Using flash can completely change the way you approach your shoots, especially when natural light just isn’t cutting it. Whether you’re in a dim venue, dealing with color casts, or just trying to add a bit of pop to your images, flash can solve a lot of problems. But it’s not always straightforward. Knowing when and how to use flash is a key skill that can take your work to the next level.
Coming to you from Omar Gonzalez Photography, this helpful video breaks down several practical ways to use flash in different shooting scenarios. Gonzalez starts with the most obvious—low-light situations. If it's too dark to get the shot, flash is your best friend. He often bounces light off walls to soften it, but in tricky venues with dark ceilings or outdoor shoots, he adds modifiers to control the light more effectively. He also uses his flash as a commander to control additional lights, setting up a more complex lighting environment without much hassle.
One of the more insightful points Gonzalez makes is about combatting color casts, like when you’re shooting near a red brick wall or green grass. He highlights the versatility of flash, which allows him to control the light hitting his subject to neutralize unwanted colors. By doing this, he avoids the frustrating inconsistencies that can come from relying solely on natural light. Flash also helps with another common issue: getting catchlights in the eyes. If there’s not enough sky or reflective light to make eyes pop, adding a flash can solve this by giving that extra glint.
Another problem that flash can tackle is raccoon eyes, which happen when the light comes mostly from above. While repositioning your subject can help, sometimes the solution is as simple as adding a flash to balance out the overhead light.
The video also covers more advanced techniques, like using a second light for hair lighting or creating dramatic rim lighting. These methods are particularly useful for adding dimension to your shots, making them feel more three-dimensional. In some cases, Gonzalez even uses the hair light as his main light, especially during events where he wants a more intense, DJ-style lighting effect. Check out the video above for the full rundown from Gonzalez.
If you would like to continue learning about how to light a portrait, be sure to check out "Illuminating The Face: Lighting for Headshots and Portraits With Peter Hurley!"
I like this guy. He actually always talks about things he has REAL experience with. He has shot a variety of things apparently and has studied how to detect even minor issues that can be critical. He has worked his photography approach on finding solutions on his own and it certainly shows. The "duplicate is my learning" model is too often a problem videos are build around. One guy will be good at something but always sticks with the same limitations he/she has. That shows too but I get why people are attracted to it and click. Problem is you learn nothing with those except to duplicate their style. But the way to learn is really to discover things on your own. I think there are some good tips for many in this video. It's all about listening to what he says, not necessarily copy what he does.