Kodak may have filed for bankruptcy in 2012, but Hollywood movie directors and their fervor for shooting on 35mm and 65mm film is giving the company a new lease of life.
A Kentucky wedding photographer who used an image of a gay couple in an advert has been told that her inclusive business is disgusting and that she needs to rethink her values.
Whichever application you might encounter it in, the tone curve can be a little intimidating if you’re new to editing. This excellent short video from Mango Street gives you a great introduction to how it works in Lightroom, what it can be used for, and how to achieve some creative results.
Fujifilm has dropped photographer Tatsuo Suzuki from their team of X-Photographers following outrage in response to his in-your-face style of shooting.
This remarkable image of a polar bear peering into the viewfinder of a Nikon D850 by photographer Roie Galitz was one of the winners of the ROAM Awards. What does it take to get an image like this, and when it comes to polar bears, how close is too close?
A strong critical reaction has led to Fujifilm pulling an advertisement that highlighted the work of photographer Tatsuo Suzuki. It seems that holding an expensive camera is not a license for an obnoxious and provocative style of street photography.
Canon has been playing catch-up when it comes to mirrorless over the last couple of years, but other manufacturers should brace themselves: things might be about to change.
As photographers, many of us have been asked to work for free, but imagine being asked to shoot a wedding not for money, but in exchange for having your work promoted to that wedding’s 300 guests.
With CP+ on the horizon and assumptions that Canon will be producing a number of mirrorless cameras in 2020, rumors are rife, with a 45-megapixel R5 arriving soon, now believed to be accompanied by a 20-megapixel R6, according to Canon Rumors.
Not long after I suggested that a mirrorless version of a 1D X camera was still a long way off, Canon Rumors reports that Canon is a few weeks from announcing a 45-megapixel RF-mount beast that shoots at 20 frames per second (12 fps mechanical). Can this be true?
With Nikon’s recent launch of the Z 50, speculation has continued regarding Canon’s plans for its APS-C sensor cameras. What to do to cater for all of those 7D Mark II shooters awaiting an upgrade is something of a dilemma, and a new rumor has sparked a fresh helping of speculation.
Declaring the DSLR dead is premature. Sports and news image agencies are so heavily invested in bodies and glass that the shift was always going to take a while, but the Canon 1D X Mark III might have just put the use-by date on DSLRs back even further.
There’s been a lot of speculation about what camera Canon would add next to its new range of full-frame mirrorless bodies, and we might be a step closer to seeing what will emerge over the next twelve months. According to rumors, one is pretty certain, but the other two are a little more unexpected.
Sorry, Nikon, but why you ever thought that calling hundreds of different camera models COOLPIX would be a good idea will always confuse me. It's not just Nikon, though; camera names and naming conventions are a car crash of branding and lack of foresight. Why are they all so terrible? And which is the worst?
With Leica having just released the beautiful but insanely expensive M10 Monochrom, there’s a good question why other camera manufacturers don’t do the same. Would you buy an Sony a7M III, a Fuji X-M3, or even a Canon EOS Rm?
In what’s expected to be the first in a series of significant announcements, Fuji has announced the launch of a new APS-C camera: the Fujifilm X-T200.
Canon’s efforts to push the bounds of what’s normal when it comes to full frame lenses continues apace with the manufacturer reported to have just registered patents for two zoom f/2.8 lenses with exceptional focal ranges.
Leica has just announced the latest version of its classic M series compact rangefinder cameras, the M10 Monochrom. What makes this camera stand out is its 40-megapixel full-frame sensor that records only luminance data and doesn’t capture any color.
For most manufacturers, one of the hangovers from analog cameras is the chunky dial that sits on top. Two of the modes — shutter priority (often S or Tv) and aperture priority (often A or Av) — are becoming increasingly obsolete. Cameras have changed, and so has how we used them, and manufacturers need to keep up.
