At the onset of a portrait shoot it is important to come packing the usual garden variety of a few safe jokes to lighten the mood, some fail-proof poses to keep things moving, and direction for the model to play off of. It is easy to forget, with all the headspace that pours into reflecting the images from inside of our heads, towards reality, that when the time comes to start working with our subject, we are not just setting a tone visually, but also emotionally. One simple way personally for me to connect and as well bring additional personality out of a model is via the universal power of music, which has long played a predominant role in my life.
No matter if you photograph headshots, weddings, portraits, or sports, one of the most important skills you can have as a photographer is picking out interesting yet non-distracting backgrounds. Many photographers prefer shooting with fast prime lenses but in today's short photography tutorial, I'm going to show you why I prefer the power and versatility of a telephoto lens.
A few years ago, on one of my first advertising shoots, I was asked to take a photo of a condo building downtown. All I knew was that the client would be bringing props, that we’d be shooting on a balcony, and that it would be night time. From start to finish, I wasn’t really sure how the ad was doing to turn out… and it turns out, years later, that’s still what tends to happen on commercial shoots: things don’t turn out how I think they will.
For over a year now, I've been the lead freelance photographer for Stock and Barrel Magazine, a food and beverage publication here in Columbus, Ohio. Often, assignments get thrown my way with not a lot of time to get them done before deadlines hit. That means I get to shoot a lot of places in a very short amount of time. Oh the joys of the print world! In this article, I'm going to share with you how I shoot food on location quickly. No assistants, minimal gear, during business hours, and without pissing off the chef. Let's get started.
Multi-light setups can seem complex and intimidating for several reasons, not the least of these are all the variables involved. Where do you put the lights? What power settings do you use? How do you balance everything? What if there is ambient light from other sources? Then there’s the cost aspect. How can I afford enough lights for these complex set-ups? Luckily, I’ve made things complicated for myself so I can make them as easy as possible for you. Let’s break down these three shots and find out how you can light a complex scene without making your wallet cry and, hopefully, without too much hassle.
Art is about storytelling. It’s about using all the tools at one’s disposal to convey and idea or an emotion. To connect an audience to a brand, or a personality, or a moment in a way the no other medium can. Along with my own technique, the ingenuity of the on-camera talent and the creative team behind it, plus the tools necessary to complete the job, the location you select for your shoot is one of the many raw materials that will have an effect on the eventual alchemy you bring forth to produce a great image.
Maybe you are like me and you just settled into a new place and are looking for places nearby that you can shoot. After moving to a new location about an hour away from where I was living at home, I have been trying to keep up with all my shooting. In a way, I feel like it has gotten a lot more difficult because I need to find places to go, people to work with, and all sorts of other things that interest me to keep shooting and creating new content. There are times where I feel like I am stuck and times where I feel like I've found such a cool spot and I am super happy about it, however I think the biggest key to success is actually going out and lfinding places to continue your work.
Hopefully by now people have had a chance to get familiarized with videos that are circulating featuring three to four photographers all getting together for a day and shooting the same model. It's an awesome idea that can really bring together a small group of creatives for a fun and challenging group project and photoshoot. It seems like a great way to bring people together with a creative vision and just plain make art. This video is that very concept brought to us straight from London.
A simple question for you: do you find that from January to December, over the course of a given year, your photography changes along with the seasons and the environment? Kind of a loaded question though, right? The answer probably depends quite a bit on what exactly your brand of photography is. Of course, other factors play a major role like your location and whether your work is outdoors or in the studio too. When is the last time that you sat down and looked at your body of work? Aside from technical improvements, do you notice any trends that may coincide with various times of the year?
Fall is here folks and that means that if you're able to get outside, you should definitely not miss the chance to do so. We have lots of articles and videos going around about fall colors with tips and tricks about making the most of your outdoor excursions this time of year. Here's another really great video definitely worth your time with some great information about rivers, fall colors, and some macro photography.
Outdoor on-the-go DIY style editorials are really picking up in the fashion world. It is a good skill to have in your toolkit as a budding photographer. In this article, I want to break down how a small team of talented artists and myself went about producing and shooting two full on-location, outdoor editorials for Bullett Magazine in less than two weeks in NYC.
It's quite common to shoot photo sessions in unimpressive locations; it goes with the territory when shooting on-the-go and outside of a studio. Fortunately, we have options to help us transform boring locations into beautiful backdrops, and it’s easier than you think. Making simple light modifications and quick edits in post can mean the difference between creating average imagery versus creating imagery that impresses your clients.
Every year for the past few years, I’ve donated photo work to a local organization that puts on a half marathon in coordination with the local firefighters union chapter to raise money for local charities. Last year, I ended up doing a relatively simple shoot with just some firefighters and a ring light. This year, I wanted something different. And so, quickly and repeatedly, the question became, “Can we use real fire?”
I'll be honest, when it came to shooting swimwear, I went straight to Pinterest looking for whatever ideas and inspiration I could find. Swimwear is different enough from the other types of shoots that I was typically shooting that I really had no idea where to begin. Granted, my clients weren't clothing line companies, so I wasn't aiming for the more routine, catalog-style shots. Since the people wanting the shots were the models themselves, I wanted to make sure that the end results looked as good as possible and hopefully a bit more stylish.