How Was I Missing a Medium Format Point and Shoot? A Short-Term Review of the Fujifilm GA645

How Was I Missing a Medium Format Point and Shoot? A Short-Term Review of the Fujifilm GA645

Yes, it’s true. A medium format point and shoot camera actually exists. I wasn’t really into it at first, but have completely fallen in love with it after a few outings. It may well be the only camera I never sell. 

The year was 1995. "Toy Story," the first entirely computer-animated film, had just come out, and Atlanta was in full swing preparation mode for the following year’s Olympic games. It was also the year that one of my aunts gave me a Minolta X-370. In the midst of all this, while I was blissfully unaware, Fujifilm released the first generation GA645, a medium format point and shoot rangefinder that would change everything about how I shot around town. In a relatively unique and arguably strange way, the orientation is set in portrait orientation. 

I only bought this camera a few months ago, right before Christmas. I thought it would fill a particular but ever-present void in my camera lineup. I would occasionally find myself wanting medium format quality but wanting the size and weight of my 35mm camera. I don’t remember where I first read of the GA645, but once I found out about it, I read review after review on it and watched every YouTube video I could find. Eventually, I pulled the trigger, received the camera, and found myself a bit out of sorts with the simplicity of the camera. It quickly became a classic case of a statistician trying to overcomplicate the situation. 

The GA645 had three generations, concluding with five different models. The first and second generations have two different models: the standard model equipped with a 60mm f/4 lens and the wide angle model, which was fitted with a 45mm f/4 lens. Those lenses are approximately equivalent to a 35mm and 28mm in ful frame, respectively. The difference in the titles of the first and second generations are denoted by an “i” suffix (second generation). The third generation does not have a fixed focal length but instead offers a zoom lens (55-90mm f/4.5-6.9) and is denoted as model GA645Zi. The first generation debuted in 1995, the second generation came out in 1997, and the third and final generation came out in 1998. 

The camera has three modes: complete auto (P), aperture priority (A), and manual (M). At first, I found myself using aperture priority the most, but that limits the useable shutter speeds unless you stop it down considerably. The manual mode is a complete pain to use unless you’re shooting entirely at infinity, or you’re very talented at estimating distances from you and your subject. After a while, I was eventually starting using it in auto mode, and I don’t know that I’ll ever go back. It is so incredibly easy. The focus is very accurate, and the metering has thus far been flawless. 

Build Quality

The shell of the GA645 series is made of a hard plastic, which doesn’t feel as sturdy as some other high-end point and shoot cameras from the 1990s. That said, about 15 rolls in, and I have not a single complaint. It has kept up walking around Ohio in the snow and going to the top of Nordkette in the Alps. I bought a UV filter (featured in the above photo along with a Peak Design leash strap) to protect the lens since I wanted to keep the lens cap off of it. Paired up with an excellent filter, the entire kit is so light that it almost seems flimsy, but after some use, you’ll see that it is solid as a rock. 

Accessories

I’m not aware of any accessories for this camera other than the branded lens cap, which I don’t have. I have been told that they made specific flash units for this camera, but I’ve never seen one. 

Lens Offerings

Nonexistent. The lens you get depends on the camera you buy. So, if you’re looking for a fixed 50mm equivalent or longer, you’re out of luck. Instead, you would have the option to get the zoom version, which covers the range of normal focal lengths. For me, however, 35mm was always where I felt most at home, so getting a camera with a fixed focal length with that field of view is not bad. 

What I Liked

  • Compact and so lightweight it’s tough to believe
  • The lens produces some stunning photographs
  • Can print data on the frame border (date, time, date/time, exposure data)
  • Focusing and metering are spots on
  • So easy to use, someone with no photography background can efficiently operate
  • Portrait frame orientation

What I Didn’t Like

  • Not being an SLR, you cannot see what the camera is or is not focusing on. Instead, it provides an estimated distance in the viewfinder
  • Getting more and more expensive by the day
  • There is no PC sync cable for the first two generations
  • The programmed year only goes to 2025
  • Winding from one frame to the next is pretty loud
  • For whatever reason, this camera struggles to shoot through the Fuji slide film. I’ve never had a problem with either of my Mamiya cameras, but on this camera, the film does not want to wind up on the receiving spool
  • Slow lens
  • I cannot get the time to stay correct. Most likely, this is operator error

Conclusion

I know that the above list has more items on the cons side than the pros side, but honestly, the positive attributes of the camera are so lovely that they outweigh the negative aspects that I’ve mentioned above. It took some getting used to, but as I said at the beginning, the GA645 is the only camera I own that I’m confident that I will never sell. The images it produces are stunning, the sharpness is through the roof, and it’s easier to use than any other camera I own. Even more, it’s the most compact and lightest camera I own. It is so light that it weighs the same or less compared with every medium format lens I own.

