Sometimes, it's more fun and interesting to stop shooting every portrait at f/1.4 and instead find locations that complement or juxtapose with your subject to create more compelling photos. This helpful video will give you 10 location ideas that should be accessible for just about everyone.
What happens when you pack up an entire production crew, a bunch of kids, and a thrifty budget, and drive south for 24 hours to New Orleans to capture images in the Louisiana swamp? Matt Barnes shares a behind-the-scenes video of the production of his personal project, entitled Hell or High Water.
Justin Bettman is a portrait and editorial photographer based out of NYC and I first came across his #SetintheStreet project while scrolling through Facebook. I thought it was a fun, creative and unique project that was worth sharing! I love that the art kind of lived on after the shoot itself with him leaving the sets in place for people to engage with. So cool, right!?! With that said, I decided I had to interview him to find out what are his processes in creating these photographs.
Here in NJ we are lucky enough to have four seasons: Fall, Winter, Spring, and Summer. Maybe I shouldn't say "lucky" because it would be nice to have warmer weather year-round but the seasons do make for taking great photos. Though it's the first week of spring, we were just slammed with another big snow-storm and hopefully the last.
When it comes to taking a great photo, many photographers argue that it starts and ends with great composition. I’m not sure I’m so black and white in my outlook, but good composition is hugely important without a doubt. And one of the most overlooked parts of great composition is adding foreground interest. Today I will discuss how foreground interest in your photos can really improve your end results, and what you can do to nail the foreground every time.