It’s broadly understood that cameras with lower resolutions will give better low light performance and consequently less noise compared to high-resolution sensors. Apparently, this is a myth.
Someone looking to get their first professional-quality headshots taken might find themselves surprised by the price. Why are they so expensive and how do photographers justify charging so much money for so little of their time?
Landscape photographers usually want stunning detail and excellent image quality, so why would you shoot landscape photos on a cheap lens that rarely delivers sharp images?
Sony shooters will soon be blessed with two new zoom lenses courtesy of Tamron: the unusual 35-150mm f/2-2.8 Di III VXD and an updated version of the incredibly popular 28-75mm f/2.8. Both are due to go on sale in the next four months.
A few unfortunate photographers have found out the hard way that lasers can permanently damage camera sensors. Now Sony has listed the warning on its website, hopefully preventing further accidents.
Canon has just published its results for the second quarter of 2021 and it will make positive reading for the company’s shareholders.
Sigma has just announced its latest lens for Sony E-mount and L mount cameras: the 150-600mm f/5-6.3 DG DN OS Sports complete with optical stabilization and dust and splash resistance.
Tamron has produced a host of excellent lenses for Sony over the last couple of years and has recently been fleshing out its offerings for APS-C. How good is Tamron’s new 11-20mm f/2.8, and should you consider it over the equivalent Sony f/4 lens?
Self-publishing your own photobook has never been easier. This helpful video gives you some insights into how to create a platform for your product, choose a printer, take preorders, and get your book on sale.
Improving your editing doesn’t necessarily mean getting your head around the Tone Curve or finding new ways to use the Color Grading panel. Check out these five practical tips to help you be more thoughtful in your editing and discover how to create your own style.
Despite confirming a ton of specs, Canon has held back revealing the resolution of its forthcoming speed beast. However, EXIF data from images shot using a prototype R3 at the Olympics show that the camera has a 24-megapixel sensor.
Both the Sony a7R IV and the Nikon Z 7 II are both very capable cameras, especially if you’re a landscape photographer and super-fast autofocus performance isn’t a prime concern. Which of these two cameras is the better option?
Sony has just announced a new APS-C camera designed for bloggers and content creators that can be used with a huge range of lenses: the ZV-E10.
We tend to think that manipulating images to create unrealistic notions of beauty is a recent phenomenon thanks to Photoshop and celebrity culture, but it turns out that retouching photos in order to mislead people has been around for well over a century.
Last week, rumors surfaced that Canon is plotting an entry-level, full frame mirrorless camera that will go on sale for just $799. Will there be the glass to go with it, and will Nikon and Sony choose to compete?
Released late last year, the Nikon 50mm f/1.2 S is a stunning lens and welcome addition to the options available for the Z mount. However sharp and fast it might be, is it let down by an autofocus system that simply doesn’t compare to those of Canon and Sony?
The huge forest on my doorstep is stunning, so why were we six months into the global pandemic before I started photographing it? For someone who never liked landscape photography, I certainly take a lot of landscape photos.
Last week, the head of Instagram declared that the platform is no longer an app for sharing photos. Photographers are now turning to Twitter in their droves. Why is Instagram abandoning its roots and what makes Twitter the best alternative?
Canon Rumors claims to have received confirmation from several sources that Canon plans to release an alternative version of its groundbreaking EOS R5 that’s better suited to videography in early 2022. What should Canon fans expect?
Nikon’s newest Z-mount camera draws on Nikon’s heritage and the design of the Z fc is heavily influenced by the ultra-classic FE launched back in 1978. Does it feel as good as it looks?
