Shooting natural light can be great, but the beauty of flash is the control you have over the power and shape of the light. Sometimes though, a combination of the two is best, and this excellent tutorial will show you exactly how to effectively mix them for a dramatic portrait.
Sometimes, it's more fun and interesting to stop shooting every portrait at f/1.4 and instead find locations that complement or juxtapose with your subject to create more compelling photos. This helpful video will give you 10 location ideas that should be accessible for just about everyone.
What happens when you pack up an entire production crew, a bunch of kids, and a thrifty budget, and drive south for 24 hours to New Orleans to capture images in the Louisiana swamp? Matt Barnes shares a behind-the-scenes video of the production of his personal project, entitled Hell or High Water.
Justin Bettman is a portrait and editorial photographer based out of NYC and I first came across his #SetintheStreet project while scrolling through Facebook. I thought it was a fun, creative and unique project that was worth sharing! I love that the art kind of lived on after the shoot itself with him leaving the sets in place for people to engage with. So cool, right!?! With that said, I decided I had to interview him to find out what are his processes in creating these photographs.