Camera sensors are incredibly complex pieces of engineering prowess, bringing together mankind’s attempt to replicate the behavior of the human eye in perceiving light, but there are still many limitations. Cameras are rarely good at capturing decent photographs of rainbows, but some cameras are significantly worse than others, thanks to a strange quirk of science.
Articles written by Andy Day
It’s been just over a year since Canon finally stepped into the world of mirrorless full-frame cameras. In this short video, Jared Polin offers some interesting thoughts on what Canon has achieved, where it has fallen short, and what the future holds for the Japanese manufacturer.
On the back of producing the world’s best-selling lens, Tamron has released a piece of glass that got me incredibly excited: the 17-28mm f/2.8 for Sony full-frame cameras. I’ve tested this lens extensively on both jobs and personal projects over the course of a month, and hopefully, I can now tell you whether you should buy this lens or not.
Hype for Google’s new flagship phone has intensified in recent weeks with photographers excited about what new technology the tech giant will be squeezing into its latest model. To add to the fervor, a leaked promo video suggests that a dedicated astrophotography mode will be incorporated.
Rumors are circulating that Tamron is about to announce the launch of a lens that would complete its trio of fast zooms for Sony full-frame cameras with the 70-180mm f/2.8 lens. Will it be tiny, how much will it cost, and how will it stack up against Tamron’s two other amazing Sony f/2.8 zooms?
I relish a challenge and I knew this job was going to be hard, but I had no idea how much improvisation would be required to complete this shoot and come away with images that worked for the client. Huge venue, one light, complex action, no reccy visit, and just six hours to get it all done.
With so much speculation, bookmakers would be delighted over the ever-shifting odds regarding what Sony is going to announce next: will it be the much-delayed a7S III, or the greatly-anticipated a9 II? With the rumor mills in fine fettle after a short summer break, we may have an answer: in the next month, Sony will announce the a9 II. Allegedly.
When I moved to Sony, part of the appeal was the smaller body. However, the idea of being able to replace my big, heavy wide-angle zoom with something light and fast seemed impossible. Last month, Tamron released its 17-28mm f/2.8, and I just spent three days using it to photograph a parkour event in central London. Ahead of a thorough review, here are my first impressions.
Sometimes it’s fun to set yourself a challenge, maybe shooting with limited gear or with a very quick turnaround. On this occasion, I had no choice. The shoot was conceived and captured in under fifteen minutes, and the images were edited and submitted less than half an hour later. Here’s how it came about.
Instagram appears to be in the process of rolling out a surprising change to its platform: hiding the number of times that a post has been liked. While the internet giant claims that it’s making the change in to help us focus on the thing we love, the truth is different. If it really wants to improve things, it should go one step further and hide follower counts too. You can be sure, however, that it never will.
If you have a good understanding of how light works, you may find that an expensive studio stuffed full of high-end strobes and funky diffusers is far from important when it comes to creating striking images. In this short video, photographer Irene Rudnyk shows you how to produce something remarkable using little more than a shed.
Sigma caught the industry by surprise last month by announcing the forthcoming release of the fp, a tiny full-frame mirrorless camera with an unnecessarily lower-case name. More details have emerged, including a quick way of prepping your images and footage for Instagram with a teal and orange color mode that looks, well, interesting.