2015 gave us two great things: the incredible and groundbreaking Phase One XF100 digital back and the Academy Award-nominated film, “The Martian.” While the XF100 brought us to a new frontier of image quality and performance, “The Martian” has brought the idea of Mars exploration back into the spotlight. NASA has even gone so far as to build a prototype Mars mission astronaut helmet. It just so happens that Doug Sonders, one of our own contributing writers, photographed this space-age helmet with the XF100.
Hasselblad recently announced that you can buy the new H6D body with the 50-megapixel CMOS 50c back and decide later to trade up to the newer 100c (100-megapixel) back for the original difference in price. This promotion works for anyone who buys the H6D-50c at the full $25,995 price between May 1 and May 27, 2016. To partake in the offer, you must also trade up to your new 100c no later than September 30, 2016.
After recently buying 200 tintypes from the deep archives of estate sales, eBay, and Etsy auctions, I became transfixed by seeking out if there was still anyone making imagery using this 160-year-old process. I found a wide range of Instagram accounts ranging from those just starting out to those with thousands of followers. These are the top 10 tintype photographers that stood out with their compelling visuals and dedication to keeping this lost art alive.
Medium-format cameras have long been in the hands of working pros because of their combination of ease of use and incredible image quality. While large format was always the king of resolution and dynamic range, it is difficult to work with on location and cumbersome. Today, medium format is a little different. Phase One and Hasselblad have both released 100 MP options, allowing for unparalleled image quality.
Hasselblad has launched a brand new medium format digital body, the H6D, in both the familiar 50-megapixel CMOS flavor and also in a new, 100-megapixel CMOS configuration with the same Sony sensor found in Phase One's XF IQ3 100 MP released earlier this year. The new body features an updated UI, a relatively new look and design for the first time in several generations, and a brand new lineup of updated lenses capable of shooting at up to 1/2000 of a second, with full support of the new 100 MP sensor.
Nearly every photographer owns a film camera whether it be in the dark recesses collecting dust or they use it on a regular basis. The most common reaction when people see one of these film beauties out and about is shocked that you can still acquire the film to shoot with one of these models. So if you own a 35mm, Polaroid, or even a medium format film camera, Dust it off! Don't know where to begin on buying film? Have no fear! I have become your personal film guide and have tried and tested all the major players out there in the film world, so you don't have to!
Phase One released its new camera body last year, the XF. However, it was not clear if it would ever be compatible with the Leaf Credo backs. It was first said that it would be, and then, months later, the support told everyone who'd ask about it that they could not give any answer. Well, today we finally have one: Leaf Credo backs are compatible with the XF body.
Midway through 2015, Phase One released the XF camera system, an impressive digital medium format system which combines modularity, software upgradability, and image quality into the ultimate shooting package. Last August I spent a couple weeks shooting with the XF paired with the IQ3 50MP digital back, and in January I again spent two more weeks with the newly released mind-blowing XF 100MP system. In this review I cover my time with the new Phase One system shooting landscapes and nature photography and my experience playing with the image files in post-processing.
Let us venture back in time for a minute. 35mm film was always considered small. In fact, it was developed in the early 1900s as a means to make high-volume shooting and consumer photography possible. If you were a working professional, you were shooting at least medium format (6x4.5-6x19 cm) or even more likely, large format, like 4”x5” or 8x10”. The idea is that the larger the format, the more detail you can see. As we fast forward to digital, full-frame is the ideal format for many working pros in a variety of genres. While full-frame can be expensive and yields incredible image quality, there is something more.
Have you ever wondered what a 100-megapixel raw file looks like? In this video, Pratik Naik gives you a glance at raw files from the 100-megapixel Phase One IQ3 digital back. Naik goes through several images and talks about resolution, color depth, dynamic range, detail, file sizes, comparison between cameras, and computer needed to work with these files. If you are a medium format shooter, thinking about upgrading, or just want to learn a thing or two about really big files, check out this video.
Sony's 50-megapixel sensor found in the latest 645 medium format digital CMOS bodies brought such cameras down in price considerably for the first time while extending ISO usability to the more DSLR-normal ISO 6,400. Today's announcement brings a new iteration of that technology in the form of the IQ3 100MP, also in a CMOS flavor. Although the resolution is doubled (and file size is quadrupled), Phase One also managed to pull out an extra stop of ISO performance on both ends of the spectrum, which now goes from ISO 50–12,800. Dynamic range also increases a stop over other models to 15 stops.
There used to be a time when getting into digital medium format meant you had to put a mortgage on your house and your family. This time seems far gone now that a full kit can be found for under $20,000. With the promotion Hasselblad is running, it looks like Christmas is early this year.
Phase One just acquired Mamiya Digital Imaging and took over their factory as well. This will strengthen the Danish company by making them the only medium format camera company that has full internal control of all critical components in a world class imaging system.
Today marks the end of a full week at Photo Plus Expo in New York City. In the mayhem that comes with such a large expo, one of the stand out presentations for me was hearing Gregory Heisler speak at the Canon booth on Saturday. I've had the privilege of hearing Greg speak many times and even the chance to interview Greg at Gulf Photo Plus, and each time his presentations absolutely blow me away. In this extended video from BH Photo, Greg discusses how the Canon 50mp 5DsR camera holds up against medium format and large film cameras of the past.