It's nice to have friends from far off places. Especially when they are talented, hard working photographers who have something interesting to share. Such is the case with Helsinki-based photographer Anders Lönnfeldt. Anders started out working in radio, TV and short films but these days his focus is on commercials, music videos, portrait and concert photography. In this post, Anders demonstrates how to knock out character rich portraits for a magazine spread with just a little bit of preparation, flexibility, creativity and luck.Location Scouting For a Portrait Series by Anders Lönnfeldt“About a year ago a friend, who is also a colleague of mine, recommended me for a portrait shoot that he didn't have time to do. The mission was to photograph one of Finland's biggest film producers for a film magazine. This was an opportunity I couldn’t say no to. I called the guy and asked if he could spare an hour for a photo shoot. I didn't want to ask for more of his time since I knew he is a busy man. Laughingly he said "I'm not that good looking that you would even want to photograph me for that long". We scheduled the photo shoot and agreed that I would meet him at his office and photograph nearby. Since the plan was to produce 5-6 great photos in the short amount of time of an hour, I wanted to plan the shoot in detail. This, so that I would know exactly what to do on location. I was lucky that there were great locations outside of his office and that the locations were so different from each other. I took photos of the locations with my smart phone as reference so I would remember what I had in mind for the shoot. Let me present the location shots and the result.
I found these really unique looking “glass boxes”, which I eagerly wanted to use as elements in some of theportraits. I wanted to shoot in between the boxes to get some great depth to the photograph. I actuallyended up shooting from the opposite side, so I had the sea in the background instead of the building yousee in the reference picture. But I had no idea that I would get these awesome reflections in the glass boxeson both sides of him. This is one reason why I like shooting on location instead of in studio; you never really know what you get, and the surprise can be totally rewarding. In my opinion, this turned out to be the best shot from the portrait series. And I feel it’s still one of the best portraits I’ve ever shot.
Every time I shoot a series of portraits I want to photograph the classic headshot. Even if I like creativeportraits I would say that the classic sometimes wins over the creative. Usually these headshots turn out tobe some of the best photos from the shoot. Here he is standing in front of one of the “glass boxes”. Theglass reflected the light nicely, giving him a soft and beautiful backlight which I really like.
Since the “glass boxes” looked so grand just on their own, I wanted to show their whole grandness and thediagonals that they shaped from this point of view. As you can see from the photos above, I was lucky withhaving some sunlight on the day of the shoot, resulting in some graphical shadows being thrown on theground in front of the boxes. These shadows add a bit of contrast to the photograph. Even if thisphotograph doesn’t really count as a portrait in itself, I think it works great in a set of portraits. I usually want to see a wider shot of the person as well.
I found this interesting bench within a stone's throw from the “glass boxes”. I really like graphicphotography and when I saw this bench I instantly knew that it would look awesome to put it in the centreof the photo and having him stand on the other side of the bench. The clouds in the sky added a bit ofdrama to the photo which I was happy about.
I found this location about 300 meters from the previous location. My plan was to have him standing in the middle of the basketball field. I also wanted to get the white lines on the ground of the field to build some kind of symmetry in the photo. I tried this out but it was impossible because the sunlight was too heavy on his face. I had to get him into the shadow and come up with a plan B quickly. So I simply had him standing in front of the hedge using it as a background. Quite a basic portrait, but it worked. Sometimes your idea looks better in your mind, but doesn’t work on location. This happened here. However, I’m still happy about the result.
On the reference picture you can see the basketball field from the outside. You can also see my bike to the right. We call these bikes “mommocykel” in Finland, which means “granny bike”. They are without a doubt the best bikes in the world. However, this turned out to be a really great location. Even though it was a sunny day I managed to find some great shadow areas under the trees, which gave some nice soft light in the face. The background with its concrete wall and the green hedge also gave several layers of depth to the photo.After this shot one hour had passed, which meant my time was up. Although I had a couple ideas more that I wished I would have had time for, I was happy and jumped on my “mommocykel” and went home to edit the photos. I managed to create a look that I was happy with, and the outcome was great. The photos also looked fabulous on print.”
Want to be friends with Anders Lönnfeldt? (Who doesn't!?) Then be sure to like him on his Facebook page. For those of you who are not looking to make new friends, no problem. To keep up with all his latest activities, just stalk him from a distance on Twitter (@AndersLonnfeldt).