Hasselblad holds a special place in the photography community and is well known for making some of the best cameras currently available. I have been using the H6D-100c camera system for more than a year, and I wanted to see if it holds up to the perception. With its huge 100-megapixel sensor, this camera does produce some very detailed and beautiful images. The latest "orange dot" lenses from Hasselblad have all been rated up to and potentially even beyond 100 megapixels, making them very effective. With that in mind, it would seem nonsensical to compare this camera to a full-frame system, however after seeing some of the results, the opposite is true.
Medium format systems are widely known as being the best, producing the most detailed and technically superior images. The lenses are supposedly the best available too, such as the 40mm from Rodenstock which is praised for its amazing performance. If you want the best in image quality, the widest dynamic range, and the deepest depth of field with the least amount of diffraction, then medium format is the answer... or is it? Is this simply perception? If you repeat something enough does it become fact? How many people who believe this to be true have actually tried and compared the best from medium format to the best available from full frame?
Fujifilm has made quite the name for themselves in the camera industry. They completely changed the game with the release of the original X100 and have since been turning out great camera after great camera. In a similar fashion, Fujifilm is looking to change the way you view medium format cameras with the recent release of the Fujifilm GFX 50s. This camera is not only smaller and lighter than most comparable cameras, but it also comes in at a cheaper price tag. But does the final product live up to the hype?
It's been a month or so since I started printing in the darkroom, and what a ride it has been! After going through tons of paper and chemicals, making a mountain of bad prints, and generally messing up in every way possible, I've managed to be able to make some decent prints. Here are a few of most important lessons I've learned so far in my darkroom adventure.
Remember that feeling you had as a child, every time you pass a toy shop window and you could see your favorite toy? You pass that window, and your favorite toy sits there, waiting for you to play with it regardless of all the other forgotten toys you have waiting for you back home. All you can do is just imagine the fun you could have with it every day. The toy you'll never get tired of playing with. The toy that allows every day to become a new adventure. The toy that becomes your new best friend.
Phase One announced today their new, first-of-its-kind 101-megapixel achromatic medium format digital back. The IQ3 100MP Achromatic, which is manufactured without a Bayer filter, does not record any color information which allows “all available light to be captured unaltered and unobstructed.”
Can you imagine the insane amount of detail in aerial shots that can be captured using a 100-megapixel medium-format camera? This could previously be done only by taking to the skies yourself in an airplane or helicopter. DJI has relieved us of buying a plane ticket, but has yet to announce a price tag for this flying contraption.
I trust I'm not the only one who has had their eye on Fujifilm's GFX 50S. With its 51.4MP, 43.8mm x 32.9mm CMOS sensor, removable OLED EVF, 3.2" 2.36m-dot tilting touch screen, 117-point contrast-detection AF system, extended ISO 50-102400, weather-sealed magnesium-alloy body, and my love for my X100T (predecessor to the X100F), I've been seriously considering Fuji as a full-on replacement for my Canon kit.
Hasselblad was the first to follow Pentax's lead with a smaller, more manageable, and more affordable medium-format system; except in the case of the X1D, the company was also the first with a mirrorless medium-format system for the modern era. Today, the X1D is still the most compact medium-format digital camera you can get, and Hasselblad just announced four new lenses for the system.
In the past few years, flash manufacturers have put a lot of efforts to let cameras’ x-sync fade into obsolescence. However, the current solutions are not perfect and aren’t always intuitive to use for non-tech-savvy photographers. In 2016, I made a comparison between Hi-Sync and HSS. Since then, I have had the chance to play with a Phase One XF and give the beautiful Schneider Kreuznach leaf shutter lenses a try. With more experience using Hi-Sync as well, I thought a follow-up article was well overdue. So let’s dive in and see what solutions are currently available to go past the x-sync limitation.
Competitions are fantastic to push yourself and create the best work you’ve ever produced. It’s also a great way to compare your imagery to others and see how you could improve your craft. Broncolor announced their NextGen contest for photographers under 30 a few days ago, and now it’s Hasselblad’s turn to open their traditional Masters Awards 2018.