Articles written by Stephen Ironside
When I spoke with photographer Anthony Manieri, he was sitting at home in the middle of editing images from a routine event before preparing to fly to Los Angeles to do another shoot for a personal project that has been more successful than he ever anticipated. He didn’t expect a one-off shoot to turn into a personal project taking him around the world creating portraits of diverse, mostly gay men to promote positive body imagery.
If you've wondered why registering your image copyrights is a good thing, here's a case for you. Insect photographer Alex Wild is seeking $2.7 million in an image-use case in which a pest control company used 18 of his images without permission and refused to take them down.
I've wanted to be a content creator for documentaries, a la National Geographic and the Discovery Channel, since I was little. But then again, who hasn’t? I taught myself photography throughout college while studying biology and anthropology in hopes of, someday, finding myself in the situation to put all of that together as some sort of adventure photographer. I’ve been lucky enough to do a little of that type of work already, but nothing compared to these guys. In this series from The Crew, you can go behind the scenes with a crew that travels to some of the riskiest and most beautiful parts of the world just to create beautiful footage for you to enjoy.
I’ve pondered posting this article since I started writing for Fstoppers over a year ago, but it never seemed right. I thought about sharing the story on Veteran’s Day, on Memorial Day, on either the anniversary of my friend’s birth or of his death. None of these timings ever seemed right. Maybe that’s because it was still so fresh in my heart. Maybe I felt like it was too personal to share. But I figure it’s a story that needs to be told, especially on the heels of President Trump’s signature on an order that aims to improve mental health options for our brothers and sisters returning home from the “playground of war.”
While approaching the end to my holidaze, I stumbled upon the blog post of a friend I met at a photo workshop years ago. The title caught my attention: “Why I Ended My Nikon Professional Services Membership.” His reasoning behind it wasn’t what I expected, but in the era of information hacking, it kind of makes sense.
It's not every day that a video interview keeps me interested, undeterred by distractions, the entire time I'm watching it. But this one definitely did, mainly because it involves something that probably 90 percent of little boys, one of which I used to be, often dream of: being an astronaut. And learning about taking photos in space is just icing on the cake.
If you haven’t heard of the Help-Portrait movement, the idea is pretty simple: photographers and other volunteers get together and donate time and resources to provide portraits to those who can’t afford them. Its founder, Jeremy Cowart just announced that the non-profit organization that runs Help-Portrait is dissolving, but he wants the movement to live on.
If you've been in the photo industry long, you've certainly at least seen the bright orange USB cables marketed by Tether Tools. Along with their high-visibility cables and other tools for tethering your camera to a computer and otherwise having a secure workstation while shooting, they are, apparently, a company that still has some semblance of a moral compass -- a rarity, it seems, for large companies in 2017.
A couple of weeks ago, I bought my first drone: a DJI Mavic Pro. I’d been eyeing one for months, trying to decide if it was worth it and if I could justify its use for my business. I pulled the trigger right after Thanksgiving, have been trying to learn all of the rules about using it, and have been studying for the FAA Part 107 test ever since. And there are a lot of rules. And one of those rules is about to change — again— thanks to a bill President Trump signed yesterday that requires all drone flyers in the U.S., including hobbyists, to register with the FAA.
If you were raised in the United States, you were taught about the attack on Pearl Harbor on December 7, 1941. You’ve heard the famous description of it by President Franklin D. Roosevelt, who called it “a date which will live in infamy.” With a lack of declaration of war and without warning — and killing 2,403 Americans — the surprise attack by Japan’s military on the U.S. naval base at Pearl Harbor in Hawaii was judged to be a war crime, and was the impetus for the U.S. officially entering World War II. You know this, but there’s a good chance you haven’t seen many (or any) photos from that day.
A few years ago, on one of my first advertising shoots, I was asked to take a photo of a condo building downtown. All I knew was that the client would be bringing props, that we’d be shooting on a balcony, and that it would be night time. From start to finish, I wasn’t really sure how the ad was doing to turn out… and it turns out, years later, that’s still what tends to happen on commercial shoots: things don’t turn out how I think they will.