What do you do if you want a camera that has the quality and gorgeous depth of field of medium format with the immediacy and fun of an instant? Well, if you're a hardware interaction designer, you take the front half of a Hasselblad 500C/M and attach it to the back half of a Fujifilm Instax Mini 9.
For most people who know the name Edvard Munch, there’s an immediate association with his iconic painting, "The Scream.” This artist, fabled for his emotionally impactful painting, is not known for his photographs, but his lens-based work will soon be available for fans of art and photography.
For many architectural photographers, tilt-shift lenses from Canon are the go-to option. These particular lenses are quite possibly the best available, and although Nikon has their variants, they just don't seem to be as good as Canon. The problem, however, is that Canon doesn't currently offer the best camera to put those lenses on with cameras like the Nikon D850 and Sony a7R III offering much better noise performance and dynamic range. In this video, I adapt Canon lenses to Fuji's medium format camera.
It has been just over a year since the release of Fujifilm’s entry into the digital medium format market, the Fujifilm GFX 50s. Fstoppers reviewed the camera a few months later, and I talked about it as a travel and portrait camera a while later. It’s an exceptional machine, there’s no doubting that. But after a few solid months of using it, how do I feel about it? The initial “wow” that comes with the honeymoon phase is over now, so what’s left?
Fujifilm set the bar for APS-C portrait lenses with their phenomenal XF 56mm f/1.2 a few years back and they have done the same for digital medium format with the GF 110mm f/2 R LM WR. The GFX system is an exceptional fit for those shooting high-end portraiture and the GF 110mm f/2 is quite possibly the perfect portrait lens for this application.
Up until now, Canon is still the only full-frame manufacturer that offers a 50-megapixel camera. The Canon 5DS R is still very much my favorite full-frame camera to use for any professional work. The usability and image quality are what appeals so much to me. Medium format, however, has always been seen as something that's a little out of reach for many photographers, but with releases from Pentax and Fuji the price has really come down and they're much more viable now than they have ever been. In my latest video, I decided to compare the Canon 5DS R, The Fujifilm GFX, and the Pentax 645Z to see how they perform against one another.
Hasselblad announced an updated multi-shot camera based on its flagship 100c 100-megapixel, full-frame 645 CMOS sensor. The result: the Hasselbald H6D-400c MS. The 400c MS allows for a 400-megapixel image by shifting the sensor in one-pixel and half-pixel increments as it takes six shots that are then combined later for a true 400-megapixel file.