For a while I've wanted to pour out everything in my heart, but it's been bottled up. Out of fear, humiliation, and hurt. What I've encountered in the past few days is one of the hardest moments of my professional life, but I need to address this face-forward.
This is a post for all the dude photographers out there. I really don't want to be writing this, because I don't think it should have to be said, but apparently it does. This post is simply a call and reminder to treat your models with the respect that they deserve. I want to talk about respecting your subject's boundaries in general, but I also want to address the psychological part within men's minds that makes them want to see women naked.
While there are obviously no strict rules about what lenses a photographer should buy, my curiosity was piqued recently, when legendary Glamour Photographer Jarmo Pohjaniemi (Playboy, Shoot The Centerfold) announced he was headed to Santorini with a pair of Canon EF 11-24 f/4L USM lenses. I assumed he was going to shoot landscapes (after all, it’s Santorini), but his answers when I asked were far more interesting than that.
Heck yes! I'm pretty dang pumped about this post. Ever since the middle of high school, I've been immensely interested in "the process." You know, that middle bit between point A and point B that nobody but the artist ever sees. I've always loved peeking behind the scenes to see where something started and what kind of work and thought went into creating the finished product. I know I'm not the only one because a lot of you have asked to see before/after's of certain shots on my...
When I first started shooting, I would spend absolutely no time planning my shots. I would focus tons of time and energy into every other aspect (location, wardrobe, mood, etc) but in some weird turn of events, it must have slipped my mind that the end goal is "The Shot." How that slipped my mind still baffles me. Instead of putting in the effort to plan what my actual finished images would look like, I found a model, found a location and showed up on shoot day with a plan to wing it.
Guest Writer's and Dale and Jill Lempa of Lempa Creative are a husband and wife team of photographers from Cary, NC who specialize in wedding and engagement photography. If you're a wedding photographer, then you can understand how stressful or hectic weddings are. Sometimes it might not occur that the bride is just as, if not more stressed out than we are. Dale and Jill have taken the time to share these helpful insights in just what the bride is thinking and how you as the photographer can help!
Guest Writer, Matt Kennedy is an International Wedding Photographer and has been shooting weddings for 7 years throughout North America, Mexico and Italy. He is well known for his Sparkler Shots and Marketing techniques and is always willing to share and raise the bar for the industry.
Getting ready for your next trip? Travel is hard enough as a tourist, but as a nomadic photographer, a lot can go wrong. Whether the plane runs out of overhead storage or you’re in a car crash, solid packing will help you to comfortably face the unexpected so you can shoot from dawn till twilight, then change plans last minute with as little inconvenience as possible. Here are some techniques that have helped me nail ultralight packing to travel indefinitely as a nomadic photographer—or skip to the end for my one bag packing list!
About 5 years ago, when I was still in my Photography college in Australia, our teachers would regularly introduce us to the new and noteworthy Australian photographers' and digital artists' work. Among others there was one artist, whose work really grabbed my attention and I have been watching her growth and success ever since.
Boudoir photographers tend to the fears and concerns of their clients on a daily basis. In a boudoir session, the client is not only stripping down layers of clothing, but also layers of built-up emotional mindsets on body issues.
The following is a guest post by Patrick Moreau of Stillmotion:
As image makers, we know the power a photo can have. Whether in the context of a wedding, a magazine ad, or even a simple a snapshot of your kids when they weren’t expecting it; the emotional effect of a photograph can be all-encompassing. Worth a thousand words, as they say. But can a photograph change the lives of thousands of people around the world?
Ahhh…..rejection! Everyone has experienced rejection many times in their life, but it is especially prevalent in the fashion and photography industries. I’m sure you have been rejected as a photographer before, whether it was by a gallery, publication, or model you have wanted to work with. I can safely say that if I had a dollar for every time I experienced rejection as a model, well, you get the picture. I have been rejected by some of the sweetest photographers, who unintentionally made me feel like I should never have reached out. Similarly, some photographer’s rejection tactics needed some major fine tuning and left me feeling fed up with how some people in the industry tend to act. As a model, I 100% understand that I will be rejected 9 times out of 10. It is completely okay to say no! Saying no is healthy! But it should be done with professionalism, tact, and respect.
For the last 2 years I've made my living shooting architecture with DSLRs, mostly short videos of California's fanciest multifamily apartment communities. When my client Synergy Corporate Housing asked me to continue that mission with all of their international properties in 10 major cities across 8 European countries, the first thing I thought when I saw the 32-day itinerary was, "bring a Hasselblad."