Articles written by Fred van Leeuwen
I know a lot of us can't go outside right now to shoot panoramas due to quarantines and self-isolation, but perhaps you have some panoramic shots you took months back on a trip somewhere, buried away on a hard drive in the cupboard. Now's a good time to dust them off and get to work!
If you're a photographer interested in exploring video, there is a plethora of options available for you right now. Since the launch of the Canon 5D Mark II around a decade ago, video functionality has been a growing part of every DSLR and mirrorless camera to date. But there's always a trade-off when it comes to hybrid cameras. Here's why you should consider buying a dedicated video camera if you want to diversify your work and make video a dedicated service along with your photography.
By now, most of the countries around the world are under full lockdown or about to undergo lockdown. At the time of writing, my country (South Africa) would be one of the latest to undergo lockdown. Tensions seem to increase the day before the actual event, as people question what they'll be doing with themselves while locked in a house for three weeks or longer. Luckily, it doesn't need to be as scary as you think, especially if you're a photographer.
If you’re a video editor working on Adobe’s Premiere Pro, you’re probably well aware of all the frustrations that come with using Adobe’s answer to video editing daily. The sluggish playback, the generic error issues, random crashes, and in some cases corrupted project files. We’re all well aware of how bloated and buggy this once prized piece of software had become, especially as of late.
Concerts and events can either be exciting and fun or quite challenging for us photographers due to the low-lit environment and having to share the space with other photographers, all while being crammed into a tight space. Luckily, a little bit of planning and preparation can go a long way to avoid any disasters while shooting.
Light. We see it all around us as billions of photons pass right by us, bouncing against objects like "Punch-Me-Clowns." As photographers, we're obsessed and spend our lives figuring out how to manipulate them, and it could be an exhausting task to pursue, but that's about to change.
With the holiday season in full swing during December, I decided to put my camera down and focus on coming up with new ideas and concepts rather than just shooting straight away. Being a big fan of Felix Hernandez Rodriguez and the miniatures he brings to life through his photography, I decided to build my own set and photograph it.
Adjustment Layers are probably one of the most useful, and most used tools in Photoshop. It's one of the best ways to keep a non-destructive editing workflow in place and offers additional features such as blending modes to add exciting effects to your images. With all this in mind, why don't we see how we can use it to make our Instagram images stand out more?
When it comes to photography and storing photos on your personal computer, most of us experienced the pain and heartache when you lose some or in worst cases, all the images you've ever taken. It's undoubtedly one of the most unpleasant things we've all had to deal with in our career as photographers and probably the number one cause of heart failure for photographers. While it's easy to fall into the trap of just buying more hard drives as we fill them up, it's probably one of the worst decisions you can make as a photographer. So what exactly is the perfect solution to backing up your images?
On an early Friday morning, I receive a call from Dominik Scheffel, the inventor of the app cinnac to discuss the features of the app and how it would benefit photographers like myself. For those of you who aren't familiar with this app, it's an app for photographers, that allows them to upload a set of images for users to review and rate them by either swiping left to downvote or right to upvote. This handy tool makes it easier for photographers to see which images would perform better on other platforms such as Instagram and Facebook before submitting them to those social media platforms.
One thing I've found to be of paramount importance to any form of video, cinematic or otherwise, is the quality of your sound. Your movie can have beautiful visuals but if the audio is of poor quality it has the potential to turn away viewers. I started vlogging a few months back and discovered just how important sound was when it came to producing my videos on YouTube. Soon, I realized just how bad the audio was and knew it was time to invest in a proper solution. Enter the Rode VideoMic Pro Plus.
What is it about landscape photography that draws us back into nature? Is it waiting for the perfect light to hit the mountains overlooking a vast, green valley? Is it sitting on a rocky shore, listening to and witnessing the sheer power of Mother Nature's waves crash against the rocky shore? Is it the calmness of a misty pine forest at dawn, waiting for the sunrise and hearing the gentle crack of the trees, as a gentle breeze sweeps through the branches? Or is it the thrill of chasing a storm, down a highway in the countryside, while being pelted with hail the size of golf balls?
From coating your lenses with Vaseline to creating pinhole cameras, we all love experimenting with camera and lens hacks from time to time. While it's hardly a new found trick, and while it's not as harmful as it sounds, lens whacking can give you impressive effects to give your footage just that extra bit of finesse and adds a lovely romantic element overall, especially when combined with slow-motion footage.
Since I discovered movies made by Edgar Wright and movies such as Alfred Hitchcock's "Rope," Alejandro Iñárritu's "Birdman" and "The Watchtower of Turkey" by Leonardo Dalessandri, I've always been fascinated by the way the footage just seems to flow into one another, and no usual cuts are visible. It has a way of keeping the viewer's full attention and keeps them intrigued as to what might happen next. It's a great way of keeping a good pace in your production, whether it be a full feature film or a music video.
Remember the time you first discovered photography? That day of unboxing your first camera and going out into the backyard and photographing just about anything you come across. That perilous voyage you embarked on, trying to get that bee perfectly in focus as it hovers above the flower or the macro image of the tree bark shot in shallow depth of field. The first sunset you shot. The first time you launched Photoshop in the 90s and then publishing your first portfolio on DeviantArt soon after. Landing your first job as a photographer. The stresses that followed and the mistakes you made. If you could do it all over again, would you do it any differently?
I absolutely love shooting commercial work in the studio. Who doesn't? Shooting in a studio environment allows the photographer full control over the lighting and the subject. It also allows for full creative freedom over what you can composite into the shot if needed by easily matching up the lighting. Earlier this week I had a few hours of downtime and decided to shoot a bottle of Bacardi Dark Rum in my studio. Using a softbox I built myself a few weeks ago, I decided to take it on a test run using the bottle of Rum as my subject.
We all love a good composite, don't we? C'mon! You're probably going "No! They're all fake. It's all Photoshop, therefore it should be easy and shouldn't be a genre of photography at all! While some bad composites do exist, why not look at the other side of Dali's surrealistic, time-melting deserts and analyze the way it makes you feel when you study these types of images? How about we dive into the rabbit hole head first and find out what it takes to create a composite image?