Mia
Mia is a natural in front of the camera. She knows where the light is and plays to it in a soft, knowing way.
Mia is a natural in front of the camera. She knows where the light is and plays to it in a soft, knowing way.
This image from the late 1980s, predates all digital editing and what is captured, is exactly what was seen in viewfinder - there was no postproduction editing.
Mia has been a fav model for years now. Just gets increasingly beautiful. Broncolor Para 222 camera left creates a 3D, specular yet soft light.
I was not a big fan of flower walls, but I think I found a way to make one cool. How did I do?