminate the movement of your subject.

Modern cameras have amazing stabilization modes. These systems can correct up to five or six stops. You can take this into account when calculating the minimum shutterspeed. But remember, it won't eliminate the movement of your subject.

Nowadays image stabilization can reach up to five or six stops, like the Panasonic DC-S1. In that case you would shoot with a minimum shutter speed that is calculated and corrected with the amount stabilization. I still would recommend using a shutter speed according to the the old minimum shutter speed rule. Never forget, image stabilization only compensates vibrations and shake, not a moving subject.

I would love to hear if you know what the resolution breaking point is, or the corrected rule for high resolution sensors. Please share it in the comment below. You are also welcome to share your thoughts about reducing camera shake and the solution you have. I am looking forward to your comment.

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5 Comments

Matt Williams's picture

When I got my D810, coming from a D700 where 1/FL was just fine (if not a bit slower), I quickly found out that I'd need 1/2x and preferably 1/3x, depending on if the lens has VR or not.

One note I'll make: I see a lot of misconception (not from your article, just in general) about this in regards to resolution and sensor size. A lot of people think that higher density sensors (e.g. a 24MP APS-C camera vs a 24MP Full frame) need faster shutter speeds since the pixels are smaller. This isn't true at all. Pure resolution is all that matters for the same FOV. Take an APS-C sensor that's 6000x4000 and a FF that's also 6000x4000. If your AOV is 50 degrees and your shake induces a horizontal displacement of 0.5 degrees, it will displace 60 pixels horizontally on both cameras. Because your AOV matches, the APS-C is using a shorter focal length.

Understanding that makes it easier to know your limits between different format sizes.

I keep my Z6 set with a minimum of 1/FL in most modes - it can certainly go slower because the IBIS is excellent and it's only 24MP. I have my U2 custom position set to approximately 1/0.33FL (the camera does give you exact figures, just a "low" to "high" choice of settings, so I'm approximating what it does). If the light is low enough, I can flip to that mode in half a second. Otherwise, I prefer to be as safe as possible, even though you can easily shoot the Z6 and get 4 stops of compensation from the IBIS, maybe more.

Nando Harmsen's picture

You are correct. People tend to compare resolutions between different sensor sizes. That was also the reason to write this article.
Thanks for the comment.

Tony Northrup's picture

Great article and interesting topic! I've thought about this much myself and all I can really add is to give my own experience with this statement: "The movement is too small to be resolved by the sensor resolution and thus invisible."

I've found that there's no point when the movement isn't visible with real world images. Imagine a diagonal white line on a black piece of paper. If the camera tilts so that the line moves less than a full pixel, some of the light from the white line will still spill onto neighboring pixels... After all, you're taking an analog diagonal line and converting it into a digital matrix. This is visible as reduced sharpness (what some call microcontrast).

This is based on my incredibly pixel-peeping experience and testing. The conclusion is that, when shooting handheld, image stabilization is the only way to truly eliminate camera shake. Halving the shutter speed halves the visible motion, but never eliminates it. The best you can say when shooting handheld unstabilized is, "this is not perfect but good enough for me."

Matt Williams's picture

I agree with most of what you say but you can certainly shoot handheld unstabilized without settling for "good enough." Probably not at 1/FL unless your camera has 4 megapixels. But at 1/4000th or 1/8000th it's definitely possible.

The truth is that even with stabilization, the shutter or mirror mechanism can also introduce shake (true on a tripod as well). Though if you use EFCS (+Mirror Up on a DSLR) that would resolve that issue, or should.

And while my tolerances for image quality are very low (meaning low tolerance for image degradation), it's absolutely silly to be worried about displacement movement at the magnitude of a single pixel.

Nando Harmsen's picture

The diagonal line is a nice example. It is for all lines that are not perfectly horizontal of vertical, I guess. It is because pixels are.
But if you are looking this close to the photo, you are only looking at pixels and not at a photo. That is not the way to look at a photo, I think.