Lightroom is sometimes underutilized during post-production and IPS (in-person sales) during a boudoir reveal. Here are some tricks to increase the speed of your IPS sessions in order to move fluidly through the sales process and increase the number of clients who upgrade to your next collection.
Articles written by Jennifer Tallerico
Often, I get asked how a shot was done underwater due to the objects that are with the client. Recently, I started using GoPros to obtain behind the scenes footage to help better explain positioning and lighting on various sessions. "The Archer" was one image that caused most people to ask: "Did she really shoot the arrow at you?"
Our clients often hear many terms such as "megapixels," "dpi," or "resolution" and wonder what the difference is between them. As photographers, it is our job to educate them on such terms in order to lessen the confusion when they are asking for certain sizes. However, if we do not understand not only the complexity but also the simplicity of what we are talking about, do we truly understand it at all?
Lighting on land can be daunting when a photographer is first starting out in their business. Understanding the angles, the intensity, and the direction comes from education and experience. So when I started working with illuminating subjects beneath the water's surface, it felt like a whole new game.
Thomas C. Corley, author of Rich Habits, wrote that the the most successful business owners create multiple sources of income. Seasoned photographers have experienced the ebb and flow of the portrait business over the years and know that the best way to stay afloat is to be consistently adaptable. Maintaining multiple baskets for income to be generated is key to surviving a slow season.
As artists, we have all been there. The creative rut. The most fatiguing part of being an artist and perhaps the downfall of many talented individuals who could not climb out of it. Creativity comes from many places within us all. However when a photographer's passion is absorbed by the repetition of what we specialize in, the outcome of the work becomes all too grueling to look at. So how do we get back to the love of what we do? How do we fuel once more the passion that showcases our work as new and creative?
When it comes to boudoir photography, everyone has their own opinion as to what constitutes as a boudoir session. It is soft and romantic? Is it edgy and seductive? Is it only meant to be seen by the clients partner? Or is it an expression of the client finding comfort in their own sexuality?
Being a female boudoir photographer for many years, I may take some things for granted with my clients. There is not a shoot where a client doesn't ask me to assist in attaching a garter belt to her stockings. So, I am literally kneeing on the floor, with a woman's bum close to my face. We laugh the whole time, but in all seriousness, I sat back and wondered one day if I were a man, would this be any different?
Last week's article touched on a minimal approach to editing. While I am quite the control freak in my own work, sometimes, I am overwhelmed by the amount of tasks being thrown my way. I look to professional retouchers and virtual assistants to help me through the busy seasons.
Retouching in photography has many forms. Everything from skin work to background manipulation. With the latest software abilities to retouch and manipulate an image, there is an endless source of possibilities to create. Even with all the tools available, there is a fine line and perhaps sometimes too much is too much.
Over the years as a boudoir photographer, I have noticed a theme when it comes to new shooters about the "restrictions" they come across. Countless times I hear or read, "I wish I could upgrade my gear," "I just do not have a commercial space," or my favorite, "I just cannot afford to have all those set ups." Well quite frankly, that is a load of bull.
Boudoir photography can be one of the most powerful ways to bring confidence back to an individual. Challenging their negative thoughts about themselves while repairing their body image is more rewarding to a boudoir photographer than the money itself (OK yes, the money is great but be honest — you love it when they cry those happy tears of joy seeing their images).
Underwater photography is becoming more popular as technology progresses. The use of an underwater housing dates back to the mid-1800s when William Thompson was utilizing a watertight box over his camera to photograph seaweed near Weymouth, England. Since then, underwater photographs have become an incredible way to explore and understand the life under the surface.