90% of people in the creative industries have worked for free. In the world of photography and filmmaking, it's not unusual to work for nothing in return for exposure, experience, and getting a foot in the door — to the frustration of others. Whether you're the one moaning or the one undercutting, check out these ideas for how we can make things better.
Lomography has just announced its new Petzval 55mm f/1.7 Mark II lens for Canon, Nikon, and Sony full-frame mirrorless cameras, a piece of glass that seems made by hipsters for hipsters and could only be less understated if it came encrusted with diamonds.
The camera press went a little crazy this week as a small company announced that something tiny will sell for something massive. As someone who hates tripods and will go to some lengths to avoid using them, trying to get my head around the column inches has been fascinating.
One of Canon’s ambassadors has made a cryptic comment in one of his Instagram posts, saying that he is testing a new camera that shoots at 30 frames per second. So does Canon have something in the pipeline that’s about to out-muscle the Sony a9? As usual, the facts are a little murky.
Nikon’s latest firmware brings some meaty upgrades for Z 6 and Z 7 owners in the shape of eye autofocus, and many were excited to see how it compares to the likes of Canon and Sony. Photographer Jared Polin was given a week’s head start with the new feature and has tested it extensively. Check out this video to see how it performs.
In the last 10 years, manufacturers have introduced a new level of control to cameras: auto ISO plus the option to set a minimum shutter speed. If you’ve never tried using your camera with this setup, you may want to give it a go, as it could completely change how you shoot.
Posing professional models can be easy, but how do you get the best poses from someone who’s not used to being in front of the camera? Creating a rapport with your subject that puts them at ease is crucial, and having a small repertoire of posing options can be an incredibly useful part of the process.
Canon must feel like they simply can’t win. For the last couple of years, they’ve been too slow to innovate, and now, when they bring out a mind-blowing lens, everyone says that it’s too big, unnecessary, and far, far too expensive.
It’s been four months since I made the transition from my beloved Canon 6D to the much-revered Sony a7 III. There are many things that I love about this new camera, but there’s one thing that’s proving to be a problem.
Every so often, among the broad and amorphous photographic community, you will find a rather puzzling paradox: Gear doesn’t matter, and yet if you don’t have expensive gear, you’re not a proper photographer. How ridiculous.
Trying to create an overall feel or style for a collection of images can be challenging, especially if there is a large amount of diversity across a set that you want to present together. In this short video, photographer Julia Trotti explains how she uses Lightroom to create a cohesive collection of images.
The rise of smartphones has left many professional photographers wondering if their services have a future. However, it’s now having an impact on the industry in ways that many might not have anticipated.
Following the announcement of the winners of the World Press Photo competition last week, Spanish photography website Photolari.com compiled the metadata to examine what the leading photojournalists are using to capture their images. The results are quite interesting and demonstrate that the mighty DSLR is going nowhere. Here's why.
With sensor prices dropping and given that mirrorless finally has some competition at the top end, it’s time for Nikon and Canon to treat its customers to something classic: a pocket-sized camera featuring a full frame sensor and a fast, fixed prime lens.
Canon’s flagship APS-C DSLR, the 7D Mark II, is long overdue for an overhaul, and all of the speculation for 2019 was that its successor, the 7D Mark III, would soon be announced. Rumors now suggest that it will be merged with the 80D, with an EOS R in the pipeline to take its place.
2019 certainly seems to the year for f/0.95 standard lenses. Shortly after fans were teased with Nikon’s Noctilux at the CP+ event in Japan, bokeh geeks (bokeeks?) were treated with an announcement from Zenit, and now Chinese lens maker ZY Optics has launched the Mitakon Speedmaster 50mm f/0.95 Mark III for Sony E, Canon RF, and Nikon Z mounts.
Following a recent interview with one of Canon’s senior executives, we’re getting more of an insight into what the Japanese giant has in mind for its vast range of cameras: EOS M is the most likely future of APS-C mirrorless, with no suggestion that there will ever be mirrorless versions of the large array of crop-sensor DSLRs.
The annual income of the typical photographer in the U.S. is 20 percent less than the national average. There are both good and bad reasons why photographers don't earn a decent wage and you might want to give these five reasons some thought if you want to survive as a creative image-maker in the modern world.
Many photographers dream of making money by shooting stock or perhaps generating a passive income as a result of photos that you would have shot anyway. But how realistic is it to make money from uploading your images to stock libraries? A photographer with three years of experience gives a very honest verdict.
During a fascinating interview given by one of the company's senior executives, Canon dropped a few bombshells, including the plan for a full frame mirrorless camera that is even cheaper than the recently launched EOS RP. When you consider how affordable (and limited) the RP is, you have to wonder what Canon has in mind.
