Laptops have severe limitations when it comes to throwing graphics around, lacking the big, fan-cooled processors that are often a feature of desktop machines. What if you could keep the mobility of your laptop and plug into an external GPU when you need to render graphics or export your content? Could this be a game changer when it comes to your workflow?
The disposability of digital imagery created a significant shift in the world of photography. As film stock gave way to megapixels, we changed the way that we shoot, and this insightful video from Jamie Windsor offers a few suggestions as to why it’s nice to go back in time every now and then.
With five new camera codes recently patented, we could be in for a flurry of bodies launched in 2019 and 2020 as Nikon looks to pad out its range of Z series mirrorless cameras. Are we a few months from the announcement of a high-end, full-frame camera complete with dual card slots, beating Canon to the punch?
90% of people in the creative industries have worked for free. In the world of photography and filmmaking, it's not unusual to work for nothing in return for exposure, experience, and getting a foot in the door — to the frustration of others. Whether you're the one moaning or the one undercutting, check out these ideas for how we can make things better.
Lomography has just announced its new Petzval 55mm f/1.7 Mark II lens for Canon, Nikon, and Sony full-frame mirrorless cameras, a piece of glass that seems made by hipsters for hipsters and could only be less understated if it came encrusted with diamonds.
The camera press went a little crazy this week as a small company announced that something tiny will sell for something massive. As someone who hates tripods and will go to some lengths to avoid using them, trying to get my head around the column inches has been fascinating.
One of Canon’s ambassadors has made a cryptic comment in one of his Instagram posts, saying that he is testing a new camera that shoots at 30 frames per second. So does Canon have something in the pipeline that’s about to out-muscle the Sony a9? As usual, the facts are a little murky.
Nikon’s latest firmware brings some meaty upgrades for Z 6 and Z 7 owners in the shape of eye autofocus, and many were excited to see how it compares to the likes of Canon and Sony. Photographer Jared Polin was given a week’s head start with the new feature and has tested it extensively. Check out this video to see how it performs.
In the last 10 years, manufacturers have introduced a new level of control to cameras: auto ISO plus the option to set a minimum shutter speed. If you’ve never tried using your camera with this setup, you may want to give it a go, as it could completely change how you shoot.
Posing professional models can be easy, but how do you get the best poses from someone who’s not used to being in front of the camera? Creating a rapport with your subject that puts them at ease is crucial, and having a small repertoire of posing options can be an incredibly useful part of the process.
Canon must feel like they simply can’t win. For the last couple of years, they’ve been too slow to innovate, and now, when they bring out a mind-blowing lens, everyone says that it’s too big, unnecessary, and far, far too expensive.
It’s been four months since I made the transition from my beloved Canon 6D to the much-revered Sony a7 III. There are many things that I love about this new camera, but there’s one thing that’s proving to be a problem.
Every so often, among the broad and amorphous photographic community, you will find a rather puzzling paradox: Gear doesn’t matter, and yet if you don’t have expensive gear, you’re not a proper photographer. How ridiculous.
Trying to create an overall feel or style for a collection of images can be challenging, especially if there is a large amount of diversity across a set that you want to present together. In this short video, photographer Julia Trotti explains how she uses Lightroom to create a cohesive collection of images.
The rise of smartphones has left many professional photographers wondering if their services have a future. However, it’s now having an impact on the industry in ways that many might not have anticipated.
Following the announcement of the winners of the World Press Photo competition last week, Spanish photography website Photolari.com compiled the metadata to examine what the leading photojournalists are using to capture their images. The results are quite interesting and demonstrate that the mighty DSLR is going nowhere. Here's why.
With sensor prices dropping and given that mirrorless finally has some competition at the top end, it’s time for Nikon and Canon to treat its customers to something classic: a pocket-sized camera featuring a full frame sensor and a fast, fixed prime lens.
Canon’s flagship APS-C DSLR, the 7D Mark II, is long overdue for an overhaul, and all of the speculation for 2019 was that its successor, the 7D Mark III, would soon be announced. Rumors now suggest that it will be merged with the 80D, with an EOS R in the pipeline to take its place.
