Super telephoto lenses are generally expensive and huge. Lenses like the Canon EF 600mm f/4.0 are both ridiculous in terms of their size andweight and the price. Recently, Canon unveiled two super telephoto lenses, the RF 600mm and 800mm f/11 prime lenses.
The EOS R5 is probably the most eagerly anticipated camera that Canon has ever announced. The initial rumors were mostly scoffed at and described as nonsense, and I assumed the same. As more and more information gets released about this camera, concerns about its performance and specifications continue to be dispelled.
Fujifilm is probably one of my favorite companies right now. They produce some of the best products within their respective formats. For APS-C the X-T series of cameras are probably the best. For medium format, the GFX 100 is the best in several key categories. Unfortunately, the problem I and many other Fuji shooters face, is the unreliable autofocus.
So far, this year has been a relatively crazy one. Fortunately, micro four-thirds might not be completely dead just yet. Panasonic, recently released the G100, a camera that's being pitched to YouTubers and vloggers.
For a lot of aspiring filmmakers, YouTubers, and bloggers, one of the hurdles is post-production. Learning how to use video editing software can be quite daunting, especially if you have little to no experience. Fortunately, EaseUS may have a solution.
When Sony first released its full-frame mirrorless cameras, there were plenty of problems and meaningful issues that needed to be addressed. In my view, Sony has been doing a brilliant job in fixing these problems, however, it seems there are still lots of things that could be better.
Many of us get really excited about new cameras and upgrading our equipment. New, always seems better in the tech world. Unfortunately, it generally comes with quite a hefty price. Upgrading your equipment regularly can be extremely costly and in many situations, it's not really worth it.
If you're a landscape or architectural photographer, you're probably quite used to using filters to control the look of your images. A good polarizing filter, for instance, can have a dramatic impact on your image. Portrait photographers, for the most part, tend not to use a lot of filters, and this could an area where they could experiment more.
The wonderful thing about creativity is that there are no real right or wrong answers. There are plenty of artists that regularly break the rules in order to produce something compelling or beautiful. Nonetheless, there are still certain practices that can be widely disliked and preferably avoided.
In my experience, it's been rare for me to watch a tutorial on YouTube and feel completely satisfied with the information being presented. In many instances, the information is either really basic, common knowledge or just a new way of saying something that's already been said. The video linked above is a very welcome change from that.
The last few years have not been kind to the photography industry. With smartphone manufacturers flooding the market with easily accessible and relatively good quality cameras, the camera industry has struggled. Now, with COVID-19 hitting the mix, the tough times have become far worse.
As the narrator describes in the video, what's amazing is that prior to this, no human eyes have ever seen this piece of the ocean floor. I was immediately hooked by the immense beauty as soon as I saw the first creature.
Before anyone gets the wrong idea, I should clarify that the title of this article is a suggestion and not a claim.
Over the last decade, we've had lots of new wide aperture lenses hit the market. Lenses like the Nikon 58mm f/0.95 make producing images with super shallow depth of field relatively easy. Even significantly less expensive lenses like an 85mm f/1.8 can produce beautiful, shallow depth in an image, but what if you want more depth?
This is probably one of the more frequent questions that I hear. For the most part, I get asked this question by beginner photographers, which is fine of course. Unfortunately, it's not always easy for me to give a straight answer, because there are a lot of factors to consider. Despite this, I think this video may help provide some answers.
Current digital medium format cameras offer some of the best in image quality. One of the big advantages that these large sensor cameras have is dynamic range. Most currently medium format cameras offer around 15 stops worth of dynamic range when shooting raw. How does medium format film compare to that?
When the Peak Design Travel Tripod was first announced and released, I did scoff at it. I thought it was nothing more than just an overpriced tripod. As someone who currently owns the Manfrotto Befree tripod, I thought this release from Peak Design was silly, to say the least.
As the lockdown continues here in the UK, Anete and I are finally getting the time to finish some of the videos we filmed a little while ago. We are currently missing the ability to go out and shoot portraits again, and very much looking forward to end of this lockdown.
It's not very often that I watch a video online and react by literally gasping and audibly saying "wow." Watching Captain America stare down Thanos and his whole army, in an IMAX cinema, on a huge screen, was the last time I reacted in such a way. This time, even without the huge screen, resolution, and quality, this video is simply incredible.
In general, the images that I find the most engaging are ones that have motion in them. In some images, the motion can just be implied and that still adds a whole new dimension. Motion can also add an element of storytelling to the image which how engaging it can be. This is why I believe, food images with motion get so much attention.
