5 Camera Features That Have Changed the Way I Shoot

5 Camera Features That Have Changed the Way I Shoot

When it comes to camera tech, I find that a lot of the features incorporated into cameras are nice to have. But at the end of the day, they could disappear in the next model, and I'd be just fine. However, these five features have changed the way I shoot, and I could never live without them.  

Auto ISO 

When I first started shooting weddings, I was a manual only shooter. I loved the idea of aperture priority, but I would always run into situations where my shutter speed would dip too low and my frame would be a blurry mess. Then came auto ISO. I could now set a minimum and maximum ISO level for my camera along with minimum shutter speed. So now, I can shoot aperture priority, and if my shutter needs to drop below 1/250th for my desired exposure, the camera will automatically raise my ISO. It does this in a way to maintain the lowest ISO while also maintaining my set aperture and a minimum shutter speed of 1/250th. 

Another added bonus with this feature is that you can set a custom button to quickly change this minimum shutter speed (at least, on my Sony cameras, you can). This way, if I’m shooting a low-light scene with not much movement, I can set a slower shutter speed in order to achieve a lower ISO, all without needing to dive in settings or changing over to manual. 

The reason I love shooting this way is that from a documentary perspective, it’s way faster. I can shoot a bride in direct sun and quickly grab a moment in the shade without a second thought. The camera's auto exposure features get me 90% of the way there, and then, I can fine-tune the exposure compensation dial to get exactly what I want from there.  

Live View 

Now that we have talked about auto ISO, we can dive into live view, specifically, live view with no limitations. Let me explain. Back when I shot the Nikon D750, it had live view in the sense that you could get an exposure preview from the back screen. But doing so would give you severely limited autofocus. So, for anything moving, you couldn’t use live view. 

Now, with any recent mirrorless camera (and some DSLRs), there are no limitations to using live view. The camera works at 100% whether you use the viewfinder or the back screen. This is a perfect feature when paired with shooting auto ISO, because you see what your image will look like before you press the shutter. So, even though the camera has its dumb moments when it comes to choosing an exposure, you can dial the exposure compensation up and down, getting instant feedback. This lets you shoot auto while still being able to fine-tune your exposure.

There is also something special that happens when you can visually see the way your camera sees in real-time. This makes it so much faster to learn the way light falls onto a subject, because you are looking at the scene through the limited dynamic range of the camera instead of your own two eyes. Adjusting the exposure compensation up and down lets you quickly see how the light and shadow of a scene are being handled by the camera.   

High-Speed Sync

Working with flash can be somewhat of a struggle, especially when you have to constantly juggle your sync speed with what you actually want to shoot. In the past, you would have to carry around ND filters in order to combat the sun while maintaining a low aperture. But with high-speed sync, you no longer have to worry about it. You can simply dial in your ambient exposure and then adjust to your desired flash power. While using high-speed sync can lower your effective flash power, the newer strobes, such as the Godox AD200, give enough power for almost any situation. 

Silent Shutter (Specifically With the Sony a9)

Silent shutters are something more recent with mirrorless technology. The problem with most cameras is that you can get something called rolling shutter when dealing with moving subjects. What happens is that as the image is being scanned from the sensor, the subject is moving faster than the image can be read, so people's moving arms can look bowed and bent, and cars can look warped and skewed. 

But with the Sony a9, the read speed is so fast that you don't get this rolling shutter effect. So, you can shoot in full silence without any worry. And when documenting intimate moments on a wedding day, this is an invaluable feature. You can sneak up close to a moment and never be seen or heard.    

Real-Time AF

This is another feature from the Sony a9 that has not only made shooting so much easier, but it has also made the number of in-focus images I get significantly higher. This real-time autofocus can essentially track any moving subject across almost the entirety of the frame. It uses pattern, color, distance, contrast, along with the Sony Eye AF feature to track a subject. So, I can essentially put my AF point on anything I want, and then, it will track it through the frame with amazing precision. 

While this is an amazing feature to have when shooting moving subjects, what's so nice is not having to move my AF points around. I simply put the AF point on the subject and focus. While focusing, I’m free to recompose my frame without needing to worry about whether the subject will be where an AF point is. I also know that if the AF can see an eye, then it will automatically lock onto the eye of the subject. If the subject turns away from the camera, it will continue to track based on all the other criteria until the camera can see an eye again. This makes it so I almost never have to even think about focusing, which frees up my mind to pay closer attention to the images I'm taking. 


These features are now deciding factors to any future camera I may or may not buy. What are some features you must have? Drop them in the comments! 

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Bjarne Solvik's picture

To me ibis and eye-af are the two things I appreciate most. But most my work are in studio.

Rick Rizza's picture

I love the flipping screen. Back in the day, I need to buy an angled view finder to do a low angled shots.

John Ellingson's picture

The ease of use with a menu on the camera. The camera now gets out of the way of taking the photograph better than it ever has.

Pradipto WP's picture

I use manual mode and auto ISO too. But when use flash, i use manual mode, including manual ISO. ISO 100 for outdoor, ISO 400 for indoor/night. They say auto ISO and flash won't work well.

John Nixon's picture

Yep, got to love Auto-ISO. I have it set pretty much always, only varying the minimum shutter speed. The feature I couldn’t live without, for the majority of my photography, is ultra fast focus tracking - but it has to be combined with a lens that can keep up with it!

Bert Nase's picture

You also get the rolling shutter with A9 if the object is quick enought. For me at least the drum sticks of a drummer. Furthermore silent shutter only works for certain light conditions. For stage light you'll get the banding and flash isn't also not working. So what I thought silent shutter might help shooting in theaters often doesn't work.

Jason Vinson's picture

Ah I've never gotten any noticeable rolling shutter from my A9. And only issue I've had with lighting are the same issues you would get from a mechanical shutter.

Jan Holler's picture

Auto ISO is the outstanding feature! A small functionality added to the auto modes but with a great impact on usability. It brings together the advantages the aperture and shutter priority modes. It should be added to PASM, such as e.g. PASIM with its own settings as mentioned in the article. And hello Nikon, would you please add the nifty settings from the A9? Your approach of coupling the focal length to the shutter speed is o.k. but I'd rather define my minimum shutter speed myself instead of setting it to a "lower" and "higher" value based on the value of the focal length, which, btw, is only fine when not using a zoom.