A photograph that does not tell a story, is a lifeless picture – it’s a failure to capture the viewer and therefore, his heart. One single photograph can inspire a person if a photographer knows how to tell a good story. Because photographer Paul Choy wanted to find out the truth for himself behind media headlines, and because he wanted to tell the individual stories of each refugee, he set out for the refugees’ camps in Calais and Greece with his camera. The result is the ‘Faceless, Forgotten’ – a photo essay and a documentary about the struggles of refugees.
David Guttenfelder shot for the Associated Press for 20 years, based in Nairobi, Abidjan, New Delhi, and Tokyo, but it wasn't until he helped open the AP's North Korean bureau in 2011 that he became truly famous. His Instagram account has nearly a million followers and is filled with stunning iPhone photos from around the world. He was one of the first photographers to publish images shot on his phone, which caused a bit of a stir at the time.
Renting studio spaces can get pretty pricey, especially in big cities like New York. VSCO is now offering free studio time in their New York location for all artists. If you are in the area, and have a project that requires a studio, this could be an awesome opportunity to take advantage of. The studio includes a permanent cyc wall and even some basic lighting to get you going.
Something that happened last week really hit home for me. Everyone probably already has heard, as it has been reported by almost every single news agency in the world; Australian photographer Brett Costello was robbed of $40,000 of camera gear in Rio de Janeiro, Brazil last week while in town to cover the Olympics. However, this article isn't about him specifically.
This Cinemagraph time-lapse was made using only 12 JPEG images. The software allows photographers to create motion within a static photograph. You need to upload each image to the website, and then you design the movement within each image. Once you get a moving image "flowing" you can render it out and import it into Adobe Premiere Pro to create the final time-lapse.
I shot and edited a narrative film in the last month. It was a first for me. I had this scene in my mind of a person burying a suitcase or bag in the woods, like it’s something he or she wanted to hide or get away from. I had a second idea about a guy walking down a long passage way and knocking on a door with no one opening for him. I decided these two contrasting visual ideas will be my story.
The Internet and mass proliferation of capable devices has allowed almost anyone to broadcast live video. Many have taken advantage of it in the form of things like Periscope and Facebook Live, using it to broadcast behind the scenes footage and discuss trending topics, but Explore has used it for a rather neat purpose.
Storing and transferring data from a shoot is an important, yet often overlooked detail when it comes to on-location projects. When juggling multiple cameras, each with multiple cards, it becomes critically imperative to be 100 percent sure that all of your photos and videos are accounted for. In this video, Jay P. Morgan shares his workflow for wrangling data and making backups.
It's been a long time coming, but today's episode of my weekly web series, The Backyard, finds my co-host Staci and myself reviewing our three favorite edits from (what I dubbed) the Dani Diamond Experiment, posted almost two months ago. I allowed you all to download a raw file I shot of Staci in Miami and let you loose on it to retouch it as you saw fit. The results? Let's take a look.
One of the most exhilarating aspects of environmental portraiture, especially when out on assignment, is that you never quite know what your shooting environment is going to look like. If I had a nickel for every time I walked into an awesome location, only to be quickly shuttled off to a closet-like space to do my work... Well, I'd be able to buy a sandwich. But a really nice sandwich. Here are some tips that may save your sanity while trying to compose an interesting portrait in a postage stamp sized room.
Broncolor announced two battery-powered strobes today. Coming in 400-joule and 800-joule variants, offering flash durations of as little as 1/19,000s, and in a similar power option, the new Siros L strobes are clearly aimed at the 500-watt Profoto B1 with nearly identical features in all but one area, depending on what's most important to you.