I cannot recommend this camera enough. It’s fantastic. The focusing is center-weighted, and that bothered me a bit until I learned to back-button focus, which, ironically, is on the front of the camera. With all of this said, my favorite thing about this camera is not the compactness of it, the fantastic lens, or the ability to print data on the frame’s border. It is, instead, the usability for non-photographers. On our recent excursion to Europe, my fiancée was using this camera for about half of the trip, and she took some fantastic shots with it. In contrast, with all of my other cameras, there is some amount of photographic expertise required to operate the camera efficiently. I doubt this will matter to most readers, but for me, it is important to have a camera that someone without experience can operate to excite them by the results and perhaps spur them to learn more about photography. 

If you're passionate about taking your photography to the next level but aren't sure where to dive in, check out the Well-Rounded Photographer tutorial where you can learn eight different genres of photography in one place. If you purchase it now, or any of our other tutorials, you can save a 15% by using "ARTICLE" at checkout. 

James Madison's picture

Madison is a mathematician turned statistician based out of Columbus, OH. He fell back in love with film years ago while living in Charleston, SC and hasn't looked back since. In early 2019 he started a website about film photography.

Log in or register to post comments
73 Comments
Previous comments

Thanks for sharing your experiences with the Wi! I’m happy to know I’m not going crazy I with shooting slide film.

It was my understanding that the 1/400 max shutter speed was only for wider apertures and can shoot faster speeds if stopped down.

Thanks for sharing some of your work with the camera!

For the love of god please stop telling the world about these little gems. Just post your nice photos to IG and keep quiet about the gear. Seriously what's the point? Gear doesn't matter to the viewer. You're drawing attention to yourself because of the gear you use and not the work you make. I understand if you write about new gear because you get paid (either as a journalist or as a rep) but to write about stuff they don't make anymore just drives the stock down and the prices up. This is hardly the first article about this camera but seriously just stop. There's literally not a single fixed focal length point and shoot camera left that hasn't seen it's second hand prices shoot through the roof. If you are a photographer who likes to shoot film it doesn't take much google searching to learn about every medium format camera ever made, read some spec sheets, archived reviews and make an ebay purchase if you feel so inclined. That said this is such a good camera I wish Fuji would make it again.

I do feel like writing about this camera and other film cameras still has a valuable place. While it’s true that the rising costs of these cameras is quite frustrating to those of us who have been using this gear before the prices started skyrocketing (I paid hundreds more than others reported paying on YouTube), it does indicate an increased interest in this medium. Without clear indications of increased interest in film photography, Kodak and Fuji would have carried on discontinuing stocks rather than releasing new ones. What’s more, without articles still discussing film photography and, more specifically, film cameras there would be an even lower chance of manufacturers making new film cameras.

I promise I realize that the supply of these cameras along with almost all film cameras is finite and as such, will only increase in price as the demand goes up. I just believe that it is a necessary evil to grow the popularity of film photography in hopes of having even the slightest chance of restoring this medium back into the mainstream.

I hope you can see it from my perspective. I love film photography and am doing what I believe is in its best interest in the long run. Plus - attempting to write a review for new gear I likely wouldn’t keep in my bag feels disingenuous to me. I have tried to stick with reviews on gear that I have used enough of and have invested in to keep the reviews as honest as possible.

To solve the Fuji film fat roll issue in the GA series camera, use the spool with a pin in the middle of opening as the take-up spool to load Fuji's 120 films. Fuji's 120 films leader has a hole to be hooked in the spool pin.

Every roll of Fuji's 120 film uses such a spool. So next time after finishing a Fuji 120 roll, ask the lab to return the spool or just save it after you process the film.

I thought about doing two rolls of slide back to back to see if that would fix it but never did. And it doesn't happen on all Fuji film - I shot through a couple rolls of Pro 400H on it without a hitch. It's just happened on Provia so far.

The even more portable option is a medium format "folder," which can fit in a jacket pocket. These date back to the 1930's, and Zeiss was a major player.

There is no need for autofocus if you follow the 'zone' focusing procedure common in street photography: you choose a narrow aperture and determine the depth of field such that, for instance, everything from 8 to 20 feet is within the depth of field for that lens and focus point. Some of these cameras also have the depth of field indicated on the lens.

