One of the most fundamental Photoshop skills you can have is the ability to remove and replace objects in an image. And while Photoshop has some fairly advanced automated tools to help you do this, there are times when you'll want to take full manual control. This helpful video will show you three methods to remove objects.
Working for free is always a hot-button topic in the photo industry, and it can become an even thornier issue when it's friends and families asking for your services at a 100 percent discount. This great video examines the pros and cons of working for free for friends and family and how to set and maintain boundaries.
Sequin fabric looks awesome but it is not so photography friendly. The problem lies in the way it creates hot spots and sparkling patterns, making it difficult to light. But then, there is always something useful you can do with anything, provided you look beyond the obvious.
There are three basic elements that control the exposure or overall brightness in your images: shutter speed, aperture, and ISO. But aside from controlling exposure, these camera settings also have a couple of side effects. To help understand all this, Dave Morrow comes to our rescue by teaching the exposure triangle.
What does it take to shoot for some of the largest magazines in the world? Not as much as you might think.
In the competitive world, marketing one's work is very crucial to the success of every photographer and professional. And if you are an introvert, it might look like one uphill task, but not when you understand the knacks to build confidence.
Smart Objects in Photoshop are a fantastic tool to avoid working in a destructive fashion when filters, such as Camera Raw, need to be used in the retouching process. In this video, Greg Benz clarifies three common misconceptions to save you useless worries or precious time.
Light. We see it all around us as billions of photons pass right by us, bouncing against objects like "Punch-Me-Clowns." As photographers, we're obsessed and spend our lives figuring out how to manipulate them, and it could be an exhausting task to pursue, but that's about to change.
The Blend-if feature is easy to miss if you're not looking for it in Photoshop, but it's one of the most useful tools you can have in your post-processing kit. This great video will show you what Blend-if is and how it works as well as some useful examples.
Half of creating a landscape image is in the editing process. This is where you shape the photo to match your personal style and to make whatever statement or evoke whatever feeling you'd like it to. This helpful video will show you how to add depth and drama to a landscape shot using Lightroom.
Creating long exposure is fun, but having the right tools to paint magic shapes with light makes it even better. The Magilight by Fotorgear is meant to help you bring to life the most insane long exposure you’ve ever dreamed of. Here is its review.
Interested in learning some new lighting setups when using a beauty dish? I've created a video sharing five different ways that I utilize a beauty dish for my studio portrait work as well as discussing some of the benefits of each setup.
Practicing photography as a hobby versus building a business upon your photography are two very different monsters. Running a successful photography business is what distinguishes a pro from an amateur. Without the proper preparations or knowledge, your budding photography business can quickly flounder. Here’s what you need to know if you’re thinking of turning your hobby into a professional business.
For many photographers, separating your subject from the background can be a time-consuming nightmare. What if you could just click your camera's shutter once and have a perfect mask ready in your camera? Freemask by Hensel lets you do that.
Turns out you don't always need to be an amazing photographer to create photographic art. I came across graphic designer Bashar Hjooj's work on Instagram, where he combines two to three photographs shot by complete strangers to create art full of imagination with his own take.
“It’s like a Mercedes-Benz. You drive it off the lot, it loses half its value," says artist Peter Lik, describing his own work. This brutal article from the New York Times examines the extraordinary amounts of money that people continue to spend on Lik's work and how he has created his own speculative — and lucrative — economy.
When I talk to a lot of photographers, they seem to think that business and creativity are at odds with each other. Being a salesperson and an artist just don't go together, right? I think we've just been mislead on what it really means to sell.
Photographing behind the scenes at any large power producing area can be difficult not only to obtain entry but also to capture the massive scale to do the area justice. The areas are normally bustling with workers, smoke from the machines, and dust from the ground. Traveling to these destinations, however, will help show the world just what goes on behind that power that they use daily.
Imagine a world of no brands — no Wal-Mart, Google, HSBC, or Canon. Is that the sort of world we would want to inhabit?
If you are content to remain at the same skill level, taking the same photos for the rest of your career, then please, ignore this article. If you want to become a better artist, read on, but be prepared to be uncomfortable.
Jesse Lepore has not created any lists.
