Our friend, retoucher and commercial photographer Clint Davis is no stranger to this site. He was nice enough to share this awesome behind-the-scenes video from this recent ad campaign. The most impressive part aside from the images themselves? The fact that he only had about five minutes per setup while working alongside a separate video shoot.
Articles written by Douglas Sonders
Our friends at the automotive website Jalopnik have announced their second transportation-focused film festival, and it is great news for car lovers and creatives alike for a few reasons. First, you can attend an awesome film festival in New York City later this year and watch great car movie shorts. Second, you can submit your work and possibly win awards just as you would in any festival. Third, if you don't have a movie but always wanted to make one, you can possibly win the chance to have it made for you. Finally, you can help me create the ultimate car movie poster!
Early on, I faced some bullying from older photographers that viewed me as competition and tried to convince me to quit my budding photo career. Ever since, I have been particularly aware and sensitive to how photographers treat and/or handle each other. It's as if so many creatives are willing to try and crush others' work/reputations/jobs in order to get ahead. To many, it seems like a dog eat dog industry, but it doesn't have to be. I've put together some thoughts and tips on how to overcome those that may try to bully or discourage you.
If you've ever tried to film something, you probably know what it's like to try and cobble something together with a bunch of borrowed and/or homemade gear. I know the first music video that we ever shot we done with a "borrowed" shopping cart, a camera on loan, and some shop lights. Shanks FX, which appears to be a part of PBS Digital Studios, put together this great short video about how they light various environments creatively using less than $150 in flashlights and accessories.
Late last year I was contacted by one of my magazine clients to shoot their upcoming cover with Panic At The Disco front man Brendon Urie and it had to take place across the country in Las Vegas in about a week (I am NYC-based by the way). I scrambled to find some cool locations in the region, knowing full well I did not want to shoot in some cramped hotel suite. Little did I know that with some good researching and shrewd negotiating, I would find some of the coolest locations I have ever photographed, and just moments from the Las Vegas strip.
My buddy and DC photographer Willis Bretz has been busy working on a personal portrait series in honor of the 70th anniversary of D-Day. Mixing his history degree and his flourishing photography career, he wanted to create something that reflects his love for both. Learn more below about this personal series that was even picked up by The Washington Post for their coverage for the 70th Anniversary of D-Day.
So you've been working long hours at your desk or computer, rarely see your friends, when you're not working, you're thinking about work or shoots. Your portfolio and income may be improving (or trying to), but you feel like your personal life is falling apart in the process. Does this sound all too familiar? Well it all hits very close to home for me and it's what put me in the hospital last week.
Some great photographers are lucky enough to have a rare opportunity to photograph ultra-rare and exclusive cars, but usually you have to work under tight restrictions or are often thrown an obstacle or two. Car photographer Pepper Yandell's recent photo shoot with a rare super car worth nearly $4 million was no exception. See how he shot incredible images in less than an hour and learn from the helpful tips he shares.
Photographer Tyler Shields sat on a 7 month waiting list to acquire a rare and in-demand $100,000 Crocodile Birkin bag... and fed it to an alligator all for the sake of art. These images are part of his fine art series “Indulgence,” which is set to premiere in galleries in Los Angeles and London shortly. See some of the final images below. What do you think of them?
Phlearn has debuted another really helpful and easy-to-follow tutorial about how to master motion blur in Photoshop. Early in my photography career, I would make the mistake of shooting motor sports with a high shutter speed. The cars would look sharp but they appeared to be parked on the race track. The technique shown in this video and the steps listed below would have helped add a more dynamic motion and story-telling elements to my otherwise static photographs. This is a great skill to master and can be applied in many scenarios.
The guys at DigitalRev are at it again! They've created this video about how one is guaranteed to look like a true pro photographer. A lot of it is meant to be silly and humorous, but there are actually a couple of tips in there that will actually help you be a better photographer.
The "selfie" has become an epidemic. Satire news reports have recently even referred to it as a certifiable mental disorder, but sadly, many of us (including myself) can't see that far from an actual reality. The compulsion to selfie has effected most of us since the advent of popular social media platforms. Our friends at Digital Rev have put together a helpful video on what to avoid when taking self-portraits with your favorite digital device. See below for some self portraits from our Fstoppers staff.
Photographer Andrea Belluso does an excellent job showing us how one of the most simple light modifiers, the reflector, can be used to effectively and creatively capture a fashion / portrait shoot. He takes Profoto's larger WideZoom reflector and shows us how he uses it on-set in an extraordinary way.
We posted a set of videos released by Pathé News, part of their 85,000 reels released, but this one really stood out to me- it's hilarious. I'll add that I've taught and taken quite a few photo workshops in my day, but I would kill to know what that instructor was saying to his students and the models. Let's break this video down shall we?
Two years ago, I adopted a lovable Pitbull mix named Emma. She's afraid of thunder, loves belly rubs, is sweet with kids and great with other animals. Sadly, a lot of the general public perceive my Emma as a monster, and that's probably why over half a million Pitbulls are put to sleep in the US alone each year. I decided to use my photography to start a positive PR campaign called Not A Bully to help change the way people view Pitbulls.
Our friend Glyn Dewis has been sharing his straightforward and very helpful post-production tutorials with us for a long time. This time he shares about how to add dramatic sun beams to your photos in post-production. Something I've been trying to master for a long time! Read below to learn more about how Glyn created this cool elephant image from a safari park snapshot.
We live in a time where photographers and filmmakers must combine powers to be competitive in todays advertising market. Recently a huge fashion client approached our production company to capture concurrent motion and still ad campaigns with supermodel Lily Aldridge, but we had to do it all in under 10 hours with 2 complete hair and makeup changes and 12+ outfits. Advertising creatives today need to be able to shoot stellar visual content and assemble bulletproof productions.
Have questions you want to ask a creative industry professional, but wasn't sure who to turn to? I've been writing for Fstoppers for over a year now. I've been able to share my own BTS shoots, those of friends, reviews, tutorials, and more. I've had the chance to interact and meet some great people through here, and I really want to do something more for you folks. Rather than do a fresh article this week on something I find interesting, I am leaving the content completely up to you.
Pepper Yandell is a talented young photographer out of Texas who shoots some of the coolest cars in the world. He recently was given an awesome opportunity to photograph a couple of supercars in a hanger with really expensive jets - the kind of shoot car photographers dream about. Pepper was nice enough to share with me about how he put this shoot together.