Articles written by Simon Burn

For landscape photography, summer is a curse. Harsh, bright light and blue skies give some photographers nightmares. They stay inside and read Fstoppers articles. Probably. No one really knows—they keep so quiet. Maybe they should read this article, because summer just so happens to be a fabulous time of year to grab a camera and wander into town for a spot of street photography.

Landscape photography has become boring. How many more photos do I have to scroll through on social media of the same old locations? Those must-have photos of the red houses in Hamnøy, Lofoten; the waterfall at Kirkjufellsfoss, Iceland; the lone tree at Buttermere in the Lake District. It’s like looking through a schoolboy’s stamp collection. Every kid has exactly the same stamps because they’re the easiest ones to find and buy with your pocket money.

We like to buy ourselves little luxury indulgences once in a while that make us feel good—something as small as a fancy bar of Swiss chocolate, or maybe a new piece of jewelry or a designer shirt. So my thinking is, why not do that with camera accessories? It makes sense. After all, you’re likely to use your camera more than you’ll wear a shirt, and too much chocolate is bad for you. When I treated myself to my Leica Q2 Monochrom, I did just that. I bought the perfect luxury accessory for it: a Hawkesmill strap, proudly handmade in England.

I have two photography scenarios that maybe you can relate to. I like to travel and spend a day or two exploring a new destination but don’t want to carry much—maybe a couple of lenses, some filters, and spare batteries. What I do carry is heavy enough that a backpack makes sense, making photography easier. If I pop out for a few hours to wander around doing street photography, I have one little camera and lens, a filter, and a spare battery. I may have my reading glasses and phone too. I only need a small bag for that, where I can stow the camera if the weather gets bad. Otherwise, the camera is around my neck, so the bag is virtually empty.

A circular polarizer (CP) and a mist filter are two filters that, in my opinion, everyone should own. And PolarPro makes some lovely CP and mist filters. I’ve been using their CP for the past couple of years. From travel photography to tabletop food photography in the studio, it’s a great filter. So, with an already great CP and mist filters to their name, why did PolarPro launch new versions?

YouTube is a great place to learn about photography. You can discover how to do something, research gear, and get inspiration. However, the problem with most photography content is that it’s structured around selling you stuff you don’t need. The latest example—a huge example—is the idea that you might need a 100-megapixel medium format camera.

Panasonic has launched the Lumix S1R II. After sitting through the media briefing, I wondered if I had been daydreaming. On paper, the Lumix S1R II is possibly the best hybrid camera on the market. The specs are simply incredible. Potentially, it’s a creator’s dream come true. Let’s take a look at why.

If you want to improve your photography, experimenting with new techniques to achieve more creative and interesting results is the way to go. I did just that recently while out doing street photography by playing with a slow shutter speed while shooting handheld.

The Decisive Moment is arguably one of the greatest photography books ever published, featuring photos from Henri Cartier-Bresson that capture the precise instant when all elements in a scene come together perfectly to create a powerful and meaningful image.