The Frustrations of a Landscape Photographer

Landscape photography is no walk in the park. It can often be filled with challenges and frustrations. But why do we choose to do what we do?

There’s a famous quote from Ansel Adams that goes: “ Landscape photography is the supreme test of the photographer — and often the supreme disappointment.” If you’re a photography enthusiast who has always thought about trying landscape photography or has been fascinated yet intimidated by the craft, let’s talk about what you might experience when you try landscape photography, what frustrations may arise, and why it makes it much more rewarding. 

Beginning Your Landscape Journey

There are many different routes through which a photographer finds him or herself interested and invested in landscape photography. Some of the most common ways are the following three. First, they might generally be someone who loves the outdoors, someone who regularly goes on trips to see natural landmarks, or is into exploring the mountains. Eventually, they find themselves seeking to document their travels with whatever camera they have and later on would decide to try and learn landscape photography for this purpose. 

Another possibility is that a person was originally into photography in general and was influenced or inspired to try the genre. Most people take a while to find the specific genre of photography that is really for them, which is why this may be one of the most common ways that a photographer can fall in love with landscape photography. 

Lastly, a non-photographer might stumble upon the works of great landscape photographers enough for them to pick up a camera and go straight into learning the genre specifically. 

Expectations 

Perhaps one of the common sources of frustration for landscape photographers is unmet expectations. Much like any other genre of photography, landscape (especially when the notion of it is only seen through the still output) looks easier than it really is, mainly because the main goal of the process is to come up with an image with visual order and is satisfying to look at. For one to try a genre of photography that involves effort beyond their usual routines and even invest in a lens, a tripod, or a few filters, the source of inspiration would probably be quite significant. This is particularly true if the photographer was inspired by the works of someone they met or saw online. For any landscape photographer, one of the most satisfying feelings is knowing that you inspired someone to shoot or to try landscape photography, and there is nothing wrong with that. However, what one can see online through an inspiring social media feed or portfolio can give a bit of biased perception. There are a lot of things about landscape photography that are never shown in the photos we produce.  

For one, social media is the most accessible way to see a photographer’s body of work. Unless they don’t have one or do not update their accounts, their Instagram profile is most likely a good embodiment of their work. This may be different for people seeking professionals for commissioned work, but more often, photographers seeking inspiration first look within the confines of social media. The root of the problem lies in the fact that most photographers curate the work that they make public, and it is understandable why. Because of this, one wouldn’t really see a bigger fraction of a photographer’s work that shows their mistakes, imperfect captures, and subpar test shots. It’s also very likely that what we see on their website or social media account is a collection of their best images that have been revised, re-done, and refined over time. There are a lot of inconvenient and unglamorous parts of the process that made that photographer who they are that can never be seen through their body of work. 

Even all those aside, even if we look at a well-seasoned master landscape photographer, it is highly unlikely that what we see of them online represents all the hours of long walks and treks, all moments braving rough environments, all the tiring moments-in-between, and more importantly, all the frustration that even the most experienced photographers have. 

Limited Demand

Landscape photography, compared to most other main genres of photography definitely has much less demand. In the professional context, it’s clear that most people go through milestones in their lives that commonly warrant hiring a professional photographer. Baby portraits, birthday parties, weddings, graduation, even funerals, it’s always a given that people will hire portrait, events, or wedding photographers. Advertising often relies on people’s faces or personas as well. However, the landscape could be involved in providing a good background. Some people say that there’s no money in landscape photography, and that’s just a hasty generalization, but we have to accept the fact that the demand is quite inferior compared to others. The most obvious source of income for a landscape photographer is selling prints, but that categorizes more as a luxury than an actual necessity, especially in lower socio-economic demographics. Even on social media, many experts have said that trends dictate that people are more likely to react, comment, or share photos of accounts that feature a lot of people, and this is evident in the fact that even the travel and nature tabs on Instagram, for example, are filled with photos of models and influencers posing with a beautiful landmark in the background. 

The Prerequisites

Being a landscape photographer is definitely a lot of work. For one, it requires a lot of actual leg work (and often, air travel). Yes, landscape photography can be done anywhere, but we have to accept the fact that unless you live right by a national park or any famous landmark, it requires a lot of effort before you even start pointing your camera towards the vista. In addition, no matter how much we say that landscape photography can be done even with the cheapest and simplest gear, a photographer is always going to want to invest in gear with better capabilities that would better aid them in achieving what they set out to achieve. 

Uncontrollable Factors and Risks

The creative process of landscape photography deals with a lot of uncertainties. It involves putting a lot of effort into waking up early, traveling, packing a lot of stuff, walking, or hiking, while still being open to the possibility of coming home with no images to be excited about. While many of these factors can be predicted to a certain extent, it’s still mainly out of the photographer’s control compared to shooting in a controlled environment. The quality and intensity of light, the cloud cover, the tide, and the fog at the location are things we can only try to avoid but not entirely control or modify. 

Even on a pleasant day at the location, there are still a lot of things that can get in the way of capturing a breathtaking landscape image. The process of getting to the location can be hindered by so many factors. The process of shooting can be put at risk by various aspects of the environment. We deal with a lot of dust, a lot of moisture and mud, and often shooting from risky vantage points wherein a single mistake could lead to a destroyed shot destroyed gear or physical injuries. 

So, Why Be a Landscape Photographer?

Many photographers would agree that landscape photography was definitely more than what they first expected. The leg work, the investments, all the miles of travel, all the risks, and all the uncertainties. For someone who isn’t passionate about the craft, landscape photography really is a lot of work, but as you grow to love every part of creating that image, you would realize that each step you take and each mistake you make is part of a much larger journey. Most landscape photographers would say that joy of landscape photography comes from the thrill of going places, experiencing nature, and if you’re lucky, the satisfaction of adapting to challenges and creating an image that encapsulates the experience. Personally, I consider each image as the fruition of a long and fulfilling journey towards pressing the shutter button. 

Landscape photography is a lot of work. It can be quite intimidating and many times, expensive. But most of the time, giving in to your curiosity and enjoying the experience can be the beginning of a wonderful photographic journey. The landscape begins to call you and entirely changes the way you see the world. There are a lot of risks and frustrations in landscape photography, but all they do is make the craft all the more rewarding.