Being a celebrity photographer means you have access to interesting subjects, and you may have the new and cool gear. However, this is not the key to make iconic portraits. A great photographer can get the job done with almost any gear that works properly. What would you say when you see someone shooting with natural light when they have Profoto equipment at hand?
Ansel Adams once said “you don’t take a photograph, you make it.” I have always thought that what he meant by this quote was the process involved in reaching the final image. It has never been about clicking a picture simply, but it involves the creativity the photographer pours into his image. And creativity and sensibility also are what transpire in the beautiful conceptual project of Finnish photograper Christoffer Relander, titled “Jarred & Displaced.”
Phase One introduces its third feature update for the XF camera system. The freshly released firmware adds a couple of new features, including the world’s first complete electronic shutter in medium format photography. The Danish manufacturer proves once again its devotion to offering its customers a future-proof system that can evolve with time and professional photographers’ needs.
Since the days of film, medium format has been far from reach for many photographers. Even working professionals can have trouble justifying the high price point of these systems: when used, they can be $8,000-10,000. Medium format film bodies, while cheap now, were always several thousand away from even the most exorbitantly priced 35mm bodies. Factor in the inconvenient size of just about every medium format camera ever, and it's easy to put the idea of working with these monsters far from mind.
As Photokina is kicking off, almost every brand is releasing new products. The Danish medium format manufacturer is no exception and is introducing a new digital back, the IQ1 100MP, along with two new Blue Ring lenses and Capture One 9.3. One might wonder why Phase One decided to have two 101-megapixel backs in its product line, so let’s dive into the specs and see what the reason(s) may be.
"The world does not fit conveniently into the format of a 35mm camera." Fujifilm quoted W. Eugene Smith as they unveiled their first digital medium format camera system. Featuring a custom-designed sensor and a complement of six new lens, Fuji is dead serious about turning the medium format market on its head.
In partnership with Schneider Kreuznach, Phase One has added two Blue Ring zoom lenses to their impressive lineup of high-end imaging products. These new full-frame 645 lenses, the 40-80mm LS f/4.0-5.6 and 75-150mm LS f/4.0-5.6, promise prime lens quality with improved precision and advanced electronics. Phase One will be hosting a webinar on July 19 where you can watch a hands-on demonstration of these lenses.
Hasselblad is touring the country (and the world) with prototypes of the new 50-megapixel X1D camera and the two lenses launching alongside it. Priced way below any other Hasselblad on the market (and in line with Pentax’s 645Z), the X1D ushers in unparalleled portability while creating a entirely new segment: the medium format mirrorless camera. Earlier this week, I got a few minutes with this interesting hybrid.
Since its transition to digital, medium format has been thought of as bulky and heavy systems for high-profit commercial jobs or for wealthy photographers. Despite the attempt of Leica to create a smaller camera with the S series, no real alternative to the Hasselblad H and Phase One DF/XF has found a place on the market. However, this might change today with the brand-new Hasselblad X1D.
2015 gave us two great things: the incredible and groundbreaking Phase One XF100 digital back and the Academy Award-nominated film, “The Martian.” While the XF100 brought us to a new frontier of image quality and performance, “The Martian” has brought the idea of Mars exploration back into the spotlight. NASA has even gone so far as to build a prototype Mars mission astronaut helmet. It just so happens that Doug Sonders, one of our own contributing writers, photographed this space-age helmet with the XF100.
Hasselblad recently announced that you can buy the new H6D body with the 50-megapixel CMOS 50c back and decide later to trade up to the newer 100c (100-megapixel) back for the original difference in price. This promotion works for anyone who buys the H6D-50c at the full $25,995 price between May 1 and May 27, 2016. To partake in the offer, you must also trade up to your new 100c no later than September 30, 2016.
After recently buying 200 tintypes from the deep archives of estate sales, eBay, and Etsy auctions, I became transfixed by seeking out if there was still anyone making imagery using this 160-year-old process. I found a wide range of Instagram accounts ranging from those just starting out to those with thousands of followers. These are the top 10 tintype photographers that stood out with their compelling visuals and dedication to keeping this lost art alive.
Medium-format cameras have long been in the hands of working pros because of their combination of ease of use and incredible image quality. While large format was always the king of resolution and dynamic range, it is difficult to work with on location and cumbersome. Today, medium format is a little different. Phase One and Hasselblad have both released 100 MP options, allowing for unparalleled image quality.