Guest Writer

There are three questions that I ask each new potential client, and those answers will determine the entire creative direction of the project.

One thing that we love about the YouTube community is that people always show up to help the beginners. There are countless threads from YouTube newcomers who are unsure of how to start out, but plenty of creators with more experience are willing to lend a hand.

I get many viewer questions, but this is one of the most asked. What if the model wants the photographer to pay for the shoot? Before anyone raises concern, this is a photo shoot to build the model's portfolio, not for an ad campaign.

Test shoots are essential for the photographer and really help fill the gaps in a portfolio. On test shoots, everyone contributes for free. The photographer, makeup, hair, wardrobe, and model all work for free. Everyone is building on their portfolios on test shoots and if done correctly, it should fill the creative gaps in a portfolio.

Ever since I first picked up a camera, I had questions that wouldn't be easily answered by reading a book or watching an edited YouTube series. I wanted real and unedited conversations, something you might have at a bar or coffee shop.

With drones being so accessible and easy to use, everybody is taking aerial shots these days. But there's nothing like crawling into a tiny Cessna and exploring the skies from a plane for yourself! Here’re 10 tips on how you can do just that.

When the general public picture photographers, they tend to envision a creative individual who goes out and snaps away at anything and everything that inspires them; architecture, nature, sports, or whatever assignment they've been put on. It's likely that they never think of the hours we spend marketing, writing proposals, editing, doing book-keeping, etc.

Try searching your own name. Now, what do you see? Most importantly, what do your clients see?

Lately, I have been loving an edgier look to light and images I have seen in a few other photographers' works. As I mainly shoot beauty, I don't really get to light like that very often, but I wanted to give it a go myself and try some edgier and harder looking light.

Getting ready for your next trip? Travel is hard enough as a tourist, but as a nomadic photographer, a lot can go wrong. Whether the plane runs out of overhead storage or you’re in a car crash, solid packing will help you to comfortably face the unexpected so you can shoot from dawn till twilight, then change plans last minute with as little inconvenience as possible. Here are some techniques that have helped me nail ultralight packing to travel indefinitely as a nomadic photographer—or skip to the end for my one bag packing list!

As a photographer, becoming a digital nomad empowers you to see the world as a native, not as a tourist. It’s helped me take better photos, boosted my creativity, and given me more time to dedicate to photography outside my day job. You don’t need to wait till you hit the road: you can start becoming a digital nomad now before you ever sell your house.

As you can imagine I spend a lot of time in Photoshop. And when you spend as much time in Photoshop as I do, you want to work as fast and efficiently as you can. Knowing your way around the layers panel in Photoshop is a great way to maximize efficiency. I teamed up with Fstoppers to create a video tutorial that focuses specifically on the layers panel in Photoshop. In this video, I’lll show you have to maximize your workflow with a series of practical tips and shortcuts. This video is great for beginners, however, even if you’re well versed in Photoshop, you may just learn something new.

As you can imagine I spend a lot of time in Photoshop. And when you spend as much time in Photoshop as I do, you want to work as fast and efficiently as you can. Over the years, I’ve learned a lot of keyboard shortcuts. Knowing keyboard shortcuts is crucial in creating a faster more efficient post-production workflow.

I recently teamed up with the crew at Fstoppers to create a video tutorial that focuses on the foundations of creating a standalone product hero shot for advertising. What’s a standalone product hero shot you ask? It’s a standalone image of a product that’s generally well lit, super crisp, super clean, and essentially aids in selling a company's product.

The Internet is loaded with articles on new gear or popular techniques. Everywhere you look, you will find some new unboxing video or review piece. Everyone promising that they will make you the photographer you have always wanted to be. Don’t get me wrong, I enjoy looking at fancy new equipment as much as the next guy -- and I have written a few of those articles myself -- but do all the toys and tricks help my career in the long run?