“It’s like a Mercedes-Benz. You drive it off the lot, it loses half its value," says artist Peter Lik, describing his own work. This brutal article from the New York Times examines the extraordinary amounts of money that people continue to spend on Lik's work and how he has created his own speculative — and lucrative — economy.
Articles written by Andy Day
Rooftops hold a certain allure but it's not just urban explorers and extreme sports narcissists that are drawn to the tops of buildings to capture this alternative view of the city. Photographer and Artist Alain Cornu drags a 4x5 field camera onto the rooftops of Paris to create stunningly beautiful images that feel like portals into another world.
If you've ever considered uploading your work to Unsplash, you should probably watch these two videos, or at the very least, familiarize yourself with the points raised by legendary commercial and editorial photographer, Zack Arias. If nothing else, Arias wants photographers to understand the risk of facing a lawsuit as a result of uploading their images to the site.
"I get invited into strangers' bedrooms to photograph real sex," shouted the headline. A few days ago, I encountered the work of Roxy Hervé, a London and Paris-based artist/photographer who had been interviewed by Vice. The headline wasn't accurate (and has since been changed), but as I found out from speaking to a few other photographers, it did lead me to discover how easily boudoir photography can turn into something else.
As a minimalist (read, "simpleton"), there's something that appeals to me about prime lenses. Unfortunately, the other side of being a minimalist (read, "cheapskate") means that I tend to avoid using gear that doesn't offer flexibility. When I randomly treated myself to Canon's budget, plastic 40mm f/2.8 pancake, little did I realize how much joy it would bring me.
One of my regular gigs is photographing the training events hosted in London by Parkour Generations. Winterval, a day of hard training outdoors regardless of the conditions, takes place every January and shooting it can be a daunting prospect; winter in London is often grim, with short, dark days made grimmer by drizzle or worse. This year we got lucky with glorious sunshine, albeit accompanied by a biting breeze.
Drugstore chain CVS Health announced today that it will stop using photo manipulation in the promotional images for its store-brand makeup and will require all other companies to follow suit by 2020. Companies that continue to use manipulated imagery will have their adverts labeled by CVS to help customers understand that the photograph has been altered.
Every change that Instagram has introduced since it went mainstream has been a step backwards for photographers. It's reached the point that, although I still post a few times a week, my love for the platform died a long time ago, and watching it stumble towards nothing but selfies and adverts is heartbreaking. Here are my biggest gripes, in no particular order.
Stefano Carnelli is an Italian photographer living in London and Berlin, shooting socially-engaged, documentary images on medium-format film with a particular interest in the relationship between people and landscapes. His recent project, “Transumanza,” explores the lives of shepherds and their flocks in the Po Valley of northern Italy, examining how their historic traditions have changed in response to globalization and an ever-shifting landscape.
Pripyat, once a town of 40,000 people and now a short distance from the world's single most deadly object, stands inside the Chernobyl Exclusion Zone. As I waited to get a coffee at the tiny shop alongside the Zone's checkpoint, I cringed slightly at the array of glow-in-the-dark knickknacks on sale. Chernobyl, the site of the biggest nuclear disaster in history and now a slightly Disney-fied tourist destination, is a reminder that photography's "truth" is always a little suspect.
The unfortunate and widely-reported death last week of 26-year-old rooftopper Wu Yongning led to a lot of discussion regarding rooftop photography, personal responsibility, and the blurred boundaries between urban exploration, parkour, and "exposure porn" - i.e., hanging from the edge of buildings or balancing at incredible heights in order to create photos, videos, and short-lived internet fame.
Two new Instagram features emerged this week: the ability to follow hashtags and the addition of "recommended for you" into a user's feed. This might be great news for freebooters, and not so great news for users who are already disillusioned with Instagram's algorithms.
A group of masked feminist campaigners in Paris is taking direct action in protest against sexist advertising. Brigade Antisexiste is an anonymous collective of activists who meet regularly in order to graffiti and undermine billboards and other printed adverts that are considered demeaning.
As Instagram evolves, copyright violations don't seem to be an issue for this social media giant. More images mean more views which mean more ad revenue, and there is zero incentive for Instagram to take any serious action against reposters, lost as it is in this huge gray area of what constitutes a breach of intellectual property.
If you've been out shooting recently, there's a good chance that you're now sitting down to edit a pile of photographs that capture the incredible colors that autumn brings. This brief tutorial shows you a quick and dirty trick (jump to three minutes to skip the waffle!) for getting Lightroom to make the most of those gorgeous, orangey tones.