Location

Taken Back in Time With 'One Night in New York'

Taken Back in Time With 'One Night in New York'

I'm a sucker for simple videos like this and can really appreciate what goes into making them. As I strive to jump more into video, it is interesting to stay tuned and watch what other people create to help give me ideas for future work. The coolest thing to me about a video or even a photo is the mood or feel it can convey. A lot of the video work I do, I focus on sharp focus, straight lines, clean shots, accurate color, cutting to music and a few other little things. I mainly shoot real estate videos, but it is nice to have the freedom to shoot whatever I want, however I want rather than following my standard rules for shooting real estate. I have been messing around more with video and hope to come out with something to show from it soon enough!

Mastering All Light: Bringing Peace to the Strobe vs Natural Light Debate

Mastering All Light: Bringing Peace to the Strobe vs Natural Light Debate

Strobist. Natural light shooter. These words are at two opposite ends of the spectrum of photographer that seem like they're always a hair's breadth away from starting a photographic civil war, both sides preaching their philosophy as if deviation is blasphemy. One side is derided as being "afraid of learning to use flash" and the other side is jeered at for creating "flashy," "fake," or "contrived" images. Both sides seem immovable in their adherence to their preferred light source. Despite this disagreement, a popular saying in photography is, "light is light." So which is it? Is one better and the other worse, are they just preferences or are both sides cutting themselves short?

Making Something Cool When Your Environment Is Boring

Making Something Cool When Your Environment Is Boring

Have you ever felt that certain photographers and film makers just get the great shots because they get to go to some super locations? Or because they get commissioned by the top brands to have all the best lighting and equipment? A guy called Brandon Li had almost the same experience. He travels to some amazing locations, but decided to make a short film taking place in his hotel room. He sets himself a challenge to make something interesting from a boring space or location to push his creativity and think about ways to make it in to something more appealing.

Planning for a Photo and Still Shooting When Things Don't Go As Planned

Planning for a Photo and Still Shooting When Things Don't Go As Planned

The past few weeks I have been driving up the parkway here in New Jersey for work, my eye kept getting drawn towards this one specific railroad bridge between exit 136 and 137. Every time I passed by it, my eyes would follow it until I had to turn to see the road in front of me again. It was one of those things that I had to remember so I could go back and photograph it when the time came. Today was the day that I set out to photograph it, but before anything, I had to put a little bit of planning into it.

Creating a More Natural Looking Light With Flash

Creating a More Natural Looking Light With Flash

There’s no phrase I dislike more in the photo world than "I’m a natural light photographer." Believe me, I love natural light more than anything. It’s simple and easy to work with, and you don’t need to worry about bringing a ton of gear with you. But very rarely will just unmodified natural light work. It’s the unfortunate truth of photography (unless you’re a landscape photographer, you lucky bastards). Most photographers will use a flash to do what natural light can’t. Sadly, many don’t use it to great effect. If you want your portraits, or any image with mixed lighting to look better, there are a few key things to keep in mind when you’re on location.

Dr. Ockenfels: Or How I Learned to Stop Worrying and Love the Sun

Dr. Ockenfels: Or How I Learned to Stop Worrying and Love the Sun

We live in a world constantly fascinated by technology. We want the TV with the greatest definition. We want the tablet with the shiniest screen. And, as photographers, we always want the most expensive gear and the most elaborate new toys. But the more you grow as an artist, you'll quickly realize it's the man that makes the equipment, not the equipment that makes the man (or woman).