Is there a specific model you're referring to?

I have both GA645 and GA645W. I don't really use them as a point and shoot, instead I operate them more like a manual rangefinder. Most of the time I don't use the auto focus. The manual has DoF tables for each. I printed a small version and stick it to the back of camera. Then I use zone focus based on the the DoF table. Also I carry a handheld light meter, so I seldom use the in-camera meter.

That's interesting. Having not done anything in manual mode on the camera and only once did I use manual focus, that seems like a very labor intensive process. Have you found your focusing/metering not worth trusting?

The reason I use zone focus is to put the important elements in the frame in focus based on DoF.

I never trust in-camera metering systems, no matter how advanced they are. What they do is some weighted averaging across the frame. If I shoot negative film, I want to place my shadow in zone III or IV and make sure the highlight is still in manageable range. If I shoot slide films, I want to make sure the overall contrast doesn't exceed the latitude of the film (if it does, I'll give up.)

Hey there, just curious how anyone more experienced with more portable medium format film cameras would rate this vs. a Mamiya 6 or 7?

Appreciate it!

The Mamiya 6 and 7 are entirely different cameras from the GA645 from Fuji. Aside from being 6x6 or 6x7 negative compared with the Fuji's 645 negative, they have interchangeable lenses which are completely manual focus. They're wonderful cameras and very compact. If you've got the money and opportunity and you don't mind manual focus lenses, the Mamiya system is the way to go.

I had the GA645Zi, awesome camera, very sharp high quality lens. It was like having a up scaled Contax G2. Total pleasure to use. Superb results.

Glad to hear you had a similar experience. Cheers!

This camera is on my wishlist for more than 6 months, but still hesitant to pull the trigger. I am enjoying my GFX at the moment. Maybe, eventually.

A GFX!? Nice! If you get the chance to pick one up for a good deal, they're a great film camera to have around.

Yeah I have a hasselblad 501c kit, Fuji GA645 on my radar. Only time will tell :-)

I own the Fuji ga645 and also use the same BW Lens filter. So I run to my study room to make sure you didn’t take my exemplar :-)

I bought it new many years ago but hardly used it. I like the size, the weigh, the lens quality, the autofocus, the ability to switch between 120 to 220, the handling and not less important, the pride of owning this exemplar.

But I never felt connected to the camera. Before the Fuji, I had the Rollei 6002, which was pure fun to use. The Fuji doesn’t feel the same. Maybe it’s because I am missing the ability to look down at the camera instead of looking through the range finder.

Do you really? haha. How about that. It's a good combination!

That's too bad. Having only had it for about 3 months now and having only put through 20ish rolls through it, I cannot speak to how I will feel long term but at the moment I've really grown to like it. I've never seen or used that Rollei but I'll have to keep an eye out for one.

I have the GA645Zi it’s a great camera. I mainly use it for travel. The Close up accessorie is a little odd. I’ve never used it but it came with it. I also have the dedicated flash The G Strobe which works TTL perfect for that mindless point and shoot astethic. I’ll try and add a picture of the close up kit.

I have had the same issue of the film being rolled too loose on the receiving spool. It’s only happened with Fuji Pro 400H but never with Kodak film which is strange since it’s a Fuji camera. Does anyone know of a way to prevent this?

I bought my first Fuji 645 in 2014 from a friend and it has been my favorite camera ever since. It worked perfectly for 4 years and then one day, it didn't turn on. I took it to Nippon photo and they said the electronics went and that it couldn't be repaired. I put it on a shelf for two months and then turned it on and it worked great for a while. Now it mostly works although the lens will often freeze and then I have to turn off and start all over. I bought a second one from the same friend and it worked great for a bit but now the lens will not work in P mode and sometimes it won't work in A or M mode. Anybody else experience this? Maybe I need to get a newer model? I love this camera and don't want to give it up. Thanks in advance...

Ha! When I recently looked over my surfeit of cameras, looking to thin them out, the Fuji GA645i was the first to go (I even sold it a bit under market to a guy who thanked me to selling him his “dream camera”). I bought it originally as a medium format point-and-shoot for a trip to Japan and for that it performed wonderfully. It’s everything you say it is here. However, I rarely used it after that because for some reason I just can’t get into the 6x4.5 format (sold my entire Mamiya 645 Pro kit for the same reason) and I found the camera soulless and joyless to use despite the great photos it produces. I had no connection with the camera. Easy to use? Absolutely. Fun to use? Not in the least.