Patrick and I recently were recently planning a trip to Alaska, and Patrick became obsessed with a particular excursion: a plane ride that landed on a glacier on the top of Denali Mountain.
The Profoto B10 is here, and it's one of the most exciting advancements in lighting that I've seen in years.
Last year Sony released the a9, the pinnacle of mirrorless camera technology. Since then I have not stopped hearing about this camera. I know I'm late, but I finally got my hands on one, and I was able to play with it for a couple of weeks. How does it compare to my Nikon D850? Let's find out.
Today, I'm excited to announce that our latest tutorial, "Intro to Video: A Photographer's Guide to Filmmaking," is now available.
Last week Mike Kelley and I competed to see who could create the best images of the iconic dome house in Charleston. We released the images and allowed all of you to vote to determine who won. Today, the results are in.
I recently challenged Mike Kelley to a photography competition. We both had two and a half hours to photograph the iconic "Dome House" in Charleston, South Carolina. Today, you will get to vote on your favorite photographs and choose a winner.
Last month, Fstoppers was commissioned by MOO to produce an ad for their printing service with Peter Hurley. Luckily, instead of a standard 30-second ad, MOO had a better idea.
Our video camera of choice is currently the Panasonic GH5 but we also occasionally shoot with our Nikon D850, and our iPhones. We happen to have gimbals for each of these cameras and so today, we compared them.
Most photographers believe that larger sensor sizes produce images with shallower depth of field, but that's not exactly true.
We love our GH5 cameras, but they aren't the best in low light. Luckily, Panasonic recently released the GH5S, which has almost two stops better ISO performance, and with the right lens, we are finally able to shoot astrophotography.
We've talked about this before on Fstoppers, but there still seems to be some debate about lens compression. Let's dive a little deeper into perspective distortion.
As a Micro Four Thirds videographer, my most used lens has become the Panasonic 14-140mm f/3.5-5.6 lens. Today I will compare this lens to the cheaper Tamron 14-150mm lens.
Last year we released Photographing The World 3 with Elia Locardi. To film this tutorial we traveled around the world with Elia for 3 months, and in the process, we used a ton of new gear. In this video, we talk about everything we used to produce this tutorial.
A few months ago, I showed you how we build out our new 10Gbps network using a Synology NAS device as our central server. This setup is protecting us from a hard drive failure, but our data still isn't 100 percent safe. In this video, I'll show you one simple step to protect your files from all types of data loss.
I recently had the opportunity to have dinner with Alex Merriman, the Director of Photography with the UFC. I got to geek out with him about mixed martial arts, and the technical side of filming and promoting the fastest growing sport in the world.
What does it take to shoot for some of the largest magazines in the world? Not as much as you might think.
Most photographers have a tendency to light their subjects from the same side. I personally like to set up my key light on camera right and I also always have my subject look toward that light. Not today.
A few months ago, Fstoppers released “Photographing The World 3” with Elia Locardi. This 18-hour tutorial covers everything you could want to know about landscape and cityscape photography.
There are endless benefits to using strobes over continuous hot lights, but there is one drawback: sometimes, you may actually want to capture motion blur.
We recently filmed a video on the validity of Peter Lik's newest "photograph" of the moon, and it got us thinking: how far is too far when it comes to Photoshop?
