Sometimes, it's more fun and interesting to stop shooting every portrait at f/1.4 and instead find locations that complement or juxtapose with your subject to create more compelling photos. This helpful video will give you 10 location ideas that should be accessible for just about everyone.
What happens when you pack up an entire production crew, a bunch of kids, and a thrifty budget, and drive south for 24 hours to New Orleans to capture images in the Louisiana swamp? Matt Barnes shares a behind-the-scenes video of the production of his personal project, entitled Hell or High Water.
Are you ready to photograph some lavenders? Do you know when and where to go? Here is the answer and everything else you would like to know.
When you're shooting outside of a studio, finding the perfect location can be a bit of a challenge. This great video will show you nine locations with lots of potential that you can likely find somewhere near you.
Recently Jared Polin, better known as “The Fro” visited The City of Lights to add to his portfolio more time-lapse and slow-motion work. Polin takes his viewers along as he journeys through Paris, offering tips along the way.
What’s on your travel bucket list? Iceland? Norway? New Zealand? Ever considered Siberia? Neither did I, but after this two-minute video, that just might change.
Justin Bettman is a portrait and editorial photographer based out of NYC and I first came across his #SetintheStreet project while scrolling through Facebook. I thought it was a fun, creative and unique project that was worth sharing! I love that the art kind of lived on after the shoot itself with him leaving the sets in place for people to engage with. So cool, right!?! With that said, I decided I had to interview him to find out what are his processes in creating these photographs.
One of the trickiest things about being a portrait photographer is being able to come up with a variety of backgrounds in a small area in a short amount of time. Here are five tips to make it easier.
In the new online course from Masters of Photography, street photography icon Joel Meyerowitz discusses his career, his technique, and teaches students how to apply those lessons in becoming a better photographer.
Getting ready for your next landscape photography expedition? If you want to bring back winning shots, you need a variety of great places to shoot. Points of interest are easy to find, but the easy-to-find places are prime targets for hordes of tourists.
Almost regardless of the content in the scene, so much of what makes a great landscape photograph is simply being where you need to be at the right time. Would you rather be a skillful planner or would you accept pure dumb luck if it means you get a great shot?
Let's be honest, how often do we get perfect conditions where everything just simply falls in the right place?
Here in NJ we are lucky enough to have four seasons: Fall, Winter, Spring, and Summer. Maybe I shouldn't say "lucky" because it would be nice to have warmer weather year-round but the seasons do make for taking great photos. Though it's the first week of spring, we were just slammed with another big snow-storm and hopefully the last.
When it comes to taking a great photo, many photographers argue that it starts and ends with great composition. I’m not sure I’m so black and white in my outlook, but good composition is hugely important without a doubt. And one of the most overlooked parts of great composition is adding foreground interest. Today I will discuss how foreground interest in your photos can really improve your end results, and what you can do to nail the foreground every time.
One of the iconic events at the Gulf Photo Plus Photo Week is the shootout. Each year, there are three professional photographers who are given a topic and about 20 minutes to think of an idea, execute, and post process it.
