Location

How a Los Angeles Portrait Photographer Sidesteps On-Location Photoshoot Laws

Los Angeles-based photographer Zach Sutton has spent a long time doing on-location photoshoots for his business. These kinds of shoots usually involve the typical off-camera strobes on light stands and maybe an assistant to help mule equipment or adjust lighting for the photographer. However, when Sutton moved to L.A. last July, he quickly learned that this sort of on-location shoot is not allowed in the city without a proper commercial shoot permit — even if it’s ultimately for personal use. His solution for getting by light stand free looks somewhat crazy, but the end results speak for themselves.

Mongolian Eagle Hunters' Legacy Beautifully Documented by Photographer Sasha Leahovcenco

When a commercial photographer, Sasha Leahovcenco, decides to document the touching experience and life of people he has never met before, the result is quite astonishing. You would think pre-production played a huge part and that he had to have had exceptional gear, carried by a huge team, but the truth is far from that. The experience was the heart of this series, and the pictures show it well. Combining both journalistic and commercial genres with a very personal approach yields pictures we only wish we could see more often.

Shooting at Sunset: How to Balance Ambient Light With Strobes

Commercial Photographer and Videographer Jay P. Morgan has spent the last 25-plus years mastering light, production, and the business end of photography. He shares most of his insights on The Slanted Lens, his site dedicated to providing step-by-step instruction on how to light for photography and video. His latest video finds him in Gettysburg, combining strobes with ambient light, featuring Honest Abe and a couple of sweet cannons, while he shows us how to light a scene during sunset.

Critique the Community: Submit Your Best Concert Images Now

Music concerts are often a wide mix of sensory input, and a good concert photographer must figure out a way to capture the full scope of a concert experience in a single image. How well are your images accomplishing this difficult task? Submit your best concert photos to our next episode of Critique the Community! Please follow the guidelines for submissions below to ensure eligibility for your image to be chosen. We will be accepting submissions through Sunday night, February 28th, and will be offering feedback to a total of 20 pictures.

One Strobe, Hold the Modifier: Crafting Portraits With a Single Hard Light

It's usually all about that sweet, soft light. Many of us portrait photographers probably would never even consider using a harsh, bare light without something to diffuse it, but Profoto and Pye Jirsa with SLR Lounge show you there is a time and place in this video tutorial that includes three step-by-step scenarios that teach you how to create dramatic photos with a single naked and unmodified strobe.

Photographing Hong Kong With Elia Locardi / Behind The Scenes Episode 13 and 14

Our second tutorial with Elia Locardi: Photographing the World: Cityscape, Astrophotography, and Advanced Post-Processing was all about different types of cities. We started in Cinque Terre, a region of Italy where cities are basically built into the side of a natural landscape. We then moved on to Rome to shoot ancient architecture. Next we moved on to Singapore and Hong Kong for something a little bit more modern.

What It Takes to Score American Sports' Biggest Assignment: Super Bowl 50

Your headache from over-drinking (either in celebration or in deep depression) may be wearing off, but for those that had to photograph Super Bowl 50, that headache began days before the big day. The preparation for covering the game took its toll on those that enable us look back on it this week. Fstoppers caught up with ESPN photographer Andrew Hancock to get a look into the gear, setup, and planning to cover the most important event of America’s favorite sport.

Out Of My Element: The First Time I Ever Shot In Snow

Despite having grown up around photography all my life (thanks, dad) and then starting my own commercial portrait business in 2009, there is one small little thing I'd never done before, silly as it sounds. I have never, ever shot in snow. Born in the Caribbean in 1975, then briefly living in Miami before settling down in Houston in 1979, I have truly never experienced real snow. But all that changed for me recently in Salt Lake City and Albuquerque - in January.

MPC's Work on 'The Martian' Impresses In This VFX Breakdown

Big movies mean big budgets, which usually mean big visual effects. The Moving Picture Company (better known as MPC) recently released another one of those mesmerizing VFX breakdown videos for their most recent feature film, “The Martian.” The breakdown reveals some aspects of the film and of Matt Damon's performance that were both challenging and impressive, like the fact that the helmets worn in the film didn't feature physical windscreens. Those were added later with matching reflections to the scenery.

We Sit Down With Globetrotting Wilderness and Urbex Artist K. R. Whitley

Over a year ago, after having discovered his work a year before that, I felt it necessary to introduce Fstoppers' readers to photographer K. R. Whitley, the world traveling wilderness/landscape and urbex artist. Since then, Whitley has traveled even more and expanded his work in some bold, new directions. I brazenly invited him to an interview at my house, and thankfully he agreed.

The Purpose of Photography Seminars or Why I Get to Spy on the Shoot the Centerfold Seminar This Year

Make no mistake, Shoot The Centerfold is the most exclusive and well respected glamour and model photography seminar on the planet. And as it turns out, this year I've been invited to see everything that goes on at STC, both up front and behind the curtain, in what will be an exclusive insider view on this most revered of photo events. Oh, and I might be a little bit excited about it.