Building an insightful and inspirational library of photography books can be daunting, both from the perspective of the choices entailed in selecting works for inclusion and because of the economics involved. Pinterest boards are a great way to start a photo "book" library for free.
There’s no shortage of videos out there with helpful travel photography tips, but the suggestions often run a bit toward the uninspired (e.g., people should face into the frame). Professional travel photographer Mitchell Kanashkevich has obviously been at it a while, though, and has some insightful advice.
One of the interesting trends in the comments on a previous article on the rule of thirds was a reaction not just to that rule specifically, but to “rules” more generally. That got me thinking a bit. What are “rules”? Where do they come from? Is breaking them an act of rebellion; or one of self-destruction?
Has the rule of thirds influenced your compositions? It has mine at times. Yet, with each application I wonder, why should placing things near the thirds of an image be appealing? In fact, it turns out that the link between the rule of thirds and aesthetic appeal is weak. Is the rule of thirds dead?
Instagram influencers have been accused, among other things, of caring more about perception than reality. But maybe there's some justification for that and something we can learn from it. The problem may not be the idea itself, but only that it's sometimes taken too far.
Many interesting ethical issues arise across the photographic genres from the perspective of the photographer, their subjects, and their audience. This video on the broader subject of art and ethics, generally, presents a number of questions and thought experiments designed to get us thinking about the roles that art and ethics play in our lives.
Let me first say, for reasons that will become clear momentarily, that I’m a six-foot-seven-inch tall male who weighs approximately 200 pounds and has about a week’s (…okay, week-and-a-half’s) worth of stubble. And my favorite color is pink. Did you just do a double-take?
I recall reading an interview years ago in which Steve McCurry — a master at assembling powerfully wrought imagery — claimed not to think about composition. I was dumbfounded, even more so when I realized he was telling the truth.
I know, it’s a loaded question. Heck, it’s a loaded word, that one — good. According to whom? By what measure? Who do you think you are to criticize my work? I know. And, I agree. But I suspect there are still a few checks we can make to see if an image is headed in the right direction. Let’s look at five of them!
When I discovered Robert Frank’s work it fundamentally altered my perception of what, and how much, photography could mean. Mr. Frank passed away Monday in Mabou, Nova Scotia at the age of 94.
While a quick trip to do some shooting in the city might involve little more than throwing a body or two in a duffel bag and heading out — an odd overlap with your average serial killer’s check list — heading off somewhere exotic can require a bit more planning. What else should you throw in the bag?
Nikon is anticipated to announce the upcoming release of the D6 next week. The actual release isn’t expected to follow until late 2019 or early 2020. This is in line with what’s expected to be a paring down of their DSLR line-up to focus on higher-end models. What should we expect from Canon in return?
Contrast extraction is one of the most important aspects of visual processing. It plays a tremendous role in how we view images, where our eyes are drawn to first, and where they linger. In this article we'll learn a few simple tricks to create more engaging photographs — and why they work.
Got a hankering to get dirty? Ready to spend a couple of hundred nights a year out under the stars — in 20-below temperatures, wearing five jackets, with your hair frozen in front of your face? Prepared to go for a month without showering so the wolves won’t smell you?
What do oversize truck tailpipes, paleolithic sculpture, and the vibrancy slider have in common? And what might they have to do with helping us create more engaging photographs? Why do some abstract paintings move you and others don't? Why should we react to an abstract work of art at all?
We dragged Nikon’s new 500mm f/5.6 PF out to the Galapagos islands, up over the Andes, and down into the Amazon jungle to put it through its paces — as well as through numerous rain showers, muddy trails, and squadrons of mosquitos. None of it fazed the lens a bit, though the mosquitos at times drove me a little mad.
Nikon Rumors has recently reported on the potential for, among other things, a 60MP Nikon Z8 with “two CFExpress cards, improved VR”, and a pixel-shift mode. As they point out, this would seem to dovetail with their earlier reporting that Nikon had previously entered into an agreement with Sony to purchase Sony’s new 60MP sensor.
