Recently, I was approached by my Creative Director, Scott Rodgers, over at the ad agency Tier 10 Marketing to shoot some ads with the newly redesigned 2013 Honda Accord. The problem? The shoot had to take place in less than 48 hours, we were shooting with 2 of the first cars in the United States, and there was literally NO time to permit for a shoot that had to take place in New York City. Why the rush? US Honda dealers needed these images right away for some new ad campaigns as the first new Accords hit our shores.
First of all, I wanted to introduce myself. My name is Douglas Sonders and I am a photographer and filmmaker. I'm excited to share this first post as an official member of the Fstoppers team with you. I have loved this site as a reader since its inception and am honored by the opportunity to share with you loads of new original content, much of which will come from behind the scenes of my own crazy shoots.
Like the majority of photographers today, I most often capture digitally for my clients. However, for special projects, I still like to shoot film - especially large format film. Normally, my Deardorff 11x14 camera lives in the studio. But every now and then, I get the crazy idea of taking it on location.
Lisa Kristine, after realizing slavery exists in many places around the world today -- 27 million people are estimated to be in slavery -- spent time traveling, taking photographs of such examples to raise awareness about the still very real issues around modern-day slavery.
Lighting Asylum has brought us this informative look behind the scenes of a sunset portrait shoot, and it gets pretty in depth with how the photographer handles over-exposed back lighting, poor color in the clouds, and flash positioning. The photographer gives some insight on his process for camera settings, and even shows how he gels a flash to get the sky to change colors.
These postcards produced by art director Akos Papp were made using Google maps satellite view. With Apple taking a big hit these past few weeks over the release of their 3D Map App with the iOS 6 operating system, it's safe to safe we can still put them to use for something. This time, for the sake of art.
Coined as the "Pre-Angel Era", Victoria's Secret was quite modest compared to today's Angels. Besides the furry slippers, unusual carpet and sleeping dog, there is a noticeable difference between these images and what graces the covers of their current catalogs. Naturally, editing skills have improved tremendously but it's crazy to think how far this brand has come since the 70's. Now we're questioning whether the editing is too aggressive. Either way, I think these images probably appealed to both sexes during those years just like they do today.
Alright, seriously. I keep telling myself that I'm sick of timelapses, that I don't need to watch five minutes of clouds, or that I don't need to watch a million cars stream past at lightspeed. We get it, we've seen a million sunsets, we've seen the stars pan overhead as the camera moves on a dolly. And then I watched 'Very Little Stars' by Ben Wiggins, and I took it all back. Oh my goodness. This movie is
In this lighting lesson, Jay P. Morgan of The Slanted Lens offers a very cool DIY effect; how to make smoke lay on water. Achieving smoke and wind in photography are two very difficult tasks that Jay P. made very easy by showing this step by step process. Have you guys ever experienced with smoke and wind? If so, share your images and how you did it in the comments below.
Every so often you come across a photo, stare and then boldly exclaim, "I will photograph that someday!" For instance my photography bucket list has on it shooting the Holi Festival in India, Pingxi Lanterns in Taiwan, La Tomatina in Spain and just recently I added light painting with the spectacular Bioluminescent plankton that emit a bright glowing blue color in the ocean water.
Starting TODAY creativeLIVE will stream a 3-day lightweight location workshop featuring well-known photographer, Kevin Kubota. Learn to create studio quality lighting under almost any condition. With lightweight, affordable, and portable lighting tools, Kevin will teach you to create beautiful portrait lighting in a variety of environments from typical urban locations to more challenging situations.
Kim A. Thomas, a photographer out of San Francisco, recently shot an entire wedding using just her iPhone. She processed everything using Instagram as well. The couple, Jonathan and Brandi, wanted her to do so by request. She never used an SLR for any of the shots. Her main camera was the iPhone 4s with an iPhone 4 as a backup. She did use an SLR mount for her lenses and a tripod. Take a look at the shots and let us know what you think of them!
Shot entirely on a Nikon D7000, wedding photographer Dieter Chaney did something I never thought was possible. Having free time during the dinner break, he was able to edit his favorite images using the Snapseed App (from Nik Software) right on his ipad. He later displayed them in a slideshow for all of the wedding guests to see. How's that for instant gratification?
Photographer Bob Carey has taken the fight against cancer into his own hands with the most unusual of tools: a man-sized pink tutu. By creating a combination of whimsical and emotionally charged self-portraits, Bob's project tugs at the heartstrings and spreads awareness in a humorous, yet touching, way. Check out the amazing photos and story in this video, which was produced by PocketWizard. You can get more information about the project and see more photos at thetutuproject.com.
This lesson from Jay P. Morgan of The Slanted Lens is a little different than his others. Mostly shooting on a Canon 7D with a Tamron 17-50mm lens, he gives several helpful tips on how he shot this celebrity event. We may not always be able to bring extra lighting and a Kessler Crane but there are will always be more to learn ways we can improve. Check out this video for more ways to learn!