Medium Format

Hands On With The Phase One IQ4 150MP: Can You Shoot Long Exposures at 1/125s?

Like them or not, medium format cameras are the truth when it comes to image quality. The latest 150 megapixel juggernaut from Phase One is another example of what these systems are capable of, but there's far more to this back than just sheer resolution. Ever shot long exposures at 1/125s?

Around this time last year Phase One released the IQ4 line of digital backs. The IQ4 expanded on the IQ3 and introduced a new Infinity Platform (the UI and operating system in the backs), as well as two brand new sensors: the 151 megapixel full frame medium format IQ4 150MP and 150MP Achromatic....

Fstoppers Reviews the Laowa 17mm f/4 Zero-D for Fujifilm GFX

Venus Optics (Laowa), a small Chinese lens manufacturer founded in 2013, has risen to prominence with their sometimes off-beat, always different, and always high quality lineup of lenses for all the major lens mounts. They have launched niche lenses like the 24mm f/14 probe macro and a series of their flagship close-to-zero-distortion Zero-D lenses. Today’s topic is the latest in that line and the widest lens available for the Fujifilm GFX system, the Laowa 17mm f/4 Zero-D.

The Medium Format Look: Real or Hoax?

With the release of the Fujifilm GFX 50R, the Hasselblad X1D II 50C, as well as a burgeoning used market, digital medium format has become more attainable than ever by professional photographers wanting to step up to the next level in image quality. However, the full frame market is firing back on all cylinders, producing cameras that claim to rival medium format, such as the Sony a7R IV. Many medium format users are quick to point out that there is a medium format look that these high-end full-frame cameras are lacking. So, what is the medium format look? Is it real? Why, yes. Yes, it is.