Cinematography has been transformed by the arrival of high-end digital cameras, bringing huge advantages to the entire workflow. So why do some directors prefer to shoot on film and what does this process look like?
DOP Gray Kotzé of In Depth Cine examines how 16mm and 35mm film still plays a large role in modern cinema, despite the fact that the technology has been succeeded by the arrival of digital sensors and ever-increasing resolutions. As a photographer, one of Kotzé’s observations fascinated me: the discipline required when shooting on film brings a completely different atmosphere to a movie set, not just in the preparation, but in the level of focus that is felt not only by the director and cinematographer but by the entire crew. As with shooting stills on 35mm film, having the knowledge that your medium is finite shifts the mentality, and the sense of connection to something more physical and connected to cinema’s history might also be a factor.
I’d be interested to see more details of how a film-out is created and what impact this has on the final product, the viewing experience, and whether this decision comes at a directorial level or is mostly down to where the film is being projected. If you have any thoughts, let me know in the comments below.