"How did you retouch that?" This is the common question I see most when I post my images online. Unfortunately, answering that question directly won't get photographers any closer to being able to replicate that style on their own. In order to broaden the dialog here are five things you must understand if you want to get skin looking beautiful in your portraits.
One way to spice up your photography is to add gels to your lights so you can produce colorful and edgy looking imagery. Adding wild colors to your photos can offer a lot of creativity but gels can also be used in a much more subtle fashion to slightly alter the color of your background and sky. In today's video I want to share two simple techniques I use to help make my backgrounds on location look more interesting.
When it comes to things like quickly learning new Photoshop techniques, I am a straight to the point type of guy. I don't necessarily want to (though I certainly do on occasion, depending on the topic) watch an hour long videos explaining the minutiae of every click of the mouse. While I appreciate production values and the personality that can be on display in a video, sometimes all you need to know can be learned from text overlay and elevator music. That's what we have on deck today, enjoy.
When you’re in the market for buying a new monitor, you’re probably overwhelmed by a host of specifications. Size, resolution, color gamut, and panel technology can make all the difference when you look for a new screen to edit your photos on. As a photographer, not all specs are that important. Dynamic contrast for instance; a feature that adjusts brightness and contrast according to what's on the screen at a given moment. In this guide, we’re focusing on buying a monitor that is geared specifically towards post-processing.
The WeeklyFstop depends not only on its loyal readers and participants, it relies on light. Light determines what we see and how we see it. Our photos depend on us controlling the camera so the light coming through the lens exposes correctly. This week's list of photographers submitted some superb examples of photos featuring light.
If you spend any time surfing photography forums and Facebook groups, you will undoubtedly see a constant flow of questions asking for the best way to nail focus. Maybe you are one of those people that find themselves struggling. The trick is that most cameras have a setting that will help you focus like a pro. That trick is called back-button focus, and once you use it, you’ll never want to go back.
Landscape photographer Thomas Heaton has been releasing one hit after another on his Youtube channel lately and his newest video is one of my favorites. Focus stacking is a great and relatively simple trick any photographer can use to add a unique look to your images.
You might have noticed a common theme in my articles: "the gear doesn’t matter". A lot of people have called me out on this, especially as in my profile picture I’m shooting on a Phase One with Broncolor lights. And yes, you are right, the kit does matter in my line of work, just not always. Sitting on the fence? Maybe. Here’s my explanation:
Understanding the internal light meter of my camera is one of the best skills I've ever learned. It helps me to shoot in fully manual mode, so that I rarely look at the back of my camera. Let me tell you how to get a correctly exposed picture from the first click just by using your camera's internal light meter.
Do you know what keywords are and the best way to add them to your photos? What about what options to select when you are exporting your images? Have you ever heard of the painter tool? In this final part of my three-part series on Lightroom for beginners, I will cover the final steps to take after applying your final edits to your images.
In Part 1 of this series, I explained the basics of how Lightroom works, the best way to import your photos, and the different options you have when culling your images. In Part 2, I want to show you the essentials of the Develop module. This module is the area of Lightroom where you can color correct, crop, straighten, sharpen, and perform several other adjustments as well.
It is easy to feel overwhelmed with the many different features of Adobe Lightroom. Lightroom has so many possibilities, that even after years of using it, I still am consistently learning something new. I have found that there are so many new photographers who either feel too overwhelmed to start learning the intensive software, or they still aren’t confident that they have been using it correctly. Because of this, I wanted to create a simple beginner’s guide to using Lightroom. This is the first of what will be a multiple part series of articles on Lightroom basics.
Makeup artists are an invaluable part of the creative team for many photographers. In fact, there are certain genres of photography that rely so heavily on makeup artists that we simply couldn't work without them. Unfortunately, there seems to be a few serious problems cropping up between makeup artists and photographers.
If you're into that film noir look à la "Double Indemnity" (and who isn't?), this is the tutorial for you. Using only an off-camera flash, a food box, and some tape, you can create this moody and cool lighting effect.
High-speed sync is a hot topic in the world of portrait photographers today and Francisco Hernandez is someone who has this technique dialed in.
Everyone and their Auntie seem to sell Photoshop action sets these days, as if they're the answer to something. I'm primarily referring to action sets which create entire "looks" for your image, but there are uses for actions which are less comprehensive and arguably more useful. For example, I use an action for sharpening my images which creates a layer I can lower the opacity of or mask until it is satisfactory. Actions like these are easy to create and can result in accrued time saved. This guide will ensure even people whom have just picked up Photoshop for the first time can create actions.
I’m a huge advocate of gelling your flash. It’s one of those things that a lot of photographers just discovering off-camera lighting will often fly right past without much thought (I know I did). Even after you get that first stack or plastic bag of gels, knowing how to apply them can be a little intimidating. Enter Michigan-based Photographer Rob Hall’s expert instructions on how you should or could be using your color temperature blue (CTB) gels.
The Syrp Genie caught everyone's attention with its contemporary design and advanced automation features that made it a time-lapse photographer's best tool in the field. Today, photographer Mark Gee shares tips on how to set up and use the Genie while offering a few great suggestions that apply to all methods of landscape photography, from what apps he uses on his phone to help him plan every shot to how to edit for final output. Need to shoot a time-lapse soon? Whether you're experienced or just starting, there's undoubtedly something in here for you.
This week I wanted to share a few of the tools we commercial photographers use to create our tabletop images. Particularly the items used in photographing beverages. There's a lot of trial and error when it comes to this sort of photography, often times we find ourselves using things in ways far from their originally intended purpose. Having said that, there's a lot of things that have become kind-of standard practice in food/beverage photography, some of those items I'll share with you today.
Chances are you have already learned what Frequency Separation (FS) technique is, as it became mainstream in the past few years. However, many FS technique users actually know very little theory behind it, thus have little control over its implementation. I've set out to research and collect all the important and useful information about it, so we can together learn how to become better at it.
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