2019 certainly seems to the year for f/0.95 standard lenses. Shortly after fans were teased with Nikon’s Noctilux at the CP+ event in Japan, bokeh geeks (bokeeks?) were treated with an announcement from Zenit, and now Chinese lens maker ZY Optics has launched the Mitakon Speedmaster 50mm f/0.95 Mark III for Sony E, Canon RF, and Nikon Z mounts.
Following a recent interview with one of Canon’s senior executives, we’re getting more of an insight into what the Japanese giant has in mind for its vast range of cameras: EOS M is the most likely future of APS-C mirrorless, with no suggestion that there will ever be mirrorless versions of the large array of crop-sensor DSLRs.
The annual income of the typical photographer in the U.S. is 20 percent less than the national average. There are both good and bad reasons why photographers don't earn a decent wage and you might want to give these five reasons some thought if you want to survive as a creative image-maker in the modern world.
Many photographers dream of making money by shooting stock or perhaps generating a passive income as a result of photos that you would have shot anyway. But how realistic is it to make money from uploading your images to stock libraries? A photographer with three years of experience gives a very honest verdict.
During a fascinating interview given by one of the company's senior executives, Canon dropped a few bombshells, including the plan for a full frame mirrorless camera that is even cheaper than the recently launched EOS RP. When you consider how affordable (and limited) the RP is, you have to wonder what Canon has in mind.
Nikon’s brand new mirrorless cameras, the Z 6 and the Z 7, have one important feature that’s missing and according to one photographer, needs to be addressed through a firmware update as soon as possible. Check out this short video to find out what needs to be fixed.
The team behind Pixelmator Pro have just announced the launch of their software on the App Store having made the software available for iPad. It promises non-destructive adjustments, AI-powered enhancements, a number of presets, and full raw support.
With the explosion of full frame cameras over the last few years, speculation has mounted as to the future of APS-C and micro four-thirds. In this quick video, photographer Dave McKeegan offers his insights in the camera industry and gives his thoughts as to why APS-C is here to stay.
With one simple change to my everyday routine, I suddenly feel more creative, able to generate ideas more quickly, and with greater clarity. You can achieve the same thing with one simple trick that won’t cost you a penny.
If you want to earn the most money from your photography, where should you live? Forbes.com has compiled a ranking of American States which pay photographers the best salaries. If you live in Massachusetts, stay put; if you live in Iowa, you might want to pack your bags.
Small cameras are great for run-and-gun shooting and as bit rates and resolutions improve, you may want to start figuring out how to get your handling to match up to the image quality. Caleb Pike of DSLR Video Shooter has put together a modular system that seems to tick all of the boxes without breaking the bank.
Not too long ago, shooting at a thousand frames per second meant a huge rig and a massive bill. Now you can buy a camera that shoots 1,057 fps at around 720p, going up to an insane 38,565 fps albeit at a resolution of 335 x 96. All of this now arrives in a package that costs a mere $3,500.
Earlier this week, the European Parliament voted to make huge changes to copyright legislation. The new directive could mean that Instagram will finally have to address the vast amount of freebooted content that proliferates on its platform.
Entry level DSLRs and smaller format cameras don’t do a great job when trying to achieve footage with a cinematic feel, but with these tips, you can add an extra touch to your filmmaking. All of the advice is either incredibly practical in terms of how you shoot, or requires a very low level of investment. If you’re new to shooting video, be sure to check out this list.
We dream of huge apertures that can give us incredible subject separation and whip up the world’s creamiest bokeh. Imagine my excitement when I was invited to spend an hour playing with the world’s first f/0.35 50mm autofocus prime lens, a lens so secret that I can’t even tell you the mount, never mind who makes it. Check out the amazing images that this lens can produce.
Last month I asked readers to share their experiences of working for Kodakit. The responses have been mostly positive but with a few caveats. You can expect to shoot (and eat) a lot of food, but is it worthwhile?
If you’ve been learning photography and have started to take your first steps outside of your camera’s program mode, aperture priority can help you get to grips with your camera and develop your knowledge. This camera mode can make shooting easier and open up more creative possibilities.
