When photographing commercial interior images, a common issue is an unsightly glare on reflective surfaces. Removing these reflections by compositing image layers significantly improves your images, separating you from the pack of "run-and-gun" real estate and interior photographers.
There never seems to be anything new or exciting to shoot around our hometowns. For me, it seems like I’ve photographed everything at least once if not twice by now. So what should we do? Perhaps taking some advice from a self-proclaimed advance selfie artist might help.
Shooting natural light can be great, but the beauty of flash is the control you have over the power and shape of the light. Sometimes though, a combination of the two is best, and this excellent tutorial will show you exactly how to effectively mix them for a dramatic portrait.
Sometimes, it's more fun and interesting to stop shooting every portrait at f/1.4 and instead find locations that complement or juxtapose with your subject to create more compelling photos. This helpful video will give you 10 location ideas that should be accessible for just about everyone.
What happens when you pack up an entire production crew, a bunch of kids, and a thrifty budget, and drive south for 24 hours to New Orleans to capture images in the Louisiana swamp? Matt Barnes shares a behind-the-scenes video of the production of his personal project, entitled Hell or High Water.