Articles written by Nick Fancher

You have likely seen Italian photographer Gabriele Galimberti's photos floating around the internet lately. His latest series, "Toy Stories" is the result of an 18-month project documenting children from around the world with their favorite toys. Many of the portraits were taken in the kids' rooms. We see a range of living conditions from sparse to affluent. The concept is so simple yet so brilliant. It doesn't hurt that the photographs were also expertly executed.

A couple weeks ago I posted a lighting diagram showing how you can emulate Martin Schoeller's lighting by using gaffers tape and foam core. One reader commented that the catch-light makes the subject's eyes look like a cat. This got me thinking about what would happen if I were to change the pattern of the tape into various shapes. Here's what I discovered.

In order to turn a typical sunset into an extraordinary sunset, you are going to do the opposite of counteracting your available light. You do this by picking the colored gel that is the opposite color of the color you want to highlight. Though it may seem like an odd idea, it's actually just simple color theory. The opposite color of magenta is green. By placing a light to medium green gel on your strobe and setting your camera's white balance (WB) to fluorescent, anything that is magenta (such as a sunset) will be pushed even more vibrant.

Last week I tried my hand at emulating Martin Schoeller's portrait lighting with a single bare-bulb speedlite. Though the experiment was technically a failure, it still produced a nice portrait. Since then, I have tried two more lighting scenarios before finally nailing it on the fourth (please excuse my OCD tendancies) and final attempt.

The other day Phlearn came up with a way to emulate Martin Schoeller's portrait lighting. I have been wanting to lock down Schoeller's technique for years now, so when I saw Phlearn's post, I was stoked. And they did a fantastic job. I even learned their cool Photoshop technique of adding natural looking highlights and shadows. The problem was that in order for me to try out their lighting technique, I needed two strip soft boxes for my strobes, which I didn't have.

Skreened is an eCommerce company that specializes in on-demand screen printing. Shirts are their biggest sellers. Since each shirt design is unique, they needed a library of images with models in blank tees so they could overlay the latest designs in post. When they approached me to shoot for them, their main request was that these portraits be fun and energetic.

The other day, David Bickley wrote a fantastic article on 365 projects. In the article he made some great points about how the project will sharpen the photographer's skills and even lead to work. And while I agree that projects like this are great for growing as a photographer as well as producing regular content for your readers, I know that it can lead to burning out, for both the photographer and the reader.

If you are like me, the acronym SEO brings a shudder to your bones. If you are a photographer with a website, you have no doubt received countless emails from sites offering to optimize your site for a fee. In this post, I will tell you the things I did for free or next to nothing that helped push my photography website to page one of organic Google searches. The one thing that I already had working to my advantage is that my website is a non-flash site that was launched almost seven years ago.

In my opinion, nothing is sexier than a glossy black surface. And you don't even need a black backdrop sweep to achieve it.

During my time as the lifestyle photographer for JackThreads, I shot many different products in many different ways. Since I was shooting an average of 10 brands per day, I had to work quickly and in a tiny space. Through working in this condition, I developed some cheap and easy lighting scenarios.