Many of us get really excited about new cameras and upgrading our equipment. New, always seems better in the tech world. Unfortunately, it generally comes with quite a hefty price. Upgrading your equipment regularly can be extremely costly and in many situations, it's not really worth it.
If you're a landscape or architectural photographer, you're probably quite used to using filters to control the look of your images. A good polarizing filter, for instance, can have a dramatic impact on your image. Portrait photographers, for the most part, tend not to use a lot of filters, and this could an area where they could experiment more.
The wonderful thing about creativity is that there are no real right or wrong answers. There are plenty of artists that regularly break the rules in order to produce something compelling or beautiful. Nonetheless, there are still certain practices that can be widely disliked and preferably avoided.
In my experience, it's been rare for me to watch a tutorial on YouTube and feel completely satisfied with the information being presented. In many instances, the information is either really basic, common knowledge or just a new way of saying something that's already been said. The video linked above is a very welcome change from that.
The last few years have not been kind to the photography industry. With smartphone manufacturers flooding the market with easily accessible and relatively good quality cameras, the camera industry has struggled. Now, with COVID-19 hitting the mix, the tough times have become far worse.
As the narrator describes in the video, what's amazing is that prior to this, no human eyes have ever seen this piece of the ocean floor. I was immediately hooked by the immense beauty as soon as I saw the first creature.
Before anyone gets the wrong idea, I should clarify that the title of this article is a suggestion and not a claim.
Over the last decade, we've had lots of new wide aperture lenses hit the market. Lenses like the Nikon 58mm f/0.95 make producing images with super shallow depth of field relatively easy. Even significantly less expensive lenses like an 85mm f/1.8 can produce beautiful, shallow depth in an image, but what if you want more depth?
This is probably one of the more frequent questions that I hear. For the most part, I get asked this question by beginner photographers, which is fine of course. Unfortunately, it's not always easy for me to give a straight answer, because there are a lot of factors to consider. Despite this, I think this video may help provide some answers.
Current digital medium format cameras offer some of the best in image quality. One of the big advantages that these large sensor cameras have is dynamic range. Most currently medium format cameras offer around 15 stops worth of dynamic range when shooting raw. How does medium format film compare to that?
When the Peak Design Travel Tripod was first announced and released, I did scoff at it. I thought it was nothing more than just an overpriced tripod. As someone who currently owns the Manfrotto Befree tripod, I thought this release from Peak Design was silly, to say the least.
As the lockdown continues here in the UK, Anete and I are finally getting the time to finish some of the videos we filmed a little while ago. We are currently missing the ability to go out and shoot portraits again, and very much looking forward to end of this lockdown.
It's not very often that I watch a video online and react by literally gasping and audibly saying "wow." Watching Captain America stare down Thanos and his whole army, in an IMAX cinema, on a huge screen, was the last time I reacted in such a way. This time, even without the huge screen, resolution, and quality, this video is simply incredible.
In general, the images that I find the most engaging are ones that have motion in them. In some images, the motion can just be implied and that still adds a whole new dimension. Motion can also add an element of storytelling to the image which how engaging it can be. This is why I believe, food images with motion get so much attention.
This is not a negative piece on Canon, nor am I complaining about what Canon is or isn't doing. Now that I have that out of the way, let's get realistic about Canon cameras for a moment.
Shooting while tethered is probably the best way for many photographers. It's obviously not ideal for certain kinds of photography, like events and weddings; however, for those that shoot on a tripod, being tethered to a larger screen can make all the difference.
As the lockdown continues, many of us may be struggling to find ways to keep ourselves entertained. Worse than that is the fact that many of us may be feeling a little under utilized. It's probably not that easy to flex our creative muscles during this time, especially if your kind of work specifically requires you to be out and about.
When it comes to flagship cameras, most photographers tend to buy into one brand and stick with them. It's not very often that people who shoot with these cameras switch from one camera brand to another. A big reason for this is because familiarity is valuable and especially useful when shoots are critical.
When Pentax released its 24-70mm f/2.8 lens back in 2016, people quickly realized that it was little more than a rehoused Tamron lens without the VC feature. More recently, Pentax has announced that it's developing a new FA* 85mm f/1.4. Although there are certain physical similarities to a Sigma lens, I doubt that it's the same lens.
In a previous article I discussed how supermodel, Bella Hadid, was being sued for posting pictures of herself on Instagram. I also talked about how this is seemingly becoming quite a frequent occurrence. I believe this is mostly due to the fact that most people don't seem to understand how copyright laws work.
