Art is about storytelling. It’s about using all the tools at one’s disposal to convey and idea or an emotion. To connect an audience to a brand, or a personality, or a moment in a way the no other medium can. Along with my own technique, the ingenuity of the on-camera talent and the creative team behind it, plus the tools necessary to complete the job, the location you select for your shoot is one of the many raw materials that will have an effect on the eventual alchemy you bring forth to produce a great image.
Maybe you are like me and you just settled into a new place and are looking for places nearby that you can shoot. After moving to a new location about an hour away from where I was living at home, I have been trying to keep up with all my shooting. In a way, I feel like it has gotten a lot more difficult because I need to find places to go, people to work with, and all sorts of other things that interest me to keep shooting and creating new content. There are times where I feel like I am stuck and times where I feel like I've found such a cool spot and I am super happy about it, however I think the biggest key to success is actually going out and lfinding places to continue your work.
Hopefully by now people have had a chance to get familiarized with videos that are circulating featuring three to four photographers all getting together for a day and shooting the same model. It's an awesome idea that can really bring together a small group of creatives for a fun and challenging group project and photoshoot. It seems like a great way to bring people together with a creative vision and just plain make art. This video is that very concept brought to us straight from London.
A simple question for you: do you find that from January to December, over the course of a given year, your photography changes along with the seasons and the environment? Kind of a loaded question though, right? The answer probably depends quite a bit on what exactly your brand of photography is. Of course, other factors play a major role like your location and whether your work is outdoors or in the studio too. When is the last time that you sat down and looked at your body of work? Aside from technical improvements, do you notice any trends that may coincide with various times of the year?
Fall is here folks and that means that if you're able to get outside, you should definitely not miss the chance to do so. We have lots of articles and videos going around about fall colors with tips and tricks about making the most of your outdoor excursions this time of year. Here's another really great video definitely worth your time with some great information about rivers, fall colors, and some macro photography.
Outdoor on-the-go DIY style editorials are really picking up in the fashion world. It is a good skill to have in your toolkit as a budding photographer. In this article, I want to break down how a small team of talented artists and myself went about producing and shooting two full on-location, outdoor editorials for Bullett Magazine in less than two weeks in NYC.
It's quite common to shoot photo sessions in unimpressive locations; it goes with the territory when shooting on-the-go and outside of a studio. Fortunately, we have options to help us transform boring locations into beautiful backdrops, and it’s easier than you think. Making simple light modifications and quick edits in post can mean the difference between creating average imagery versus creating imagery that impresses your clients.
Every year for the past few years, I’ve donated photo work to a local organization that puts on a half marathon in coordination with the local firefighters union chapter to raise money for local charities. Last year, I ended up doing a relatively simple shoot with just some firefighters and a ring light. This year, I wanted something different. And so, quickly and repeatedly, the question became, “Can we use real fire?”
I'll be honest, when it came to shooting swimwear, I went straight to Pinterest looking for whatever ideas and inspiration I could find. Swimwear is different enough from the other types of shoots that I was typically shooting that I really had no idea where to begin. Granted, my clients weren't clothing line companies, so I wasn't aiming for the more routine, catalog-style shots. Since the people wanting the shots were the models themselves, I wanted to make sure that the end results looked as good as possible and hopefully a bit more stylish.
So you want to create images and travel to gorgeous and beautiful places but how are you going to afford to travel several days or weeks and still pay for food, a roof over your head, and the costs to go from point a to b, c, d, e, etcetera? Well, do you like to camp? For those photographers where money is tight or who just want to have the most flexible arrangements possible, camping is one of your best options to get to out of the way places and still get some rest in between your photographic pursuits.
Golden hour. That time of the day where the warm sunlight makes every shot look like a magazine cover or a movie poster. It would be great if that light could last all day long. Yeah, well a lot of things would be great but not likely to happen. Location fashion and lifestyle photographers have to be able to manipulate daylight in a variety of ways in order to have a productive shoot that lasts more than an hour. Using the techniques of shade, diffusion, reflection, and strobe photographers can work with and against natural sunlight to create beautiful images all day long.
Forget "shotgun wedding," Jay Philbrick brings us literal cliff-hanging wedding photos that take more than a little preparation. Jay knew about the Cathedral Ledge at Echo Lake State Park in North Conway, New Hampshire because of his many years as a climbing guide there. Jay says that only two of their couples have been climbers, and this couple was not one of them.
I'm a sucker for simple videos like this and can really appreciate what goes into making them. As I strive to jump more into video, it is interesting to stay tuned and watch what other people create to help give me ideas for future work. The coolest thing to me about a video or even a photo is the mood or feel it can convey. A lot of the video work I do, I focus on sharp focus, straight lines, clean shots, accurate color, cutting to music and a few other little things. I mainly shoot real estate videos, but it is nice to have the freedom to shoot whatever I want, however I want rather than following my standard rules for shooting real estate. I have been messing around more with video and hope to come out with something to show from it soon enough!
Strobist. Natural light shooter. These words are at two opposite ends of the spectrum of photographer that seem like they're always a hair's breadth away from starting a photographic civil war, both sides preaching their philosophy as if deviation is blasphemy. One side is derided as being "afraid of learning to use flash" and the other side is jeered at for creating "flashy," "fake," or "contrived" images. Both sides seem immovable in their adherence to their preferred light source. Despite this disagreement, a popular saying in photography is, "light is light." So which is it? Is one better and the other worse, are they just preferences or are both sides cutting themselves short?